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Pinewood Finally Granted Permission To Expand Flagship UK Facility

Pinewood Finally Granted Permission To Expand Flagship UK FacilityIt’s taken a fair few years, but Pinewood Studios now finally has the greenlight to grow. That’s welcome news at a time when the UK is bursting with film and TV series jockeying for stage space and tax breaks. The UK’s Secretary of State for Communities and Local Government today offered his positive decision on the Pinewood Studios Development Framework which will double the existing facility in South Buckinghamshire. The studio is currently host to Star Wars: Episode VII and is awaiting the next James Bond movie. In total, 100,000 square meters of new studios, stages, workshops and production offices will be added. CEO Ivan Dunleavy recently told me that if the expansion permission was granted, Pinewood would “hope to have the first phase under construction in the first year.” Today he said, “We want to begin construction as soon as possible.”

Related: Pinewood Earnings Grow Amid UK Studio Capacity Crunch; Whither Expansion?

pinewood entrancePinewood has been ready for this expansion for some time, but it’s been a tough road getting here. The studio originally applied for permission to grow back in 2011 and was rejected in early 2012. The local council took issue with part of the original plan that included building residences on adjacent greenbelt land. The residential aspect was removed from the proposal and Pinewood resubmitted the plans. But they were again rejected in May 2013. A public inquiry … Read More »

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Kathy Griffin, Stephen Colbert, ‘Skyfall’ & David Fincher Among Grammy Winners

By | Sunday January 26, 2014 @ 11:56pm PST
Nellie Andreeva

kathygriffinWhat do Kathy Griffin and Stephen Colbert have in common? They are now both Emmy and Grammy winners. Colbert, winner of four Emmys for his eponymous Comedy Central late-night program, added a second Grammy to his collection for the audio version of his book America Again: Re-becoming The Greatness We Never Weren’t. grammy-awards-logoHe previously won in 2010 in the comedy category where Griffin nabbed her first Grammy in her sixth nomination tonight to become only the third woman to do so. (Whoopi Goldberg and Lily Tomlin were the other two.) Griffin, who won two Emmys for her Bravo series My Life On The D-List, thanked recently arrested pop star Justin Bieber for giving her his “relax juice.”

Related: Who’s Giving Grammy Intro To Paul McCartney And Ringo Starr?

The reigning Oscar winner for best song, Adele’s James Bond ballad “Skyfall,” and Tony winner for best musical, Kinky Boots, repeated at the Grammys as Best Song Written for Visual Media and Best Musical Theater Album (Skyfall also won for Best Score Soundtrack for Visual Media.) After missing out on the DGA Award last night for directing the pilot of Netflix’s House Of Cards, David Fincher was triumphant in the Best Music Video category for helming Justin Timberlake’s black-and-white “Suit & Tie.” And Pharrell Williams, big winner tonight with the French electronic music duo Daft Punk, was named Producer of the Year for several songs, including ”Happy,” the Oscar-nominated track from Despicable Me 2. Read More »

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Sony Pictures To Shift Emphasis From Movies To TV, Will Cut Film Output For 2014

By | Thursday November 21, 2013 @ 8:41am PST

Sony Pictures CEO Michael Lynton just laid out the new plan to investors as he discussed ambitious financial goals for the company’s entertainment units. That will include “a significant shift in emphasis from motion pictures to higher margin television” production and distribution. The company says that Sony Pictures should generate $8.4B in revenue in the 2015 fiscal year, with at least a 7.5% operating profit margin. In addition, Lynton says that revenues through 2017 should grow at low- to mid-single-digit annual rates, with operating income rising by high-single- to low-double-digit rates. He added that the music segment should report $4.8B in revenues in 2015, growing flat to slightly up through 2017, and a 9.5% operating margin growing by mid- to high-single-digit rates. The film greenlighting process is “more onerous from end to end,” Lynton says. “The times demand that we set a higher bar and we have done just that.” When it comes to dealing with talent, the studio warns that it will now be “saying ‘no’ when in the past we might have said ‘yes’.” Directors will be told that they are “on the financial hook for financial overruns.” When it comes to profitability “we are not satisfied.” In addition to the cost controls, the studio is looking for digital and international opportunities including “content with universal appeal.” It will foster an “innovative entrepreneurial culture” and encourage “creative excellence.” But financial discipline will be “front and center.” He noted that Sony is working with a “third party” — reportedly Bain & Co. — to help find cuts. Lynton also talked up the company’s “One Sony” strategy which includes producing documentaries about Sony Music artists including Michael Jackson, and hiring singer Adele to sing the theme to the James Bond film Skyfall. ”This is our time,” Lynton says. “We intend to seize it…and deliver to shareholders more of the profits that you deserve.”

