The Gilles Bourdos-directed Renoir debuted in Un Certain Regard at Cannes last year where Samuel Goldwyn Films acquired it for the States. It’s been dated for a March 29 release, but before that Renoir will screen at the Rendez-Vous with French Cinema which kicks off tonight in New York. Celebrating its 18th year, the Rendez-Vous, presented by Unifrance and the Film Society of Lincoln Center, will screen 21 movies including A Lady In Paris with Jeanne Moreau, François Ozon’s In The House and tonight’s opener, Populaire which The Weinstein Co. has in the U.S. Renoir is set on the Côte d’Azur in 1915 and centers on Pierre-Auguste Renoir, Jean Renoir and the woman who becomes the painter’s model and the filmmaker’s lover. Veteran French actor Michel Bouquet stars with Vincent Rottiers and Christa Theret. The trailer is below; click over for the Rendez-Vous promo:
Los Angeles, CA (February 19, 2013) – Samuel Goldwyn Films in association with Provident Films announced today their partnership in the marketing and distribution of David Boyd’s (The Walking Dead, Friday Night Lights) HOME RUN on April 19, 2013. Past successes of the Goldwyn and Provident partnership include Fireproof, October Baby and Facing the Giants.
Toronto, Canada (September 14, 2012) – Samuel Goldwyn Films announced today from the 2012 Toronto International Film Festival that the company is acquiring all U.S. rights to writer/director Michael McGowan’s STILL starring Academy Award® nominee James Cromwell and Academy Award® nominee Geneviève Bujold. Both Cromwell and Bujold deliver inspired and tender performances. After decades of playing supporting characters, James Cromwell gives a magnificent turn in his first lead role. Rick Roberts, Julie Stewart, Campbell Scott and Jonathan Potts round out the top-notch cast.
Los Angeles, CA -June 27, 2012 – Samuel Goldwyn Films is proud to announce, as the X Games kick-off, that it is has acquired all U.S. rights to Bandito Brothers’ Waiting For Lightning. The SXSW fan favorite and rousing documentary follows skateboarding legend and action sports pioneer Danny Way on his journey to jump China’s Great Wall, and reveals the passion, grit, determination and psyche behind one of the world’s greatest athletes. Goldwyn plans a Fall 2012 release.
Samuel Goldwyn Films acquired U.S. rights to the Stephen Gyllenhaal-directed Grassroots, a character-driven comedy about the power of the people and the virtues of standing up for what you believe in. Jason Biggs, Joel David Moore, Lauren Ambrose, Cobie Smulders, Tom Arnold, Christopher McDonald and Cedric The Entertainer star.
Gyllenhaal and Justin Rhodes wrote the script and Peggy Rajski, Michael Huffington, Matthew R. Brady, Brent Stiefel and Peggy Case produced with MRB Productions. Goldwyn has slated a June 22nd release.
This coming weekend’s specialty releases include Samuel Goldwyn Films’ Bad Ass, starring Danny Trejo as a Vietnam veteran who takes matters into his own hands to solve a murder, while Indican Pictures’ Falling Away takes a look at a Los Angeles inner-city neighborhood reeling from the aftermath of a devastating school bus crash. Also among Friday’s limited openers is English-language foreign film Late Bloomers starring Isabella Rossellini and William Hurt as a couple confronting their pre-retirement years with divergent results. And documentary Unraveled is a fascinating look at the gilded house arrest of Marc Dreier, a convicted ponzi mastermind who plundered over $700 million from investors, a crime that was overshadowed only by Bernard Madoff’s arrest for the largest fraud scheme in American history just days before.
