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CBS Cancels ‘The Crazy Ones’, ‘Friends With Better Lives’, ‘Bad Teacher’, ‘Intelligence’ & ‘Hostages’

Nellie Andreeva

Crazy Ones Cancelled CBSAfter picking up five new drama series and two new comedy series yesterday — plus previously ordered straight-to-series Battle CreekCBS proceeded with cancelling all of its freshman bubble shows. That includes fall comedy The Crazy Ones, which marked the TV return of Robin Williams; drama Hostages, and midseason entries Friends With Better Lives, Bad Teacher and Intelligence. That means that the only freshman CBS series to make it to Season 2 are comedies The Millers and Mom. Meanwhile, the only returning series still on the bubble, veteran The Mentalist, has been renewed.

Related: CBS’ ‘The Mentalist’ Renewed For Season 7

CBSThe demise of Intelligence and the long-forgotten Hostages was fully expected as neither made a mark in the Monday 10 PM time slot though there was some argument made about procedural Intelligence. Friends With Better Lives, which had been envisioned as a potential successor to How I Met Your Mother and launched behind the series finaleBAD TEACHER of the long-running CBS comedy, had a shot at a renewal and had supporters at CBS. I hear producer 20th TV may shop it elsewhere. For Bad Teacher, the cancellation comes only three episodes into its run. The comedy, based on the hit movie, exceeded ratings expectations in its debut but dropped off in Episodes 2 and 3. Still, some thought CBS would wait until after the upfronts to make a decision on its future to give it more time. Read More »

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Ratings Rat Race: ‘Scandal’, ‘Parenthood’ & ‘Community’ Finales Up; ‘Crazy Ones’ Down

By | Friday April 18, 2014 @ 9:08am PDT
Nellie Andreeva

scandal-season-finaleOn a night of season finales, Scandal‘s closer dwarfed them all, drawing a 3.4 in adults 18-49 and 10.5 million total viewers Thursday. The twisty ABC drama was up 13% in 18-49 and 14% in viewers from last week to log its second highest numbers ever in both categories and the highest-rated finale to date.

Related: ‘Scandal’: Shonda Rhimes Whips Up Spoiler Storm With Season Finale

Against the Scandal closer, the season finale of NBC’s Parenthood (1.3) was up 18% from last week. But versus last year’s finale, which aired in January in nbclogothe series’ previous Tuesday 10 PM slot, it was down 24%. Community (1.0) also inched up in its season finale, up 11% from last Thursday. (Compared with last May’s finale, it was down 23%). The bumps help as both shows are being considered for (possibly partial) final-season orders. Community edged the only NBC comedy already assured a return next season, Parks And Recreation (0.9), which slipped a tenth (10%) from last week to hit a series low. Hollywood Game Night (0.9) was down 18% from its most recent original two weeks ago, also marking a series low.

Related: On The Bubble: Where Endangered Broadcast Series Stand

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CBS Swaps ‘Two & Half Men’ & ‘Crazy Ones’, Schedules ‘Bad Teacher’ On Thursday, ‘Unforgettable’ On Friday

By | Friday February 14, 2014 @ 11:00am PST
Nellie Andreeva

CBS is tweaking its Thursday comedy lineup and Bad Teacher CBS Thursdayadding two series in late midseason, new comedy Bad Teacher and returning procedural Unforgettable. Beginning February 27, the first week after the Sochi Olympics, veteran Two And A Half Men and freshman The Crazy Ones will switch places, with Men airing at 9 PM, followed by Crazy Ones. This is a more conventional lineup, with established shows (The Big Bang Theory, Men) as 8 PM and 9 PM anchors and newbies (The Millers, Crazy Ones) in the hammock positions behind them. I hear the reason CBS didn’t go with this schedule last fall was to try to protect Elementary at 10 PM, which was losing its drama lead-in as the cbs-logo__120711164808__121116195436__130108233101__130716162250__130926192712network expanded its comedy block to two hours. A seasoned performer, Men was slated at 9:30 PM to lead to Elementary. After a huge launch in September behind an hourlong Big Bang, Crazy Ones has been delivering middling ratings, most recently posting a 1.7 in 18-49 last Thursday vs. 2.7 for its lead-in, The Millers, and 1.8 for lead-out Men. Crazy Ones also is a single-camera comedy sandwiched between two multicams, and Men will likely do better airing behind two other shows of its kind, Big Bang and Millers. Crazy Ones will wrap its 22-episode order on April 17 and will be replaced at 9:30 PM by another single-camera comedy, Bad Teacher, on April 24. The Men-Crazy Ones switcheroo is being done in part to prepare a launch pad for Bad Teacher, based on the hit feature, which will have three weeks to prove itself to CBS brass before they set the schedule for next season. Read More »