Related: How Sony Pictures Answered Critics Going Into Thursday Investor Meeting Read More »

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MGM Revenues +43% In Q3 With TV License Fees For ‘Skyfall’ And ‘Hobbit’

By | Thursday November 14, 2013 @ 12:00pm PST

The hit movies are the gifts that keep on giving for MGM. In addition to the jump in revenues, the studio says that James Bond and the residents of Middle Earth helped to raise Q3 net income by $23M vs the period last year — once you factor out last year’s $48.5M gain from the sale of MGM Networks to Liberty Global’s Chellomedia. The reported results, including last year’s sale, shows net income of $16.59M, -29%, with the revenue boost to $242.9M. TV licensing was +84% with pay TV and streaming revenues for Skyfall and The Hobbit: An Unexpected Journey as well as TV series Vikings and Teen Wolf. MGM says that there was “no similar film content” moving through its pipelines last year. The privately held company also reports that it doubled its share repurchase plan to $150M. That indicates MGM’s “continued confidence in the company and its prospects,” CEO Gary Barber says.

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BFI: UK Films Take 15% Of Global Market Share In 2012; Auds Age At Home

UK films brought in $5.3B at the global box office, according to findings published today in the British Film Institute‘s annual Statistical Yearbook. The figure reps a 15% share of the world market and is the third-highest on record. The performance on British movies was led by James Bond pic Skyfall, the No. 1 film of all time in the UK at £103M loocally and $1.1B worldwide. Total UK box office was £1.1B. Admissions, however, were up only a half a percentage point, hampered by distractions that included the Queen’s Jubilee, the Summer Olympics and the Euro 2012 soccer tournament.

On the audience front, people 45 and over made up 36% of moviegoers. The now dominant demographic reflects a trend towards films made for and marketed to older audiences. Top among those titles last year were Salmon Fishing In The Yemen, The Best Exotic Marigold Hotel and Anna Karenina. Younger audiences declined with the 15-24 age group decreasing from 31% in 2011 to 25% of the total in 2012. Marigold Hotel also led indie exports, taking $135M internationally, followed by The Woman In Black with $128M. Total UK film exports were worth £1.7B. Read More »

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Sam Mendes Back In The Picture To Direct Next James Bond Film

By | Tuesday May 28, 2013 @ 2:32pm PDT
Mike Fleming

EXCLUSIVE: Sony Pictures and MGM have started talks for Sam Mendes to return and direct Daniel Craig in the next installment of the James Bond franchise. Mendes helmed the last installment, Skyfall, an audience-pleasing film that grossed over $1.1 billion worldwide to become the biggest Bond film and the eighth-highest-grossing film of all time. John Logan is writing the next film.

There has been much speculation on whether Mendes would come back — right now he’s knee-deep preparing for the West End launch of the stage musical Charlie And The Chocolate Factory, which will then move to Broadway. That happened because Mendes bowed out, claiming that musical and King Lear were his new priorities and producers Michael Wilson and Barbara Broccoli seemed resigned and they moved on. Recently, he and the producers got back in touch. While Mendes’ first love is theater, it became clear that the producers wanted him and he wanted to return, and the only thing standing in the way were these stage commitments that Mendes felt obligated to do. So, they’ve decided to wait for him to work through those other commitments, and he’s now making a deal to start production probably next year. What’s the hurry? Craig doesn’t seem to have aged since he took the Bond role; he’s always in rocking shape. While Mendes looked doubtful, a bunch of names have been floated in the press, from Ang Lee to Nicolas Winding Refn and Christopher Nolan. I’m not sure there is much validity to any of them, but now it is a moot point, because Mendes will be the director of the next Bond. Read More »

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MGM Reports Q1 Windfall From ‘Hobbit’ And ‘Skyfall’

