Cornish followed by being one of the writers on The Adventures Of Tin Tin, and he and Edgar Wright wrote the script for Ant-Man, the Marvel Studios film that Wright is going to direct. Long story short, he’s gotten exposure to bigger scale projects than Attack The Block, in which he admirably depicted a full scale alien invasion on a relatively small budget. Doing a movie like this would certainly put his career on a warp speed path. He’s already working with Paramount on the novel adaptation Snow Crash which he’s prepping to present to the studio.
It’s early days on this, but stay tuned. Paramount is readying the movie to shoot in summer, 2014. Cornish is repped by CAA.
EXCLUSIVE: Just five months after shepherding theStar Trek video game to its epic fail of a release, Paramount SVP Brian Miller is on his way out, Deadline has learned. The Paramount veteran will continue in his post as SVP of Worldwide Marketing Partnerships and Consumer Products through the end of the year as part of a mutual exit decision reached with the studio. I’m told Miller is looking to pursue personal projects after 14 years at Paramount. But the timing comes conspicuously on the heels of May’s Star Trek video game debacle which Miller produced in-house and did heavy media promotion for. Developers Digital Extremes and Namco took much of the blame for the widely panned video game, notably from Trek director JJ Abrams who in September called it a “big disappointment” and suggested that the game’s poor quality and reviews hurt the release of his Star Trek Into Darkness. Unlike those developers, Miller had boldly gone front and center for Paramount as the face of the video game doing press left and right and, insiders say, tying his fate to the game’s. Miller declined a request for comment.
As we wait for Sunday’sBreaking Bad series finale, think back to that scene from the first episode of Season 5′s second half. Remember Jesse’s stoner pal Badger going on and on about his Star Trek script idea? That scene boldly goes even further with an animated look at the original Trek cast engaged in a pie-eating contest narrated by Badger (Matt Jones). The two-minute clip by EatThisToast.com creator Matt Czap is worth reprising:
Alex Kurtzman and Roberto Orci, who co-penned both installments of Paramount’s current Star Trek franchise, are returning for the next one. The first sequel, Star Trek Into Darkness, has grossed $450M worldwide since its May 16 release.
Veteran actor Michael Ansara, known for his role as Kang the Klingon commander on the Star Trek series, has died. Ansara passed away in his Calabasas, CA home on July 31. He was 91 years old. After starting out in TV Westerns like ABC’s Broken Arrow and NBC’s Law of the Plainsman in the 1950s, the Syrian-born Ansara also appeared in films such as 1961’s Voyage To The Bottom Of The Sea, The Comancheros and 1965’s The Greatest Story Ever Told. He first appeared as Kang on a 1968 episode of the original Star Trek. He went on to play the Klingon on spinoffs Deep Space Nine in 1994 and Voyager in 1996. His other TV credits include I Dream Of Jeannie with former spouse Barbra Eden, Hawaii Five-O, Murder, She Wrote and the Centennial miniseries.
CinemaCon kicked off tonight at Caesars Palace in Las Vegas with a presentation from Paramount. In only its 3rd year, what used to be ShoWest is proving to have the magic touch as once again all the major studios plus Lionsgate will be doing dog and pony shows for the nation’s exhibitors before the confab ends on Thursday. Paramount and its Vice Chairman Rob Moore were first and offered the theater owners a slickly produced and very quick reel of upcoming product, along with extended looks at its hoped-for summer blockbusters Star Trek Into Darkness and World War Z, as well as a complete screening of Michael Bay’s Pain & Gain which opens next week.
With director J.J. Abrams stuck in L.A. still mixing the film to make its May 17 release date, Star Trek sequel writer/producer Damon Lindelof (Lost) filled in and interviewed cast members on hand including CinemaCon’s Male Star Of The Year Chris Pine, Zachary Quinto, Alice Eve and John Cho. Pine talked about the “vulnerability” of Kirk in this installment, while Quinto emphasized Mr. Spock’s previously not-fully-explored “emotional” side. Quinto also said it was the most physical of the Trek films at least for him. The 18 minutes of footage shown in 3D certainly confirmed that, with hair-raising scenes set in a volcano, underwater, and for a sequence where Kirk … Read More »
The prop weapon created for Star Trek‘s William Shatner was only expected to bring in $50,000 on the auction block. But Saturday’s $231,000 score led a slew of film-related memorabilia sales at Hollywood Legends’ two day auction, Reuters reports. Also sold: The alien survey buggy from Alien snagged $10,625, Christopher Reeve’s Superman IV costume went for $25,000, and Marilyn Monroe’s Some Like It Hot bra fetched $28,125.
