Netflix Execs Headed Back To France For More Expansion Talks
Last week, Netflix CEO Reed Hastings said the company was eyeing “substantial” European expansion in 2014. His comments came a little more than a month after execs from the streaming service met with staff of French President François Hollande to discuss an entry into France. According to local media reports, Netflix execs now are due to return to France to meet with industry folk within the next week. Pascal Rogard, head of authors’ rights group the SACD, told Le Figaro that the situation is coming into focus with a possible launch later this year. Netflix is available in 41 countries including France’s neighbors to the north such as the UK, the Netherlands and the Nordic region. A French launch has been rumored over the years, but moving into the fiercely protected territory is ornery in part due to a complex film-windows chronology that prohibits movies from appearing on monthly SVOD services until three years after a theatrical release. There is no such protection for TV series, but Netflix’s House Of Cards already airs on local pay-TV leader Canal Plus, which would see the service’s arrival as competition. In a conversation with analysts, Netflix Chief Content Officer Ted Sarandos was asked last week whether the service would be out of certain markets with its key originals because it had already sold them to local providers. “It depends,” he said. “There’s multiple windows, and we’ll continue to have those negotiations as we get closer to those launches.” It’s expected that should Netflix enter France, it would have to adhere to obligations to invest in local content. Culture Minister Aurélie Filippetti told Le Journal du Dimanche this weekend, “Netflix should be an additional player, not a stowaway.” It’s also believed that Netflix is eyeing a move into Germany. With regard to expansion, MoffettNathanson Research’s Michael Nathanson said last week that “it remains difficult to figure out the ultimate size and value of Netflix’s international opportunity” due to the company’s “undisclosed new market entries, minimal transparency and continual reinvestment.”
Global Showbiz Briefs: Netflix Execs Headed Back To France For Expansion Talks; Patrick Malone Joins Goldcrest Post; More
Netflix Execs Headed Back To France For More Expansion Talks
Global Showbiz Briefs: Ecosse Films Inks 3-Year Deal With Shine International; Film4′s Katherine Butler Headed To UK’s Raw; More
Ecosse Films Inks First-Look Deal With Shine International
The UK’s Ecosse Films has pacted with Elisabeth Murdoch’s Shine International in a three-year, first-look deal that will see the latter handle the producer’s TV sales and distribution. Ecosse’s TV credits include three seasons of Mistresses for BBC One (the U.S. remake was recently renewed for a second season by ABC); Life Of Crime for ITV and biopic Fleming for Sky Atlantic HD. Ecosse also has feature credits that include Diana, Becoming Jane and Nowhere Boy. Shine will rep finished tape and format rights for Ecosse Films’ new television output from January 1 onward.
Katherine Butler Leaving Film4 For UK Producer Raw
Film4 Deputy Head of Film Katherine Butler is leaving to join UK producer Raw. She will head up the film and TV drama division. Traditionally a factual producer, Raw launched a film and drama wing in 2012. Its series include Gold Rush for the Discovery Channel, Locked Up Abroad for National Geographic, and Paranormal Witness for Syfy. On the drama side, Raw has five projects in development with Film4, including Bart Layton’s American Animals. While at Film4, Butler executive produced numerous titles including Paddy Considine’s Tyrannosaur, Ben Wheatley’s Sightseers, Peter Strickland’s Berberian Sound Studio, and Clio Bernard’s BAFTA-nominated The Selfish Giant. Raw and Film4 maintain strong ties.
Global Showbiz Briefs: BSkyB Opens Sky Store To Nonsubscribers; Netflix Eyeing France Launch?; More;
BSkyB Opens Its Sky Store Rentals To All Broadband Users
BSkyB set a challenge today to streaming providers in the UK such as Netflix and LoveFilm by announcing it has opened its Sky Store movie rental service to anyone with a broadband connection. The service does not require a Sky subscription, meaning all users in the UK and the Republic of Ireland will have access. Sky, which is controlled by 21st Century Fox, says new films including Man Of Steel and Despicable Me 2 are available from today with other fresh titles available at the same time as they drop on DVD. Those will rent for £3.49 ($5.70) each. Library titles will go for 99p-£1.99. There are already about 1,200 movies online which can be streamed through SkyStore.com, or via NOW TV, Roku and YouView. Sky’s had success with renting movies to its existing customers with 2.1 million rentals in the third quarter.