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TCA: ‘The Crazy Ones’ Star Robin Williams Talks Of Pressure Returning To Series TV

By | Thursday January 16, 2014 @ 5:25am PST

TCADeadline__140109155905The prospect of returning to series television was intimidating at first, Robin Williams said Wednesday night at TCA. The star of CBS’ The Crazy Ones said the worst part was “the pressure of it being A Robin Williams Vehicle”. Now the series is more of an ensemble,  and “that’s the great joy for me – the pressure is off. It’s really become something I enjoy,” he said, adding that he no longer is nagged by the pressure of ” ‘You’re back on TV. After 32 years.’ The ensemble is so good, and we’re growing,” he said, speaking glowingly of the “steady gig like this with a great group of people.” Read More »

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UPDATED: CBS’ ‘Hostages’ Audience Now Nearly 16 Mil, Fox’s ‘Sleepy Hollow’ At 26.4 Mil, And Other 30-Day Viewing News

UPDATED, 9 AM: Broadcast network Premiere Week numbers for 30-day multi-platform playback on DVR, VOD, online, etc. are out, confirming that overnight Nielsen ratings are now very preliminary reads and the broadcast networks got off to a much better start this season than originally reported. CBS weighed in this morning, reporting that the overall audience for the premiere episode of new Monday drama Hostages initially reported at a disappointing 7.41 million viewers, based on Nielsen fast nationals issued the next morning — now stands 15.54 million strong. That’s a jump of 110% with the 30-day multi-platform playback factored in. Similarly, the opening audience for Chuck Lorre’s new CBS comedy Mom jumped 72%, from 7.99 million viewers, to 13.77 million. And the crowd for the opening night of David E. Kelley’s new Robin Williams comedy The Crazy Ones now stands at nearly 24 million viewers, after growing 52% over the 30 days.

Related: ‘The Crazy Ones’, ‘The Millers’ & ‘Mom’ Get Full Season Orders

Fox, which launched new series before Premiere Week, had already reported 30-day multi-platform total audiences for the majority of its premieres delivered lifts of 80% to 108% versus the series’ same-day deliveries. Fox’s premiere of Sleepy Hollow on September 16 soared 108% to 26.4 million viewers across Live, DVR, VOD and streaming on and Brooklyn Nine-Nine climbed 97% to 14.6 million viewers across platforms. Returning New Girl and The Mindy Project snagged lifts of 80%. Fox also noted a 76% increase in viewing of its in-season shows on Hulu than at same point last season (34.3 mil views vs. 19.5 mil).

Related: ‘Brooklyn Nine-Nine’ Gets Full Season, Post Super Bowl Slot
Read More »

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CBS’ ‘The Crazy Ones’, ‘The Millers’ & ‘Mom’ Get Full Season Orders