By | Thursday May 16, 2013 @ 1:23pm PDT

The numbers do the roaring for MGM. In the first three months of this year it generated net income of $57.4M, +150.7% vs the period last year, on revenues of $481.7M, +168.4%. It shouldn’t be a surprise. With the late 2012 release of the James Bond film Skyfall, and a 50% stake in The Hobbit: An Unexpected Journey, the studio had $139.5M in worldwide box office revenues, up from $0.5M last year. The company says that it has to wait for costs to be covered before it can recognize revenue from two films it co-financed: Hansel & Gretel: Witch Hunters and G.I. Joe: Retaliation. Home entertainment also was way up — to $201.7M from $36.2M — with the home video release of Skyfall and piggy-back promotions for its James Bond library. But worldwide television licensing was -3.2% to $109.3M. MGM’s 19.1% stake in EPIX delivered $5M to net earnings, +16.3%. The results “exceeded our expectations” and “position us well to deliver on our financial goals” for 2013, CEO Gary Barber told investors. Read More »

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Sony Swings Back To Black With First Annual Profit In Five Years

By | Thursday May 9, 2013 @ 12:52am PDT

The fiscal year ended March 31 marks Sony‘s first full fiscal year in the black since 2008. The company reported earnings today in Tokyo saying it had a net profit of $458M compared to a $4.6B loss the year prior. Sales were up 4.7% and overall were boosted by a drop in the yen and the success of the film division. Sony Pictures Entertainment saw profit jump 40.1% to $509M helped by The Amazing Spider-Man and Skyfall. Sony has sold off assets in the past year as it streamlines, but it still faces stiff competition from the likes of Apple and Samsung. However, the company is forecasting profits will rise by 16.1% for the next fiscal year with sales in the camera, game, home entertainment, music and film divisions expected to increase significantly.

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‘Skyfall’ Helps European Union Films Hit Highest Market Share In 12 Years

By | Tuesday May 7, 2013 @ 7:51am PDT

A British secret agent, an unlikely pair of friends and a kidnapped ex-CIA operative helped boost admissions for European Union films across Europe by 12% in 2012. Despite a drop in overall attendance, market share for Euro films jumped to 33.6%, the highest level of the 2000s so far. The European Audiovisual Observatory said today that Skyfall, a majority UK co-production, was the biggest draw with 44.38M admissions across the Union. It was followed by two French films: The Intouchables at 24.07M and Taken 2 at 10.43M. Receipts hit a record high of 6.47B euros ($8.47B) reflecting hikes in ticket prices and the increase in 3D movies. Admissions for U.S. films were up slightly to 62.8% but were still far off the 68.4% achieved in 2010. The top three Hollywood performers were Ice Age: Continental Drift, The Dark Knight Rises and The Twilight Saga: Breaking Dawn Part 2. Read More »

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Sam Mendes Won’t Direct Bond 24: Report

By | Wednesday March 6, 2013 @ 5:24am PST

He directed the highest-grossing James Bond movie of all time, but with a full dance card, Skyfall helmer Sam Mendes has told Empire Magazine that he will not return to the 007 franchise for the next installment. “It has been a very difficult decision not to accept Michael and Barbara’s very generous offer to direct the next Bond movie,” he said. “Directing Skyfall was one of the best experiences of my professional life, but I have theater and other commitments including productions of Charlie And The Chocolate Factory and King Lear, that need my complete focus over the next year and beyond.” Mendes is also working with Skyfall co-writer John Logan on psychosexual horror series, Penny Dreadful, for Showtime with production eyed to begin in London in the second half of the year. Logan is penning the next two Bond pictures.

Producers Michael Wilson and Barbara Broccoli didn’t rule out the possibility of working with the director again, however. “We thoroughly enjoyed working with Sam, he directed our most successful Bond movie ever, Skyfall. We would have loved to have made the next film with him, but completely respect his decision to focus on other projects and hope to have the opportunity to collaborate with him again,” they said.

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IMAX Beats Q4 Earnings Forecasts With Help From ‘Skyfall’ And ‘Hobbit’

By | Thursday February 21, 2013 @ 4:12am PST

Shares are up more than 3.6% in pre-market trading after the provider of large-screen theater services released a surprisingly strong financial report for the last three months of 2012. IMAX says it generated net income of $12.9M, +105.9% vs the end of 2011, on revenues of $77.8M, +16.6%. The top-line number was comfortably ahead of the $74M analysts expected. And adjusted earnings at 23 cents a share handily beat the consensus forecast for 16 cents. Although the company didn’t break out results for individual films in the quarter, some analysts expected IMAX might surprise them after seeing the strong box office results for Sony and MGM’s James Bond film Skyfall, and Warner Bros’ The Hobbit: An Unexpected Journey. Gross box office revenues for IMAX titles came in at a record $152M, +55.7%, with an average box office per screen of $264,400, up from $221,600.