Report: Netflix Mulls Expansion Into France
Netflix has been a long time coming to France, Europe’s third-largest market, but is the tide about to turn? According to Reuters, executives from Netflix met with the staff of French President François Hollande this week to discuss the move. Netflix is available in 41 countries including France’s neighbors to the north such as the UK, the Netherlands and the Nordic region. A French launch has been rumored over the years, but moving into the fiercely protected territory is ornery for the streaming service given a complex film-windows chronology. There is no such protection for TV series, but many U.S. shows air as much as a year later than they do in the U.S. on traditional networks like TF1. TF1 has a VOD service that offers first-run U.S. series on a one-day delay and pay-TV leader Canal Plus airs first-run series within a few days; it even launched a new channel this year on which to showcase them. But movies are hampered by rules that prohibit films from appearing on monthly SVOD services until three years after a theatrical release. Rentals via a set-top box are permissible four months after theatrical. The windows issue has long been a thorny one in France, with industry opinions divided, but discussions are ongoing. A Hollande rep told Reuters, “Netflix wanted information about the legal conditions that would affect its potential arrival in France.”
Six New International Deals For UK’s Drama ‘Broadchurch’
Shine International said Wednesday that it has made a half-dozen more deals for Broadchurch, the UK’s most-watched new drama: Channel One (Russia), France 2, NRK (Norway), OnDirecTV (DirecTV Latin America), ProSiebenSat.1 Media AG (Germany) and TV4 (Sweden). The deals bring Broadchurch into 32 territories worldwide, including ABC Australia and BBC America, Broadchurch premiered Wednesday night. Also, Fox said at TCA last week that it is adapting the show as one of its new “event series”. The eight-part UK series, starring David Tennant and Olivia Colman, was created and written by Chris Chibnall. It’s set in a quiet seaside town following the murder of a young boy and focuses on the impact the crime has on the community when everyone becomes a suspect.
Icon Taps Roadshow Films NZ As Its New Zealand Distributor
Icon Film Distribution said Wednesday that it has chosen Roadshow Films NZ as its new theatrical distribution partner in New Zealand. The deal, which begins in November, represents an extension of home entertainment distribution relationship between the two companies. Among the first Icon titles distributed by Roadshow in the territory will be Filth and Ender’s Game. Icon had been partnered with Studio Canal in New Zealand.
Global Showbiz Briefs: Shine Int’l Makes CEO Permanent; New Download/Streaming Service Headed For UK
Shine International Takes Interim Tag Off Nohr
More than eight months after Nadine Nohr stepped in as interim CEO at Shine International, the company has made her gig permanent. Two years ago, the exec supervised the unit’s revamp and relocation. She began as a consultant to Shine International, the sales and distribution arm of the Shine Group, in 2011. Her resume includes a dozen years at Granada International.
Aussie Comedy Creators Sign With Gersh
Trent O’Donnell and Phil Lloyd, who created Australian TV comedy Review With Myles Barlow, have signed with the Gersh Agency just as the show’s U.S. adaptation, Review With Forrest MacNeil, goes into production for Comedy Central. O’Donnell is a writer-director and Lloyd is a writer-actor who played the lead in Review with Myles Barlow. O’Donnell says he and Lloyd plan to travel to the U.S. early next year to look for opportunities as creators-showrunners. The pair, who are partners in Australian production company Jungleboys, also created A Moody Christmas, a comedy series for Australia’s ABC-TV in which each of the six episodes focuses on the dysfunctional Moody family on Christmas Day one year apart. DCD Rights is the international distributor of A Moody Christmas.
With a month to go before the Mipcom TV market kicks off in Cannes, Shine International is undergoing a shift at the top of its ranks. Camilla Hammer, CEO of the sales and distribution arm of Elisabeth Murdoch’s …
14 May 2012 – ITV Studios Global Entertainment (ITVS GE) has today announced that Ruth Clarke has been appointed Director of Acquisitions and Co-Productions. Ruth joins the company from Shine International, where she is SVP, Head of EMEA.
