EXCLUSIVE: Salma Hayek is joining Pierce Brosnan and Jessica Alba in How To Make Love Like An Englishman, the sexually charged romantic comedy that Tom Vaughan will direct. In the Matthew Newman-scripted indie comedy, Brosnan plays a Cambridge University prof who finds a woman who is his ideal match (Hayek), forcing him to reevaluate his life of hedonistic excess. This comes after he impregnates her grad student stepsister (Alba). The film’s produced by Richard B. Lewis, Beau St. Clair and Kevin Frakes and is a co-production between Palmstar Media Capital, Southpaw Entertainment, Irish Dreamtime and Envision. Brosnan will be exec producer with Raj Brinder Singh, Lisa Wilson, Myles Nestel and Remington Chase. The film is being funded by Merced Media Partners and Palmstar, with CAA handling U.S. distribution and The Solution Entertainment Group handling offshore sales. Hayek is repped by CAA and Management 360.
Monica Corcoran Harel is contributing to Deadline’s Oscar coverage.
As I like to say, you’re only as good as your last gown. And while no one really spilled blood on the red carpet at the Oscars, a few actresses missed the mark today. Mostly because they just didn’t seem to care enough or try very hard. Jennifer Aniston’s matronly tomato-red Valentino reminded me of a sad little bowl of vanilla ice cream when I’m on a PMS snack binge. Yawn. The classic silhouette also called for more effort with her hair and makeup. She looked like she came straight from Zuma Beach. Kristen Stewart’s cream strapless Reem Acra gown felt like a wishy-washy afterthought for the edgy, young star who fronts for Balenciaga. She appeared sullen, like she was heading for an arranged marriage.
Related: Oscars Fashion: Who Wore What?
Hayek Pinault earned an Oscar nomination for her leading performance in “Frida.” She will be seen next in “Grown Ups 2.”
McCarthy earned a nomination for her performance in a supporting role in the 2011 hit film “Bridesmaids.” She stars in the recently released film “Identity Thief” and will be seen next in “The Heat.”
EXCLUSIVE: Six years after the debut of Ugly Betty, two of the key auspices behind the successful dramedy are reuniting for another light drama at ABC and ABC Studios about a Latino family. In a last-minute buy, the network has put in development Bastards, from Ugly Betty executive producer Salma Hayek and the show’s creator/executive producer Silvio Horta. Completing the A-list team behind the show is producer Mark Gordon, who will also executive produce. Written by Horta, Bastards centers on a colorful Cuban-American family who have their lives turned upside down when it’s revealed that the family patriarch had a child with the family maid over 25 years ago. Now his wife will do anything to protect her children’s inheritance and prevent her family’s deep dark secrets from ever seeing the light of day.
Bastards originated with an idea by Hayek. She and Jose Tamez, her producing partner at their ABC-Studios based Ventanarosa, had been trying to tackle the premise for awhile and had teamed with Gordon’s Mark Gordon Prods., which also is under a deal at ABC Studios. Horta, who is of Cuban- American descent, recently received a call from Tamez and Mark Gordon Prods.’ drama executive Nicholas Pepper who was once Horta’s ABC executive on Ugly Betty. “I immediately sparked to the concept — it was fun and juicy and had the opportunity for both a lot of salacious situations and humor as well as a lot of heart and emotions, hitting that sweet spot I like to write,” Horta said. After some very fast deal-making, the team sold the project at ABC. Back in 2005, others had taken a stab at adapting the popular telenovela Ugly Betty for American audiences before Horta, but his version stuck. “I hope history will repeat itself,” he quipped. Horta, Hayek, Tamez, Gordon and Pepper are executive producing.
EXCLUSIVE: The Cisco Kid is riding back to TV. CBS has put in development The Cisco Kid, a drama series re-imagening the iconic Latino character that is executive produced by Salma Hayek (Ugly Betty) and Lauren Shuler Donner (X-Men).