Related: IMAX Looks For Growth From Digital Projectors And Global Programming Read More »

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Costume Designers Guild Awards: Jacqueline Durran Wins For ‘Anna Karenina’, Eiko Ishioka For ‘Mirror Mirror’, Jany Temime For ‘Skyfall’; TV Winners ‘Smash’, ‘AHS: Asylum’, ‘Downton Abbey’

Deadline’s Jen Yamato and contributor Ross Lincoln provided on-scene coverage tonight.

Costume Designers Guild Awards 2013Anna Karenina‘s Jacqueline Durran and Mirror Mirror‘s Eiko Ishioka vaulted to frontrunner status for this year’s Best Costume Design Oscar by taking home top awards tonight at the 15th annual Costume Designers Guild Awards. Durran won the Outstanding Period Film Award, while Ishioka posthumously scored the Outstanding Fantasy Film nod. “One can only do great work if one is given a great opportunity”, Durran said in accepting her honor. Skyfall‘s Jany Temime took the third film award of the night for Outstanding Contemporary Film.

Other Oscar nominees on the shortlists tonight in the Beverly Hilton-set ceremony included Les Miserables‘ Paco Delgado, who in a pre-ceremony shout-out lamented Argo‘s Jacqueline West missing out on an Academy Award nom — “Argo had a vision of the ’70s I thought was so real, it’s a pity they didn’t get an acknowledgement”; Lincoln‘s Joanna Johnston; and Colleen Atwood for Snow White And The Huntsman.

On the TV side, Downton Abbey‘s Caroline McCall won the Period/Fantasy TV Series category, Lou Eyrich of American Horror Story: Asylum took the Television Movie or Miniseries trophy and Smash costume designer Molly Maginnis won for Contemporary TV Series. The night also featured Career Achievement Awards for Eduardo Castro (TV) and Judianna Makovsky (film), who also took the Commercial Costume Design award in addition to being nominated in the Fantasy category for The Hunger Games.

In other awards, Saturday Night Live boss Lorne Michaels received the guild’s Distinguished Collaborator Award after being introduced by SNL alums Steve Martin, Amy Poehler and Maya Rudolph. Martin was spot-on in his stand-up intro, saying among other things about the CDG plaque he received: “Many men want a trophy wife, but no one wants a plaque wife.” Anne Hathaway was presented with the Lacoste Spotlight Award by her Les Miserables co-star Russell Crowe. “Some of the fondest memories of my life are… not the fittings, no!… but the results of the fittings,” she said. “Being pinned and needled, but you look down and you believe what you’re wearing, and when you look up, you are gone, and the character can come alive.”

Among presenters that also included Mirror Mirror star Lily Collins accepting Ishioka’s award, Shirley MacLaine delivered a hilarious series of zings in presenting the Period Film award won by Durran. “I purposefully want to be here to tonight to pay tribute to…all of you people who mess with your bodies and force you to stand still for hours, and also to balance my karma with you. I know I’ve been causing you a lot of grief for 65 fucking years,” she said to laughter. She then went on: “I’m here to present the… the…” — at this point pretending to forget — “the Period award! Sorry, its been so long”. Read More »

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OSCARS: Handicapping Best Score

By | Monday February 18, 2013 @ 6:00pm PST

David Mermelstein is an AwardsLine contributor

Leaving artistic issues aside, you could—at first glance—say that the competition for best original score isn’t a fair fight this year. Three of the nominees—Mychael Danna (Life Of Pi), Alexandre Desplat (Argo), and Thomas Newman (Skyfall)—have never won an Oscar, and one of them (Danna) is enjoying his first nomination. Dario Marianelli won once before, but his nom for Anna Karenina is only his third. So who’s the heavyweight in the ring? None other than John Williams (Lincoln), who has won five Oscars for original score, as well as one for adapted score.