By | Friday October 18, 2013 @ 11:30am PDT
Nellie Andreeva

We finally have some comedies to go with those three new dramas that had been picked up so far this fall. As expected, CBS has given Back 9 orders to The Crazy Ones, The Millers and Mom. The pickups come as Crazy Ones and The Millers ticked up by a tenth in the 18-49 fast nationals last night. While Mom slipped by a tenth this week, it comes from comedy Superman Chuck Lorre and stars Anna Faris, so there was no chance that show was not getting picked up. In fact, all three comedies hail from A-list auspices: Lorre, David E. Kelley (Crazy Ones) and Greg Garcia (The Millers). CBS has been touting the performance of its new comedies (sans swiftly cancelled We Are Men), which rank as No. 1-3 in total viewers and claim the top 2 spots in adults 18-49 among all new comedy series in another fall that has been pretty brutal to half-hour newcomers. “We’re proud of CBS’ leadership position in comedy and excited to build on it with the back nine pickups of these three new comedies,” said the network’s entertainment president Nina Tassler. “These series are creatively distinct, continue to improve each week and are led by strong showrunners, writing and production staffs, and feature amazingly talented casts.” The only new CBS series that has not learned its fate yet is underperforming Monday drama Hostages. The serialized thriller was designed for a 15-episode-a-season run, so there is no back order to be given. Based on its high-profile auspices and solid DVR gains, the series will likely finish its first-season arc, possibly moved to a less trafficked spot on the schedule, with no further cycles.

Related: CBS Touts Early Success With New Comedies Read More »

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CBS Touts Early Success With New Comedies

By | Wednesday October 16, 2013 @ 4:45pm PDT

In a highly competitive comedy landscape (this TV season opened with the most new comedies in primetime in a decade) CBS, which was getting tired of all the “WTF happened to 2 Broke Girls?” reports, decided to point out that it’s leading the comedy derby. CBS has the three most-watched comedy newcomers and the two highest in the age bracket advertisers target. Three weeks into the new season, David E. Kelley’s Robin Williams-starrer The Crazy Ones is the top-rated new comedy among 18- to 49-year-olds, and No. 4 rated among all comedies, behind only the network’s The Big Bang Theory, ABC’s Modern Family, and CBS’ final season of How I Met Your Mother. (While The Crazy Ones averaged 3.9% of the country’s viewers in that key age bracket, The Big Bang Theory is clocking a whopping 6%. In fairness, the era of the out-of-the-box comedy hit is pretty over  — The Big Bang Theory started out with so-so numbers and critical repulsion.)

CBS’ The Millers is the second-most-watched new comedy in the demo this season (3.2 rating), beating CBS’ returning Two And A Half Men and the aforementioned 2 Broke Girls, which have both slipped noticeably this season and are each logging 2.9 rating in the age bracket. On the other hand, Two And A Half Men no longer sits right behind The Big Bang Theory on Thursday nights; it’s now an hour removed from that cushy time slot, to make room for The Millers and The Crazy Ones. And if CBS can split up those two older comedies and wind up with four comedies that are working — well, that’s good TV math. Meanwhile, CBS slid 2 Broke Girls to 8:30, where it came up a tick in the ratings this week. Now if the network can only convince the creators of the merits of character and storyline development. Read More »

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NBC’s ‘The Blacklist’ Tops Annual New-Series Ad Price Survey

By | Monday October 14, 2013 @ 7:01am PDT

CBS is earning the biggest premiums for its new TV series this season, according to the annual who’s-getting-what-for-which-new-series report in Adweek. Among CBS’s new crop, its new Robin Williams starrer The Crazy Ones snags an average cost of $175,200 for a 30-second spot – the biggest haul of any new comedy, beating NBC’s competing The Michael J. Fox Show, which clocks $110,050 per spot. But NBC’s The Blacklist is the most valuable new series on the primetime landscape, at an average $198,667 per spot –   making Fox’s new Sleepy Hollow look a bargain at $139,120 per, the study noted. ABC’s highly hyped Marvel’s Agents of S.H.I.E.L.D. splits the difference, with an average rate of $169,730 per spot.

According to media buyers surveyed, CBS’s Chuck Lorre seven-season-old comedy The Big Bang Theory costs advertisers a whopping $326,260 per 30-second spot this season, topping NBC’s The Voice at $264,575, ABC’s Modern Family ($257,435) and Fox’s The Simpsons ($256,963). Meanwhile, advertisers who get in early on Lorre’s new Monday comedy for CBS, Mom, are paying a mere $138,575 per spot. The Big Bang Theory is, however, averaging more than 19 million viewers this season. Mom is not.