Reporting to Maria Kyriacou, Managing Director of ITVS GE, Ruth will be responsible for overseeing ITVS GE’s acquisition and co-production strategy, contributing to international growth through partnerships with ITV Studios and external producers worldwide.
LONDON, December 14th 2011 – Shine Group today announced the appointment of Modern Times Group (MTG) executive Camilla Hammer to CEO of its sales and distribution division Shine International. The appointment follows the recent relocation of Shine International from LA to London, where Hammer will be based and lead an international team of 42. In her new role, she will be responsible for the exploitation of worldwide intellectual property rights from both the Shine Group and independent producers and networks through formats and tape sales. Reporting to Shine Group President Alex Mahon, she will commence her new role in early 2012. Camilla Hammer is joining Shine Group from Modern Times Group (MTG) where she was SVP Acquisitions.
MIPCOM Briefs: ITV Sells NBC’s ‘Prime Suspect’ To 30 Territories; Overseas Buyers Get ‘Happily Divorced’
The international TV market got underway in Cannes this morning with a flurry of announcements. Here are a few titbits:
– ITV Studios Global Entertainment, the TV distribution arm of the Brit broadcaster, has sold the new NBC version of Prime Suspect to over 30 territories worldwide. This is despite the show teetering on the verge of cancellation in the U.S. ITV, which co-produced the remake with Universal Media Studios, has licensed the Maria Bello vehicle to broadcasters including Nine (Australia), TVNZ (New Zealand) and TV3 (Ireland). Prime Suspect drew an underwhelming 1.5 18-49 rating in its second week on NBC. My colleague Nellie Andreeva reports that NBC’s chief Bob Greenblatt is willing to give the struggling show, which got mostly positive reviews, a bit more time.
– Meanwhile Shine International, the TV distribution arm of News Corp’s Shine Group, has licensed more than 200 hours of programming to Discovery Networks Latin America/US Hispanic. It’s the biggest commission Shine has brokered with DLA/USH to date, and includes cooking competition show MasterChef, game show The Biggest Loser, and unscripted format One Born Every Minute.
The last of Ben Silverman’s three musketeers who launched Reveille with him is leaving parent company Shine Group. Chris Grant, who has served as president of sales and distribution arm Shine International since Shine’s 2008 acquisition of Reveille, will depart later this year, along with his top lieutenant, EVP John Pollak. The move is a result of News Corp-owned Shine Group’s decision to relocate the headquarters of its sales and distribution unit to London, where Shine’s main offices are, from Los Angeles. Grant, who has chosen not to relocate, will work through a six-month transitional period and help in the search for a London-based successor. Shine Group President Alex Mahon will be taking oversight of Shine International in the interim. ”At this stage of the company’s growth, Shine International needs its headquarters alongside our teams that manage and exploit group formats, brands and digital rights, with local sales experts in our global production centres of excellence,” Mahon said.
Shine International will keep a presence in LA with a small office. Pollak will continue in his role as Head of Sales until the end of the year, remaining in the US. SVP Business and Operations Martin Rakusen will relocate to the London office. “I am incredibly proud of the substantial growth that Shine International has achieved since we started the company, and particularly in the last few years since joining the Shine Group,” Grant said. “These changes are absolutely right for the business at this point in its development, however, LA is my home, and rather than relocate, it is also a good time for me to allow my colleagues to build on the success we have, together, created.”
BBC America has come on board to co-produce the new six-part drama series The Hour, announced in November by BBC Two. The series, which will premiere in the summer on BBC America, was created and written by BAFTA-winning Abi Morgan (White Girl). It is a spy thriller set behind the scenes …
It didn’t take long for new Shine Group Americas CEO Emiliano Calemzuk to put his stamp on Reveille with a major executive move. Calemzuk, who joined Shine last month, has reshuffled the top management at the Shine-owned company: co-managing director Howard T. Owens will now run the company solo as managing director, while co-managing director Mark Koops is leaving. Additionally, executive producer Robin Ashbrook has been promoted to the newly created role of Head of Non-Scripted Entertainment. Koops is pursuing a new venture, which will be announced shortly, Shine said. “This is a re-structure that will equip Reveille for the next period of its growth,” Calemzuk said. In a similar fashion, 3 weeks after taking over Fox TV Studios as president in 2007, Calemzuk shook up the company’s top management by axing 3 department heads.