Williams is basking in his 39th nomination for original score. His first was for The Reivers (1969), starring Steve McQueen. His closest competitor within this group is Newman, who is savoring his ninth nom since 1994, when he earned two—for Little Women and The Shawshank Redemption. Desplat is suiting up for his fifth round since 2006, when The Queen first brought him close to Oscar gold. Read More »

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OSCARS: Sound Editing and Sound Mixing Noms Often Overlap

By | Thursday February 14, 2013 @ 9:06pm PST

Thomas J. McLean is an AwardsLine contributor

Few categories offer as much confusion in Oscar pools as best sound editing and best sound mixing. Unlike the more esoteric categories where few have seen the nominated films, most of the nominees for these categories often overlap and have worked on blockbuster movies.

But while everyone knows the movies and knows what sound is, the difference between the categories remains elusive even to well-informed voters and those working in the fields themselves.

RELATED: OSCARS: Film Student Takes On Studios In David Vs. Goliath Battle For Gold


The short description of the differences goes like this: Sound editors assemble all the sound elements except music and edit it into a soundtrack that is synchronized to the images on screen. That includes assembling everything from dialogue tracks recorded on location to sound effects, Foley and ADR, or additional dialogue recording. The mixer then takes the elements of the edited soundtrack and the music and adjusts the volume levels and 3D placement in the theatrical environment.

The longer description is much more complicated.

“There is a lot more of a overlap of duties as it were for the two jobs, but it’s totally a collaboration from beginning to end”, says Philip Stockton, nominated along with Eugene Gearty for the best sound-editing Oscar for Life Of Pi.

RELATED: OSCARS: Nommed Costume Designers Talk About Challenges

Asking some of this … Read More »

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OSCARS: Best Original Song Race Handicap

By | Tuesday February 12, 2013 @ 8:00pm PST

Anthony D’Alessandro is Managing Editor of AwardsLine.

This year’s crop of contenders—a doc tune, a musical melody, a jazz ditty, and an Indian lullaby—are similar to the genres that the category has recognized in recent years. Pop-radio songs, which arguably have been sparse over the last 10 years with the exception of the Beyoncé-performed Dreamgirls song “Listen” and Eminem’s Oscar winner “Lose Yourself” from 8 Mile, marked their return this year with Adele’s James Bond ballad “Skyfall”. A glance at this year’s best song nominees:

“Before My Time” | Chasing Ice

Music and lyrics by J. Ralph

Where it’s heard in the film: End credits

Backstory: Looking to bring emotion to glacial meltdown, J. Ralph, who scored the Oscar-winning docs The Cove and Man on Wire, enlisted the breathy vocals of Scarlett Johansson and the touching high notes of violinist Joshua Bell. “As the song plays over the final sequence of the film”, Ralph says, “I wanted to create a transportive, hypnotic experience where the audience could absorb all they had seen, as if Scarlett is singing to each person individually. The song explores the dialogue between mankind and nature and the perception of time. In the end, no one is bigger than Mother Nature”.

Odds: Given the Academy’s penchant for songs that earnestly jibe with a film’s sensibility, don’t count out “Before My Time” just because it’s tagged to the end … Read More »

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Movie Ticket Prices Hit New High In 2012 With A Modest Increase Over 2011

Year-end hits including Sony’s Skyfall, Lionsgate’s The Twilight Saga: Breaking Dawn Part 2, and Warner Bros’ The Hobbit: An Unexpected Journey helped propel the year’s average ticket price to $7.96, which is a new all-time high (not adjusted for inflation) but up just 3 cents from 2011 according to data out today from the National Association of Theatre Owners. The growth rate, at 0.4%, is close to 2011′s 0.5% — and contrasts with the steep growth in previous years including 5.2% in 2010, 4.5% in 2009, and 4.4% in 2008. But the growth pace accelerated at the end of 2012: Tickets sold for an average of $8.05 in Q4, which is up 2.8% vs the same three month period in 2011. That’s the biggest quarterly jump since fall 2011. The average price in Q3 was $7.78, a 2% drop from the previous year. Ticket prices hit the high point for the year in Q2 when they reached $8.12, up 0.7% from 2011. Read More »

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ASC Awards: ‘Skyfall’s Roger Deakins Wins Feature Film Honor; TV Winners Include ‘Great Expectations’, ‘Game Of Thrones’, ‘Wilfred’, ‘Hunted’

Skyfall director of photography Roger Deakins won the Feature Film honor tonight at the 27th annual American Society of Cinematographers Awards, two years after he won the society’s Lifetime Achievement Award. Deakins, who didn’t attend because he is working on the Hugh Jackman-Jake Gyllenhaal movie Prisoners, now becomes a frontrunner for the Oscar in the category, American Society Of Cinematographers Awards 2013 Winnersafter Life Of Pi‘s director of photography Claudio Miranda won the BAFTA earlier in the day in London. (The ASC Awards noms pretty much mirror the Oscar nominees this year, with Deakins, Miranda, Anna Karenina’s Seamus McGarvery and Lincoln’s Janusz Kaminski nominated by both organizations. The only difference: Les Miserables’ Danny Cohen was up for an ASC Award and not an Oscar, and Django Unchained’s Robert Richardson is up for an Oscar but not an ASC.)