And yes, the NFL commands the highest unit cost of any TV franchise, with NBC’s Sunday Night football franchise priced at about $570,000 per spot, and Fox’s eight late national NFC games at $595,000 per spot, but non-sports entertainment programs enjoy longer runs, Adweek … Read More »

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ABC’s ‘Modern Family’ Starts Season As Top Entertainment Show With Upscale Young Viewers

ABC did best during Premiere Week with primetime entertainment shows at attracting upscale 18-49-year-olds, Nielsen reported today. ABC’s first-place status was powered by returning Modern Family and the premiere of Marvels Agents Of S.H.I.E.L.D.  Those two entertainment programs rated No. 1 and 2 with 18-49-year-olds in $100K homes. ABC clocked a 2.8 rating with its entertainment programming in this metric, followed by NBC with a 2.4 rating, CBS’s  2.3 rating, and Fox’s 1.7 rating. Modern Family reported an annual median income of $80,400 for its young adult audience. S.H.I.E.L.D, meanwhile, clocked in at $70,800. In addition to S.H.I.E.L.D, three more freshman series made Premiere Week’s Top 15 list of regular entertainment broadcasts among upscale 18-49-ers: NBC’s The Blacklist ($65,700), CBS’s The Crazy Ones ($62,500) and ABC’s The Goldbergs ($69,800).

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RATINGS RAT RACE: ‘Big Bang Theory’ Sets Premiere Record, ‘The Crazy Ones’ Opens Strong, Tops ‘Michael J. Fox Show’

Nellie Andreeva

UPDATE: The finals Live+same day are in, and the 8:30 PM episode of The Big Bang Theory went up to 20.44 million viewers, an all-time high for the series. Its demo numbers also were adjusted up, to a 6.1 in 18-49 (for the 8:30-9 PM half hour).

PREVIOUS: It may have lost out on the best comedy Emmy on Sunday, but last night The Big Bang Theory proved it is the biggest entertainment show on broadcast television and, in Season 7, shows no signs of slowing down. The hourlong season premiere of the comedy juggernaut was its biggest ever, drawing a 5.6 rating in adults 18-49 — up 17% from its 18-49 fast national last year when the opener was a half-hour — and 18.3 million viewers. CBS doubled up on its flagship comedy to boost newbie The Crazy Ones, and it worked. The series starring Robin Williams drew a 4.0 in 18-49 and 15.6 million viewers to rank as the most watched series premiere so far this season and deliver CBS’ best 18-49 rating in the half-hour in almost four years (11/12/09, CSI). The Crazy Ones also handily won the hyped Robin Williams vs. Michael J. Fox face-off (4.0 vs. 2.1, 18/3 million vs. 7.2 million). CBS achieved its goal of expanding its Thursday comedy block to two hours with one caveat: veteran Two And A Half Men (2.9, 11.5 million) performed below par, down 17% from last season’s debut as the show established its new dynamic last night by introducing Charlie Harper’s long-lost daughter. The 11th season premiere was the lowest rated ever for the comedy, though it maybe a bit early to sound the cancellation alarm as familiar shows, especially comedies, tend to draw back viewers once the sampling of new shows is over. At 10 PM, Elementary‘s trip to London for the second season premiere resulted in a 2.1 18-49 rating, down a big 32% from the series premiere last year, which faced Scandal instead of Grey’s Anatomy.

Related: Chuck Lorre’s ‘Big Bang’ Emmy Speech Read More »

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2013-2014 Broadcast Season: The One Thing Each Network Must Pull Off To Claim Success

The most CBS-ish new series of the 2013-14 TV season got off to a strong start last night, while the most NBC-like new series floundered. Nothing new there. Lucky for NBC, it aired the CBS-ish one — the new procedural crime drama The Blacklist, starring James Spader. Unfortunately for CBS, it aired the NBC-like, highly serialized event series that bellyflopped in same time slot as The Blacklist — the Toni Collette-Dylan McDermott starrer Hostages.

Related: RATINGS RAT RACE: ‘Blacklist’ Debuts Strong, ‘Hostages’ OK

Good news for both networks: Blacklist was the One Big Thing NBC needed to accomplish this season, but Hostages does not hold the same position for CBS.