Your tax dollars at work. The IRS now admits that a 2010 training video that parodied the TV show Star Trekwas a mistake. It and a second video that parodied TV’s Gilligan’s Island are estimated to have cost about $60,000. The agency came under fire after CBS News obtained the Star Trek video under a Freedom of Information request and it went viral on the Internet. The video, shown at the opening of a 2010 training and leadership conference, features IRS workers portraying the characters, including Mr. Spock with fake hair and big ears, along with an elaborate set depicting the control room of the spaceship. The characters (who look and sound like a bunch of tax collectors) are en route to the planet Notax to combat identity theft. “The IRS recognizes and takes seriously our obligation to be good stewards of government resources and taxpayer dollars,” the agency said in a statement to the AP. “There is no mistaking that this video did not reflect the best stewardship of resources.” The agency also said, “A video of this type would not be made today”. Check it out below:
Fanboys may want to pull President Obama’s film geek credentials. He appeared Friday in the White House briefing room talking about budget cuts and said he wouldn’t do a “Jedi mind-meld” with the top two Congressional Republicans. Of course, the correct term is “Vulcan mind-meld”. Tweeted a Jedi fanboy group: “We forgive President Obama for the #JediMindMeld mistake. After all, with JJ Abrams now with a foot in both camps, being a geek is tough.”
New Top Programmer At Australia’s Ten
Beverley McGarvey starts tomorrow in perhaps the most challenging job in Australian commercial broadcasting: chief programming officer at Network Ten, the network languishing in third place in the ratings behind Seven and Nine. A six-year Ten veteran, McGarvey had been acting in that role since August 24 following the ousting of the respected and long-serving David Mott. Last week Ten reported a net loss of $A12.9 million ($13.3 million) in the year to August 31 and embarked on another round of cost-cutting, with plans to shed more than 100 jobs in the news and production departments. Before joining Ten as network head of programming in 2006, McGarvey served as director of programming for New Zealand’s TV3. Previously she was head of program scheduling and promotions at Ireland’s TV3. –Don Groves
With an eye toward boosting overall subscription revenue Sky Deutschland is betting that its growing customer base will accept higher rates and fewer discounts. The German pay-TV provider half owned by Rupert Murdoch’s News Corp this month raised premium packages by €1 ($1.31) monthly for the first time in nearly 2 years. CFO Steven Tomsic said he eventually hopes the market will accept further increases in the current €32 ($41.92) average monthly bill of as much as €5 to €10 ($6.55 to $13.10). Unlike European peers such as British Sky Broadcasting Group, also partly owned by News Corp, Sky Deutschland hasn’t raised prices regularly. Tomsic believes subscribers will be attached enough to the service to accept the increases. Bloomberg noted that Sky Deutschland stock is up 133% this year. CEO Brian Sullivan hopes the company will be able to reach its target for operating profit in 2013, which would be its first since News Corp began investing 5 years ago. Read More »
BREAKING:CAA has signed JJ Abrams, the impresario behind such TV series as Alias, Lost, Fringe, Alcatraz, Person Of Interest, and the upcoming Revolution, and the feature director of Mission: Impossible 3 (and producer of 4), the rebootedStar Trek, its sequel Star Trek Into Darkness, and Super 8, and the producer of the massive hit Mission: Impossible – Ghost Protocol and Cloverfield, and the owner and Chairman/CEO of Bad Robot Productions with EVP Bryan Burk. Abrams has been without an agent since June 2011, after leaving WME following the exit of his reps David Lonner and John Fogelman. CAA has been after this guy forever, and who can blame them? He’s a triple threat and Emmy- and Golden Globe- and soon-to-be-Oscar winner. Best of all for CAA, Abrams is a much-in-demand self-generator who is always churning out new projects via Bad Robot. Abrams’ prolific output makes him the closest thing his generation has to a young Steven Spielberg.