It was Deakins’ third win and 11th nomination for an ASC Award, having won previously for Shawshank Redemption and The Man Who Wasn’t There. His wife James accepted the award onstage at the ceremony, held at the Grand Ballroom at Hollywood & Highland. She read a note he had prepared: “I share this award with everyone who worked on the production…filmmaking is truly a collaborative privilege.”

Deakins’ win for the James Bond pic capped a night in which Angelina Jolie made a surprise appearance to introduce the ASC Lifetime Achievement Award recipient Dean Semler, her DP on her 2011 directorial debut In The Land Of Blood And Honey and on Disney’s Maleficent, in which she stars.  “I called him up to help me on a film I was directing, not thinking I’d get him”, she said in her intro. ‘Who can shoot it like you can?’ I asked. He said me, and did it. After the call, I’m not embarrassed to say I danced around the room”. Said Semler: “Angie, you’re amazing and we’re so glad you’re here …. This award has to be the greatest any cinematographer can reach for”. Read More »

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Big BAFTA Best Film Win Sends ‘Argo’ Into Oscars With Huge Momentum

Pete Hammond

Actual betting on the Oscars is outlawed in the U.S.. But it is permissible in England – and afterBAFTA today’s British Academy Awards show which just wrapped in London, people would be wise to put some pounds on Argo‘s Best Picture Oscar chances. In what is becoming a familiar sight every weekend, Ben Affleck once again was in the winner’s circle at BAFTA, and along with Best Film he also took Best Director, a prize for which he is famously not nominated at the Oscars even though his movie has 7 nominations – just as it did at BAFTA. So add another strong precursor award to the Argo stockpile that now includes PGA, DGA, SAG, Golden Globes, Critics Choice Movie Awards. Last night, it also added an honor for Chris Terrio’s adaptation at the USC Scripter Awards. (Terrio wasn’t there to accept; instead he was in London for the BAFTAs where he lost to David O. Russell’s Silver Linings Playbook – the only award that film picked up.)

Related: BAFTA Winners: ‘Argo’, Ben Affleck, Daniel Day-Lewis, Emmanuelle Riva

So how reliable is BAFTA as an Oscar predictor? Pretty good in recent years, although spotty sometimes in acting categories. But the two organizations  have several hundred of the same members, and last year BAFTA and Oscar matched … Read More »

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OSCARS: Cinematographers On Creating The Right Imagery

By | Friday February 8, 2013 @ 8:00pm PST

Thomas J. McLean is an AwardsLine contributor

In a year filled with remarkable imagery, the work of the Oscar-nominated cinematographers stands out as integral to the success of the movies they shot.

The nominees bring broad experience to their films. Seamus McGarvey, nominated for shooting Anna Karenina with director Joe Wright, came to the project off the summer blockbuster Avengers; Robert Richardson shot his fourth film with Quentin Tarantino with Django Unchained; Claudio Miranda went both digital and 3D to lens Life of Pi for Ang Lee; Janusz Kaminski made his 13th film with Steven Spielberg in shooting Lincoln; and Roger Deakins ventured into the world of James Bond with Skyfall.

AwardsLine asked the five nominees for Oscar’s Best Achievement in Cinematography to pick a key scene and break it down in detail. The choices, like the nominated films themselves, speak to the challenges inherent in the craft and its essential importance to making a movie.

Anna Karenina

Seamus McGarvey

The Scene: In a single sweeping, shot Vronsky (Aaron Taylor-Johnson) leads Anna Karenina (Keira Knightley) on the dance floor at a high-society ball, with their electricity igniting movement from the other dancers. They connect in a moment of silence, and, for a moment, the auditorium is empty before the dancers return, bringing the star-struck couple back to reality.

Behind the Scene: “(Director) Joe (Wright) worked very closely with Sidi Larbi … Read More »

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