Related: 2013-14 Broadcast Season Preview: Challenges The Networks Face

Once upon a time, long before DVRs, Netflix and original scripted cable programing, broadcast network execs eagerly anticipated the start of their new TV season to see which of the many, many new series they’d thrown against the wall would stick. These days, each network has one key new series it needs to work — really work, not “Vegas is the No. 1 new drama” work — to call a season successful.

ABC, for instance, needs to launch Marvel’s Agents Of S.H.I.E.L.D. If it clicks, nothing else matters. Super Fun Night? It can bomb — which is good because ABC has already decided to premiere the show with its second episode and that’s never a good sign. And Lucky 7 may be the series that demonstrates America will not watch a show about how winning the lottery messes you up — because that is their financial strategy. Weeks before S.H.I.E.L.D.’s scheduled unveiling, The Reporters Who Cover Television were already squealing with delight after being treated to its super-secret screening at TCA Summer TV Press Tour 2013, though there have been disturbing reports of subsequent scripts coming in so not-good that Joss Whedon had to take a break from the 85 other projects he’s working on to step in and do last-minute rewrites.

NBC, meanwhile, needs a 10 PM drama that isn’t flukey, isn’t serializes and doesn’t start to come apart at the seams in the second half of the season, like Revolution did last season. No matter how much you read about NBC badly needing to re-establish itself in comedy on Thursday nights (it’s over, get over it), Monday at 10 is NBC’s Must Fix TV. A Blacklist hit gives NBC the bright shiny 10 o’clock light with which to dazzle affiliate station execs grousing about the lousy lead-ins they’ve been getting for their late local news. The Blacklist needs to look as good ratings-wise, five or six weeks from now, as it did last night. Read More »

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2013-14 Broadcast Season Preview: Challenges The Networks Face This Fall

By | Monday September 16, 2013 @ 11:20pm PDT
Nellie Andreeva

The first new fall series, Fox’s Sleepy Hollow, premieres tonight, marking the unofficial start of the 2013-14 broadcast season. A slew of new shows and a legion of returning ones will unspool over the next couple of months. In the past, that would mean a bloody skirmish in every time slot, with one show coming out victorious and the rest in moderate or grave danger. Now with DVR and online viewing, several shows airing in the same time period can be popular. But will they all be successful? That is probably the biggest question facing the networks — how to translate eyeballs on different platforms into ratings and money from advertisers. While ad rates now are determined by C3 ratings that include playback (plus commercials) in the first three days after the premiere airing and the networks universally use Live+7 as ratings currency, Fox’s Kevin Reilly recently made a case for expanding the rating measurements to Live+30 and beyond and for including online viewing. In line with that, Fox this fall is introducing DVR and multi-platform lift projections for its shows. Meanwhile, CBS’ Leslie Moonves and David Poltrack recently proclaimed the decline of the adults 18-49 demo, which has been the key metric for advertisers. All that confusion opens the door for even more spin from the networks who can declare almost any show a hit using different viewing windows and demos. Maybe Netflix’s M.O., often criticized by its competitors, not to disclose any ratings data isn’t all that bad after all. If the company considers a series successful, it renews it, if not, it’s gone.

Related: 2013-14 Schedule Grid & Top Face-Offs

Back to the broadcast networks, which seem to be switching identities this fall. CBS’ highest-profile new drama, Hostages, is a serialized thriller vs. a classic procedural last year (Elementary). Meanwhile, NBC, which made its biggest drama push with the heavily serialized Revolution last fall, is getting behind a procedural The Blacklist, which inherited Revolution‘s Monday 10 PM slot, this year. Multi-camera leader CBS is making a push in single-camera comedy with The Crazy Ones and We Are Men, while single-camera-centric Fox is reverting to multi-camera comedies with Dads. Here are some challenges each of the networks faces: Read More »

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TCA: McDonalds Did Not Pay To Be The Star Of CBS’ ‘The Crazy Ones’ Pilot

“McDonalds did not pay, and did not have approval” on The Crazy Ones pilot episode, exec producer Jason Winer told TV critics today at TCA. In the first episode of the new CBS comedy from David E. Kelly and Winer, a Chicago ad agency head and his daughter, played by Robin Williams and Sarah Michelle Gellar, try to get Kelly Clarkson to sing the old McDonalds jingle in an effort to hang on to that important client. Using a real brand is exciting…making up the names of products would not seem so real” Winer explained.  “So far no money has changed hands”.