Written by Diego Gutierrez (The Shield), The Cisco Kid is described as a modern day re-retelling of the classic story of a handsome outlaw and his faithful sidekick in the vein of Lethal Weapon. It follows Cisco as he returns to Los Angeles after serving several tours as a Marine in Afghanistan. After witnessing the murder of his father, Cisco and his best friend/fellow Marine, Sam, team up to solve the case and subsequently find themselves doing what the authorities can’t — defending the city’s oppressed and disenfranchised. Executive producing alongside Gutierrez are Hayek and Jose Tamez through their Ventanarosa production company, as well as Donners’ Co.’s Donner and Jack Leslie. CBS TV Studios is producing.
First introduced in O. Henry’s 1907 short story The Caballero’s Way, the Cisco Kid became a fixture of 20th century pop culture — a rare feat for a Latino character. He went on to headline more than dozen movies, beginning with the 1914 silent film The Caballero’s Way and most recently the 1994 TV movie starring Jimmy Smits as Cisco and Cheech Marin as his sidekick Pancho. The role won an Oscar for Warner Baxter, who played Cisco in several movies. The Cisco character also spawned radio shows, comic books as well as an oft-covered song by War. On TV, The Cisco Kid syndicated series starring Duncan Renaldo ran from 1950-56. CBS has been looking to do Latino-themed projects in the last few years with such efforts as drama series Cane and comedy Rob. This is the fourth high-profile reboot in the works at the network this season, which also has Beverly Hills Cop, from Shawn Ryan and Eddie Murphy; the Vince Vaughn-produced The Brady Bunch; and Have Gun, Will Travel, from David Mamet.
EXCLUSIVE: Doha Tribeca Film Festival and Doha Film Institute executive director Amanda Palmer is setting out on her own to represent and promote Arab talent in front of and behind the camera. The Qatar-based executive has yet to reveal the name of the new agency but tells me she and her Qatari and Dubai partners are self-financing the venture which is expected to be fully operational in November. Palmer launched the first Doha Tribeca film fest in 2009 and took over as director of the DFI in 2010. During her tenure, she’s been involved in packaging myriad projects including Ziad Doueiri’s festival-circuit title The Attack; Salma Hayek and Participant Media’s feature adaptation of Khalil Gibran’s The Prophet; Mira Nair’s The Reluctant Fundamentalist; and Cruel Summer, a 30-minute film installation directed by Kanye West which the rapper unveiled in Cannes this past May and which Palmer exec produced. Building on that experience, Palmer intends to “create a one-stop-shop for U.S. agencies looking to connect with Middle East filmmakers, actors and other relevant talent”. The production outfit will act as a consultant and liaison for producers and studios looking to film in the region.
Here’s Sony’s trailer for Kevin James and Salma Hayek in Here Comes The Boom, which opens October 12th:
The Lion King director Roger Allers has signed on to adapt and direct The Prophet, an animated film Salma Hayek’s Ventanarosa Productions will produce with Clark Peterson and Ron Senkowski. Pepe Tamez and Steve Hanson are executive …
The latest feature from the UK’s Wallace & Gromit gang Aardman Animations arrives in the US in partnership with Sony Pictures Animation. Directed by Peter Lord and co-directed by Jeff Newitt, the stop-motion 3D adventure is based on books by Gideon Defoe, who also scripted. With the voices of Hugh …
Cari Ross, the New York-based publicist who just left ID-PR after eight years as senior vice president, has established her new company. It will be called Balance Public Relations, and her clients include Jennifer Connelly, Alyson Hannigan, Salma Hayek, Julianna Margulies, Dylan McDermott, Arian Moayed, Sarah Paulson, Paul Schneider …
Despite the laughable claim of exclusivity just now by another outlet, I can report that Deadline’s March 19 scoop about Oliver Stone’s Savages heading to Universal is getting closer, but it’s not closed yet. They are now in exclusive …
EXCLUSIVE: Savages, the Oliver Stone-directed adaptation of the Don Winslow novel, is zeroing in on a distribution deal. Universal is in pole position with two others in the running. Along with Aaron Johnson, Stone is in talks with Taylor …