Director: Craig Moss
Writers: Craig Moss, Elliot Tishman
Cast: Danny Trejo, Charles S. Dutton, Ron Perlman
Distributor: Samuel Goldwyn Films
The folks behind action-drama Bad Ass didn’t get much help in terms of resources putting their project together. One jurisdiction even withdrew promised support, which prompted the production to re-locate altogether. “We developed the film in house and financed the film from our own private equity sources without pre-sales,” producer Ash Shah told Deadline. ”It actually came together pretty quickly. The only hiccup we had was after being approved for a rebate from a state (unidentified), they turned around and decided they weren’t going to honor their approval. We had a window with Danny Trejo’s availability so we decided to shoot in LA instead.” Once in LA though, the production went “pretty straightforward,” noted Shah who added that director Craig Moss delivered a “fun and action packed movie for the Grindhouse crowd.” The film centers on a vet who becomes a local hero after saving a man from attackers on a city bus. After his best friend is murdered and the police show little interest in solving the crime, he again takes matters into his own hands.
A slate of documentaries are part of this weekend’s specialty offerings including The Weinstein Company’s high-profile Bully, which should garner some decent box office cha-ching based on publicity alone due to its fight to reverse an R rating from the MPAA. But before it was in the media spotlight, its filmmaker struggled to make the feature much like most indie directors. New Yorker Films is also utilizing school-yard teasing as one way to spread the word about its controversial Norwegian feature Turn Me On, Dammit! Samuel Goldwyn Films is hoping to replicate one of its past successes by keeping the focus on its main subject for its rollout The Island President. And filmmaker Alan Govenar happened upon a low-profile center of Beat culture in Paris, taking what was originally intended to be a short film about the topic and turned it into a full feature in The Beat Hotel.
Freelance writer Dominic Patten is a Deadline contributor
The anti-abortion drama October Baby opens in 390 theaters nationwide today, and according to distributor Samuel Goldwyn Films its domestic box office has the second-highest per-screen matinee average behind The …
Samuel Goldwyn Films and director Larysa Kondracki have finally been given a date for a United Nations screening and panel discussion on The Whistleblower, the drama about sex trafficking in post-war Bosnia that occurred under the watch of UN peacekeepers. The screening will take place tomorrow at 3:30 PM. Kondracki will take part in the panel discussion along with Madeleine Rees, former UN rights lawyer and secretary of the Women’s International League For Peace And Freedom (played in the film by Vanessa Redgrave); Susana Malcorra, Under Secretary General, Department of Field Support; and Anne-Marie Orler, Police Adviser, Department of Peacekeeping Operations. The screening and discussion is being hosted by UN Secretary General Ban Ki-moon. The screening will be attended by member states and UN staff.
After months of back and forth, the United Nations has told director Larysa Kondracki that her controversial film The Whistleblower will be given a special screening at UN headquarters on the week of Oct. 10. After the screening, a panel discussion will address the issue of sex trafficking in post-war Bosnia. It’s an embarrassing chapter for the UN, as the film depicts UN peacekeepers not only turning a blind eye to the trafficking of women forced into prostitution in post-war Bosnia, but actually assisting in the transport of sex slaves over the border and into unimaginable hellholes. This latest development comes as a surprise to Kondracki, who has lobbied for months to bring her cautionary tale to the UN. The film stars Rachel Weisz as Kathryn Bolkovac, an American police officer who takes a job as UN peacekeeper in Bosnia and not only was shocked to discover the sexual enslavement of young girls, but that UN peacekeepers and private contractors were major customers. Given diplomatic immunity by the State Department when they hired on, the men were never punished for their complicity in the criminal enterprise. Bolkovac, on the other hand, was excoriated and blackballed for exposing the scandal.
Samuel Goldwyn Films began slowly rolling out the film two weeks ago, and Kondracki initially got a frosty response from the UN. She figured out why when she was slipped an internal UN memo, which she shared with me and which indicated how conflicted senior advisers were over whether to embrace the film or run from it. “After the film premiered and there was quite a bit of press, that’s when I was given the memo by someone who works for the UN and we heard they were going the damage-control route,” Kondracki told me. “I wrote the Secretary General, sent him the DVD, and said they were making the wrong decision.”
Samuel Goldwyn Films has released a trailer for the Larysa Kondracki-directed The Whistleblower, with Rachel Weisz starring as an American police officer who becomes a peacekeeper in post-war Bosnia. Her hopes of helping rebuild the country are dashed when she sees rampant sex-trafficking activity, and apathy or worse among government …