“If you look under your chairs there’s a Happy Meal there right now,” Williams jumped in. Read More »

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TCA: CBS Adds Extra ‘Big Bang Theory’ To Bolster Robin Williams Comedy For Battle With Michael J Fox

By | Monday July 29, 2013 @ 7:45am PDT

CBS has changed slightly its Premiere Week plans and will launch its Thursday with two back-to-back original episodes of The Big Bang Theory, from 8-9 PM on September 26, in an effort to drive the biggest possible audience into the premiere of Robin Williams/David E. Kelley comedy The Crazy Ones at 9 PM that night. CBS’ move is bad news for NBC’s new The Michael J. Fox Show, which is debuting at 9 on the first Thursday of the season opposite The Crazy Ones. CBS announced this morning at TCA Summer TV Press Tour 2013 that, to accommodate the extra Big Bang Theory episode, it will push the premiere of  the net’s new Thursday 8:30 PM comedy, the Will Arnett-starrer from Greg Garcia The Millers, by one week; it will unveil in Thursday, October 3 in its regular timeslot. CBS was the first broadcast network to announce its 2013-14 TV season premiere plans back in mid-June, with virtually all of its programs rolling out during the traditional Premiere Week, as is the network’s habit.

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CBS Unveils Key Art For Its New Fall Series

By | Wednesday July 24, 2013 @ 10:44am PDT

CBS has released a first look of the key art designs for its four new comedy series, The Crazy Ones, The Millers, Mom and We Are Men. Check them out:

The Crazy Ones stars Robin Williams as larger-than-life advertising genius Simon Roberts whose unorthodox methods and unpredictable behavior would get him fired… if he weren’t the boss. The image features Williams playfully posing with illuminated light bulbs.
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CBS New Series Trailers: ‘The Crazy Ones’, ‘Hostages’, ‘The Millers’, ‘Mom’, ‘We Are Men’

By | Thursday May 23, 2013 @ 10:07am PDT

CBS LogoHere are the full looks advertisers got last week at CBS’ new fall series during the network’s upfront presentation in New York. Still to come is midseason drama Intelligence.

Related: CBS 2013-14 Schedule

The Crazy Ones – Comedy

Hostages – Drama

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Robin Williams At CBS Upfront: Strip Clubs, Cocaine Mounds, Ass Sniffing

By | Wednesday May 15, 2013 @ 2:48pm PDT

CBS Entertainment President Nina Tassler introduced him as “the biggest get of the season, actually many seasons” and “one of the defining comedy voices of our time”. Then Robin Williams semi-shocked advertisers with topics not usually discussed on a network upfront stage. Williams plays a “renowned and slightly unhinged” advertising genius/madman in the comedy The Crazy Ones with co-star Sarah Michelle Gellar as his partner and daughter. The show from David E. Kelley and Jason Winer was frenetic and not laugh-out-loud funny but received with big applause. And then Williams walked out. “Nice to come through the strip club motif,” he began. “Welcome to Sugar Daddy’s, where old men dance for young girls.” He likened the upfronts to the Westminster Kennel Club dog show “but with more agents, and a little less ass-sniffing”. I couldn’t make out his punchline about partial circumcisions. But everybody in the audience roared when Robin reminded them, “It’s been a long time since I’ve been on TV, 30 years, when there were much simpler upfronts — and a mound of coke.” He noted how “in the old days there were only 3 networks, but now there are hundreds” offering an assortment of programming. “And if a little child wants to be transported to the Land Of Make-Believe, there’s Fox News.” With that, he ended. “Nice to have a job where the checks will clear.”

Related:Read More »

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