Brian Brooks is Managing Editor of MovieLine.
Oscar contenders Silver Linings Playbook and Rust And Bone held solid in the specialty realm as they expanded. The overall box office had dreadful debuts from TWC’s Killing Me Softly and LD Entertainment’s The Collection. But Weinstein’s David O. Russell-directed Silver Linings held nicely with a per-theater average of just over $9K as the movie added four cinemas in its third weekend. Sony Pictures Classics’ Rust And Bone remained in two theaters in its second weekend, averaging a robust $12,912, only a slight dip from last weekend’s opening.
Related: OSCARS Q&A – Marion Cotillard
Fox Searchlight’s Hitchcock, meanwhile, added 33 locations, averaging $8,111 and will add 26 cities next weekend. “There appears to be evidence that word of mouth may be starting to take hold as the film begins to roll out, noted Searchlight’s Frank Rodriguez. “The film, directed by Sacha Gervasi, appears to be gaining some momentum as the performances of Helen Mirren and Anthony Hopkins continue to impress audiences.” Focus Features added 318 theaters for Anna Karenina. Its $5,806 average was decent and its nearly $2.3 million gross placed it 17th in the overall box office, just behind Silver Linings Playbook and two spots behind wide release debut The Collection.
Related: Weinstein Finds ‘Silver Linings’ For Oscar Race
Among newcomers, Pantelion Films-Lionsgate’s Hecho En México arrived in a dozen theaters and an average of $6,500. The Independent/Film Buff Ex-Girlfriends had a New York City debut at Cinema Village, taking in $2,500. The self-described “micro-budget” feature also rolled out on digital platforms. China Lion’s Adrien Brody and Tim Robbins starrer Back To 1942 averaged a slight $5K in 20 theaters. Read More »
David Mermelstein is an AwardsLine contributor.
Although Marion Cotillard is the perfect blend of European elegance and natural allure, she’s never been afraid to portray characters lacking those qualities. Her Oscar-winning role as chanteuse Edith Piaf in La Vie en Rose (2007) is a perfect example. But she’s also appeared in big-budget Hollywood films like Michael Mann’s Public Enemies (2009), Christopher Nolan’s Inception (2010), and, earlier this year, Nolan’s The Dark Knight Rises. Her latest role, as Stéphanie in Jacques Audiard’s French-language Rust And Bone, finds her playing an emotionally repressed whale trainer who loses her legs in an on-the-job accident and then must recalibrate her life.
AwardsLine: What attracted you to the role of Stéphanie in Rust and Bone?
Marion Cotillard: First of all, I always wanted to work with Jacques Audiard, so I was thrilled when he asked to meet with me. I expected a very special story from him because all his movies are very special, but what I didn’t expect was a real love story. And I fell in love with the character — the evolution of her, the complexity. And how she goes from anger to power is something that really moved me. Read More »
Brian Brooks is Managing Editor of MovieLine.
Anthony Hopkins and Helen Mirren’s potential Oscar candidate Hitchcock hits theaters this weekend in limited release. The AFI Fest opener will launch a platform release before expanding nationally. A possible non-fiction awards contender, The Central Park Five, made news recently as New York City attorneys sought footage in connection with pending litigation. And previous Best Actress Oscar-winner Marion Cotillard won acclaim along the festival circuit for Rust And Bone which debuted last May in Cannes and Thanksgiving weekend.
The Central Park Five
Directors – Writers: Ken Burns, Sarah Burns, David McMahon
Subjects: Anton McCray, Kevin Richardson, Kharey Wise, Angela Black, Calvin O. Butts III, David Dinkins Jim Dwyer, Ronald Gold
Distributor: IFC Films
CP5 received a flurry of news coverage recently when New York City lawyers subpoenaed outtakes for their defense of a civil suit filed by five men who were wrongly convicted of raping a woman in Central Park in 1989. “From the minute we saw the film we felt moved and inspired, and we’ve been consistently gratified as we’ve introduced it at festivals that audiences have been too,” said IFC Films’ Ryan Werner. “It was also the opportunity to work with one of the world’s great filmmakers Ken Burns on his first theatrical documentary in 25 years along with his daughter Sarah Burns and her husband David McMahon.”
Central Park Five opens Friday in New York at Lincoln Plaza, IFC Center and the Maysles Cinema in Harlem. The NuArt will open the film in Los Angeles the following weekend with additional select markets on tap for December. It is also available via VOD. Werner said “Media attention will hopefully raise the profile with segments on CBS Morning News, The View, David Letterman, Colbert and Charlie Rose to name a few”.
Read More »
Jacques Audiard’s Cannes competition film Rust And Bone took the top prize at the 56th BFI London Film Festival this evening. This makes it two in a row for Audiard whose A Prophet was also named best film at the … Read More »
The Toronto International Film Festival officially kicked off tonight with gala screenings of FilmDistrict’s time-tripping sci-fi action flick Looper starring Bruce Willis and Joseph Gordon Levitt, plus two Cannes premieres making their official North American bows. On The Road, the 1950s beat … Read More »
With 5 new movies screening just on Saturday alone with many of their stars and filmmakers in tow, co-presidents Michael Barker and Tom Bernard of Sony Pictures Classics are dominating much of the conversation and eyeballs at the 39th Telluride Film Festival. Playing today were SPC’s Cannes sensations Rust & Bone accompanied by star Marion Cotillard, and Palme d’Or winner Amour, whose filmmakers aren’t here. Plus 2013 planned releases No (winner of the Director’s Fortnight in Cannes) and its star Gael Garcia Bernal, and the father/son drama At Any Price whose Dennis Quaid and writer/director Ramin Bahrani are here without Zac Efron. Plus, the remarkable Israeli documentary The Gatekeepers. Barker and Bernard have been coming to Telluride for decades and strongly believe in the value of the festival. “I think anywhere from three to five movies is a good number” to bring here, he told me. And when they aren’t showing their own product, they have been seen at screenings checking out acquisition titles. They also held SPC’s annual filmmakers dinner Saturday night at La Marmotte restaurant.
Related: Toronto Film Fest: What Looks Good For Oscar?
But other top indie divisions of the majors are virtually sitting out this year’s fest. Telluride regular Fox Searchlight doesn’t have a single film on display here this year, though not for lack of trying. Searchlight has launched movies like Slumdog Millionaire, Juno and last year’s The Descendants among many others at Telluride – and this time wanted to bring their big awards hopeful, The Sessions starring John Hawkes and Helen Hunt. But Telluride generally frowns on movies that first debuted at Sundance. So the only Searchlight presence are reps checking out films for sale.
The Weinstein Company normally shows off their top titles, but only brought the undated musical The Sapphires (first seen at Cannes in May). It’s playing well at screenings here. No The Master. No Silver Linings Playbook. Both those movies will be in Toronto. However Weinstein in years past launched Best Picture winners The King’s Speech and The Artist at Telluride.
True, Universal’s arthouse division Focus Features this year is front and center with Hyde Park On Hudson. Its star Bill Murray hit town today and co-star Laura Linney lives here and is attending the fest. But Focus is saving another awards title, Anna Karenina, for a Toronto debut. Paramount, which has been here in the past, skipped Telluride and will miss Toronto in favor of debuting their awards players Flight and Not Fade Away at the New York Film Festival. Read More »