Abrams has built his Bad Robot into a major supplier of films to Paramount Pictures and into a formidable TV production company based at Warner Bros TV. Even so, I’m told that he felt he and Bad Robot could be working at a higher level with a major agency behind them. And that plum assignment has gone to CAA in what I would call the agency’s biggest ‘get’ in quite a … Read More »
It’s “preordained” that CBS will renew its program licensing deal with Netflix, broadcast company CEO Les Moonves told analysts this evening. He added that CBS “will get more money for this and we will have better visibility onto which shows will go into those packages.” OK, so what shows work best on Netflix? He volunteered one franchise that probably shouldn’t come as a surprise: Star Trek. (Analysts didn’t pin him down on whether he specifically meant the original series, Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager, or Star Trek: Enterprise.) Moonves added that CBS’ “relationship [with Netflix] is so good that we will be adding titles including CSI: Miami.”
BREAKING: Star Trek‘s Chris Pine has co-written and will star in Mantivities, a comedy that has been set up with Waterstone Entertainment heads Jeff Kalligheri and Stephen Bowen. Pine wrote the script with his buddies Will Greenberg, Drew Howerton, Robert Baker, Ian Gotler and Tony Liebetrau. Michael Patrick Jann is attached to direct. The comedy focuses on a group of friends in their early 30s, all in various stages of permanent adolescence. They get together with the aim of helping one of them grow up. Pine will produce with Sarah Babineau, Jordan Foley and Waterstone’s Kalligheri, Bowen and Steven Garcia.“I couldn’t be happier to begin the adventure of making Mantivities knowing how much fun we all had writing it,” Pine said. “‘Somehow I get to laugh with my friends and call it work.” Read More »
Stargate and Star Trek composer Joel Goldsmith died on April 29 from cancer. Goldsmith was 54. A three-time Emmy nominee, Goldsmith composed music for over 330 episodes of the long running Stargate sci-fi franchise, created by Roland Emmerich and Dean Devlin. Goldsmith’s music appears in Stargate SG-1, Stargate: Atlantis and Stargate Universe, as well as two direct-to-DVD 2009 films, Stargate: The Ark of Truth and Continuum.The son of composer Jerry Goldsmith, who won an Academy Award in 1977 for his score of The Omen, Joel Goldsmith was nominated for Emmys for an episode of Stargate SG-1, as well as for the Stargate Atlantis theme and for an episode of that series. Goldsmith worked on several other TV series including the 1990’s The Outer Limits reboot. He also did the music for films such as Kull the Conqueror and 2006’s hugely successful Call of Duty 3 videogame. The younger Goldsmith and his father, who died in 2004, eventually worked together as composers for 1996’s Star Trek: First Contact, to which Joel contributed over 20 minutes of his own music.
Century City boutique agency SDB Partners has filed suit against former client Chris Pine, whom SDB claims dumped them via email in November despite previous declarations of loyalty and appreciation for their hard work establishing his career. SDB claims Pine owes the agency commissions on projects including This Means War and his continuing role as Captain Kirk in Paramount’s rebooted Star Trek franchise. You can read details here, including specifics of Pine’s compensation at various stages of his developing career, from the suit filed today in LA Superior Court.
PAWTUCKET, R.I. — Hasbro, Inc. (NASDAQ: HAS) announced today it has entered into agreement with CBS Consumer Products to manufacture and globally market a variety of products based on the STAR TREK property beginning in 2013. The toy line will launch in support of the STAR TREK movie sequel from Paramount Pictures, which will open May 17, 2013.
Viacom shares are down about 3.5% at midday on an otherwise up day for the market after CEO Philippe Dauman punted on the big question on the minds of analysts attending the UBS Annual Global Media and Communications Conference: What’s up with the steep decline in Nickelodeon’s ratings — which he said last month was due to a problem with Nielsen’s measurement system? “There’s nothing new” to report, he says. ”No one’s more frustrated than myself.” He didn’t continue his attack the ratings company, which said today that it made a mistake in calculating the number of kids who watch TV — but added that it’s unrelated to the double-digit change in Nickelodeon’s ratings. ”However imperfect Nielsen is, it’s the only game in town, so we have to live with it,” Dauman says. “It is what it is. We’re going to move on.” He acknowledged that the channel’s ratings dive is “unfortunate” because “this is by far the most important quarter for Nickelodeon” due to the number of toymakers who flock to the channel to advertise holiday gifts. But he says the Nick problem will become less significant after the holidays are over. ”One way or the other we’ll move forward” with growing profit margins. Viacom has “more new shows coming to Nickelodeon than we’ve ever had.” He adds that “next quarter we expect to see stronger ad sales growth because we won’t have that issue” with the ratings. Read More »