Warner Bros Sets Spike Jonze’s ‘Her’ For November 20

By THE DEADLINE TEAM | Tuesday May 21, 2013 @ 1:43pm PDT

Spike Jonze wrote and directed Her, which stars Joaquin Phoenix, Amy Adams, Rooney Mara, Samantha Morton and Olivia Wilde. The film is about a guy who falls in love with the voice of a computer, a la the iPhone’s Siri. Warner Bros will open the pic November 20, 2013 in limited release, two days before fellow specialty pic Nebraska from Alexander Payne and Paramount, Disney’s Delivery Man and of course Lionsgate’s The Hunger Games: Catching Fire. Her has been percolating for a while, with Megan Ellison’s Annapurna Pictures coming aboard to finance it in March 2011. Jonze’s last feature was 2009′s Where The Wild Things Are. Sony Pictures Worldwide Acquisitions has international rights. Joining Jonze as producers on the film are Vincent Landay and Megan Ellison. Daniel Lupi and Ted Schipper will serve as executive producers.

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Sony Pictures Worldwide Acquisitions Lands Offshore Rights To Spike Jonze, David O Russell Pics

Mike Fleming

David O Russell American BullshitSpike Jonze Sony MovieEXCLUSIVE: Sony Pictures Worldwide Acquisitions has made a deal with Megan Ellison’s Annapurna Pictures for international rights on two untitled film projects that will be directed by Spike Jonze and David O Russell, respectively. As she often does with auteur fare, Ellison stepped up to fully fund both films, as she did with the Paul Thomas Anderson-directed The Master, Bennett Miller’s Foxcatcher and Kathryn Bigelow’s Zero Dark Thirty. Read More »

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R.I.P. Maurice Sendak

By DOMINIC PATTEN | Tuesday May 8, 2012 @ 8:35am PDT

Maurice Sendak DeadMaurice Sendak, author of Where The Wild Things Are, died today after suffering a stroke Friday. He was 83. Sendak’s Where The Wild Things Are was awarded a Caldecott Medal for best children’s … Read More »

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Samantha Morton, Amy Adams And Carey Mulligan Circle Spike Jonze Film

By MIKE FLEMING JR | Wednesday February 1, 2012 @ 6:12pm PST
Mike Fleming

UPDATE: Sources tell me that the project that Morton, Adams and Mulligan and Phoenix are doing was written by Spike Jonze himself, and not Charlie Kaufman. The … Read More »

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Megan Ellison’s Annapurna Pictures Acquiring Reteam From Charlie Kaufman And Spike Jonze

By MIKE FLEMING JR | Tuesday March 1, 2011 @ 2:09pm PST
Mike Fleming

EXCLUSIVE: Megan Ellison’s Annapurna Pictures is negotiating to acquire an untitled satire that will re-team screenwriter Charlie Kaufman and director Spike Jonze, the tandem behind the mind-benders Adaptation and Being John Malkovich. The project was pitched recently to financiers, and … Read More »

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BOX OFFICE GROSS: ‘Jackass 3D’ No Joke With $50M Weekend, ‘Red’ Strong #2

SATURDAY PM/SUNDAY AM UPDATE: Two movies roundly rejected by Hollywood, one for being too moronic and the other too moldy, led the North American box office weekend with a big $125M weekend overall:

1. Jackass 3D (Paramount) NEW [3,081 Theaters]
Friday $21.8M, Saturday $17M, Weekend $50M

As a studio exec joked to me Friday, “The Oscar race has been turned on its head”. That’s because Paramount’s Jackass 3D aimed at the youth market not only earned twice the gross of Sony’s Academy Awards-touted Facebook origins film starting its 3rd week Friday, but knocked it out of #1. Producers Johnny Knoxville’s and Spike Jonze’s stupid stunt pic directed by Jeff Tremaine earned a “B+” CinemaScore. Still the headline is that, despite the restriction of an “R” rating, it opened to a whopping Friday for the biggest single day ever in October because of the higher 3D ticket prices. That included $2.5M from midnight shows, also the most ever for October. Plus a healthy Saturday after the “first to see” subsided. Its $50M weekend take was the record for the biggest opening in the month of October (besting Scary Movie 3 which did $48.1M in October 2003 but was only 2D). Guess this shows Hollywood that movies don’t need a script and a plot, right? With a budget of only $20M, the studio would have been more than happy with the $30M weekend it expected from the higher ticket prices from the 2,452 3D-equipped locations. (The first 2D Jackass opened with a $22.8M weekend and the 2D sequel to $29M.) Believe it or not, I’m told the filmmakers debated whether or not shooting a film in 3D would mess up their comedic timing.

Exit polling showed the audience was 60% male, and 67% under age 25. Two of the biggest components of the Jackass 3D marketing campaign were premiering 10 minutes of 3D footage at Comic-Con via a mobile 3D screening room and the public spectacle of letting MTV’s Jersey Shore cast been seen watching and talking about the new film. There’s been relentless promotion by the Viacom sister company which first gave birth to the Jackass TV and movie franchise and even product licensing program (now featuring apparel, sunglasses, skateboards, even a Converse shoe, and hardbound book. As if Jackass fans read.) Last weekend, MTV marked the 10th anniversary of Jackass with 2 TV specials leading up to the film’s release: Jackass: The Beginning and The Making Of Jackass 3D featuring never-before-seen content from the gang: Knoxville, Bam Margera, Steve-O, Chris Pontius, Ryan Dynn, Jason “Wee Man” Acuña, Preston Lacy, Dave England, and Ehren McGhehey. MTV also showed the franchise’s humble TV origins back in 2000 before it became a pop culture phenom. (P.S. The Making of Jackass 3D contains a visual of Deadline Hollywood. I couldn’t be more proud)

2. Red (Summit) NEW [3,255 Theaters]
Friday $7.3M, Saturday $9.2M, Weekend $22.5M

Every studio passed on making the stylish PG-13 comedy Red aimed at the adult audience except for Summit Entertainment: now the Robert Schwentke-directed pic features Helen Mirren, Morgan Freeman, John Malkovich, and Bruce Willis — some of them as past-their-expiration-date assassins. That’s surprisingly strong considering the over-the-hill stars and subject matter. But the pic received an “A-” Cinemascore and 73% definite recommend. Exit polling showed the audience was 53% male, and 58% over age 35. In pre-release screenings, I’m told the film played as a crowd pleaser by mixing the right amount of action with humor based on witty lines and deft timing. It was tracking across all quadrants with the strongest being male moviegoers over age 30. But that cast was the #1 reason people went to see the film based on the cult DC Comics graphic novels by Warren Ellis and Cully Hamner. Read More »

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