An Education producers Finola Dwyer and Amanda Posey have attached Rooney Mara to their upcoming adaptation of Colm Toibin’s novel Brooklyn. Nick Hornby has penned the script about a girl from a small Irish town who must …
Monica Corcoran is contributing to Deadline’s Golden Globe coverage.
It wasn’t the best of dresses or the worst of dresses. Rather, this year’s red carpet at the Golden Globes felt more like a Baltimore debutante ball than a ribald Hollywood awards show. Updos didn’t crest like tsunamis, diamonds seemed to be hibernating, and the only cleavage worth ogling came compliments of Sofia Vergara and Salma Hayek.
If nothing else, a nude dress contrasts well with the red carpet. But a bevy of blush gowns hardly induces fashion envy. Charlize Theron, Angelina Jolie, Kristen Wiig and Kate Beckinsale all chose the tame epidermis hue, though Jolie’s slash of crimson at the neckline of her Atelier Versace gown — like a gash to her clavicle — certainly added Shakespearean drama. Purple, too, made a popular showing among nominees like Octavia Spencer, Shailene Woodley, Julianna Margulies and Emma Stone. (The royal color has been heralded as the “it” shade for spring.) Metallics, an awards-show favorite and a shortcut to glamour, turned up on Diane Lane (pictured right), Madonna, Lea Michele and Nicole Richie. Lane’s gilded Reem Acra aced best dress; Michele’s risque molten silver Marchesa didn’t work because the young actress tried to outshine it. Shades of blue — from navy to cerulean — also proved a popular choice. Jodie Foster, bedecked in a beaded teal Giorgio Armani gown with a strapless corset and a cinched waist, looked feminine and unflappable.
As for skin, there were few plunging necklines. Sigh. Jolie, Jessica Biel and Viola Davis relied on center or side-slits to bare a bit of gam, and it was much appreciated. Rooney Mara’s tough-girl-next-door black Nina Ricci offered glimpses of her skim milk torso, with its bondage-like chiffon cut outs. Glee’s Dianna Agron and Michele competed for squint-worthy exhibitionism with their laser-cut gowns, but neither quickened my pulse. When it came to jewels, oversized earrings stole the show. FYI: If the unemployment rate hovers at 8.5%, stars tend to wisely eschew the quail egg-sized diamonds and blinding ruby chokers. Then, there’s Madonna. The best original song in a motion picture winner wore $2.5 million worth of Neil Lane gems, including half a dozen diamond and platinum cuff bracelets. Material girl, indeed.
In the end, I say, “all hail Tilda Swinton.” The statuesque fashion-forward icon — with the arm span of a yeti — didn’t disappoint in an ice blue Haider Ackerman skirt suit with strong, sharp shoulders. The red carpet always seems to part for Swinton and she deserves it.
Here’s the list of who wore who:
AFM: FilmNation Unveils Back To Back Terrence Malick Films ‘Lawless’ And ‘Knight Of Cups,’ With Ryan Gosling, Christian Bale And Cate Blanchett
(Los Angeles, CA) November 2, 2011 – FilmNation Entertainment is continuing their relationship with acclaimed director Terrence Malick (The Tree of Life, The Thin Red Line) and handling international sales and distribution on his next two films. LAWLESS will star Ryan Gosling (Drive, The Ides of March) and boasts a supporting cast that includes Academy Award Winners Christian Bale (The Dark Knight, The Flowers of War), Cate Blanchett (The Hobbit, The Curious Case of Benjamin Button) plus Rooney Mara (The Girl with the Dragon Tattoo, The Social Network) and Haley Bennett (Marley & Me, The Haunting of Molly Hartley).
The second film, KNIGHT OF CUPS, will star Christian Bale with a supporting cast including Cate Blanchett and Isabel Lucas (Immortals, Transformers: Revenge of the Fallen). Both films are currently in pre-production and will shoot back-to-back in 2012. Sarah Green (Untitled Terrence Malick Project, The Tree of Life, The New World, Take Shelter, Mud) and Nicolas Gonda (Untitled Terrence Malick Project, The Tree of Life, The New World) will serve as the producers on both films with FilmNation Entertainment handling international sales during this week’s AFM.
Deadline told you Monday that Warren Beatty was getting behind the camera for the first time since Bulworth. Paramount and Beatty are keeping details under wraps, but here’s what I’ve heard: He will play Howard Hughes, but it’s not …
Super 8’s $37 million opening weekend was a surprise given last week’s soft tracking numbers that rival marketing execs attributed to JJ Abrams’ insistence on keeping plot reveals — and the creature — out of the TV spots. Those skeptics might argue Super 8 could have posted a larger opening weekend with a more revealing campaign, but it is nice to see a filmmaker — and the studio that backed him — vindicated in their decision to preserve the moviegoing experience by not dishing all the reveals. It’s too bad Abrams wasn’t advising disgraced Congressman Anthony Weiner, who also would have benefited by fighting the temptation to unveil the creature.
UPDATE, WEDNESDAY AM: Sony has released an “official” green-band trailer for The Girl With The Dragon Tattoo, after the slightly less tame red-band one we had for you over the weekend was taken down all over the Internet by the studio, which claimed it was unauthorized. Publicity ploy …