EXCLUSIVE: Turkey is being tipped as one of the potential new hot destinations for formats. Now the country, which straddles Europe and Asia, is making a big entrance into the U.S. marketplace with the first scripted format set up at a network by American producers, Ghost Whisperer alums Ian Sander and Kim Moses. The project, The End, to be directed and executive produced by Peter Horton and written by feature writer Michael Cooney (Identity), is one of two dramas sold by Sander/Moses Prods. The other is The Edge, written by another feature scribe, Chap Taylor (Changing Lanes), and produced by Mark Roberts (Strangers With Candy). Sander and Moses are executive producing both projects while also prepping their midseason CBS drama series Reckless.
The End, which is set up at Fox with 20th TV producing, centers on Lauren Marks, who believes she is leading a perfect life — she has a loving husband, a perfect child, a rewarding career and close friends. However, overnight her life is ripped apart by one simple twist of fate: Lauren soon realizes that to uncover the truth, she must follow a trail of lies to The End. The Turkish series, titled Son, written by Berkun Oya and produced by Ay Yapim, aired over the first half of 2012 (watch the subtitled trailer below). Drama production is booming in Turkey, with some 60 series produced every year, and fast becoming one of Turkey’s top exports as the serialized shows are wildly popular not only in their homeland but also in the rest of the Balkans, other parts of Europe and especially the Arab world. The Son format was repped by Eccho Rights. READ MORE »
Amelia Pulsford Tapped As Director Of Content at Sharp UK
Amelia Pulsford has been named director of content for the newly formed London branch of Core Media‘s Sharp Entertainment. Reality producer Sharp, whose credits include Man V. Food, Extreme Couponing, Bad Ink and Doomsday Preppers, is launching Sharp UK to expand into the competitive European space. Pulsford previously worked for Sharp Entertainment in the U.S. as a producer on Fortune Diggers and Punkin Chunkin, among others. She has also been a producer on Bear Grylls: Escape From Hell and Car Vs. Wild for Discovery International. She will work closely with American Idol parent CORE Media’s UK-based international team.
CNBC’s ‘The Edge’ Focuses On Long-Term Tech Investments
CNBC is launching a new half-hour series looking at long-term investment opportunities created by today’s technological innovations. The Edge will be fronted by network reporters including Ross Westgate, Martin Song, Karen Tso and Carolin Roth, who will travel to various locales to find “the next big thing”. The monthly show debuts September 25 across CNBC in Europe, the Middle East, Africa, Asia-Pacific and the U.S. It will be produced and edited from CNBC’s London regional HQ and be complemented by special reports on CNBC.com. Read More »
The musical Spider-Man Turn Off The Dark is thriving on Broadway, but now there’s more negative attention. The producers of the musical have answered the original lawsuit filed by director and book co-writer Julie Taymor after she was fired. The … Read More »
EXCLUSIVE: The Oscar race just got a little more interesting. EuropaCorp has made a U.S. distribution deal with Cohen Media Group for the Luc Besson-directed The Lady, the story of Burmese pro-democracy activist and political prisoner Aung San Suu Kyi. Upstart Cohen Media Group plans to release the film for an Oscar-qualifying platform release late this year to capitalize on strong performances by Michelle Yeoh, who plays Suu Kyi, and David Thewlis, who plays her Oxford professor husband Michael Aris. The film will get a wider release in early 2012. Suu Kyi has spent most of the last 20 years under house arrest by the repressive Burmese military-controlled government. Leaders cruelly barred her husband and two sons from visiting her, thinking that it would drive her to leave. Because she knew that once gone she would never be permitted re-entry, Suu Kyi sacrificed everything to stay and become an iconic symbol of democracy and human rights. Her husband and sons bolstered her spirit and campaigned for the Nobel Peace Prize, which she was awarded in 1991. The distribution deals came quickly after the film premiered Monday evening at Roy Thomson Hall, where Besson, Yeoh and Thewlis received a rousing standing ovation. The deal was brokered by EuropaCorp Group CEO Christophe Lambert and Cohen Media Group CEO Charles S. Cohen.
The Lady becomes the second Toronto title to become an instant entry into upcoming awards season, after Fox Searchlight acquired the NC-17 Steve McQueen-directed Shame with plans to campaign for Michael Fassbender and Carey Mulligan.
After establishing himself as France’s answer to Steven Spielberg directing hits like La Femme Nikita and The Professional and co-writing and producing action films like Taken, Besson has become very selective in the projects he directs. While he has always had a soft spot for strong female protagonists, it has always been in action settings. The Lady is a decided departure and certainly his most personal film to date. Besson made it to refocus the world’s attention on an activist whose continuing plight gets easily forgotten in a turbulent world, even though she won that Nobel Peace Prize and U2′s Bono and The Edge wrote the song Walk On about her sacrifice (which got U2′s album banned in Burma). Read More »
Philip William McKinley, the stage director who replaced Julie Taymor and stopped the bleeding — literally and figuratively — on Spider-Man: Turn Off the Dark, will next tackle something even more iconic than a superhero saga: The Old Testament. He’s directing The Bible: The Beginning, a live show scaled for arena-sized venues that will use music, dialogue, tumblers, jugglers, singers, aerialists and fighters to re-enact the Creation, Adam and Eve, Cain and Abel, Noah’s Ark, Moses and his clash with the Pharaoah, the plagues of Egypt and the parting of the Red Sea, all culminating in the delivery of The Ten Commandments. The musical will be narrated by Gabriel the Messenger; Raphael the Healer; and Michael, Leader of God’s armies.
The show will be more logistically complex than Spider-Man, which, McKinley swears, won’t need a miracle to recoup a mammoth budget pegged at $70 million before it opened. “We are selling out every night, consistently drawing $1.7 million each week and finishing behind Wicked and The Lion King,” he said. “Right now, it’s all about maintenance and being incredibly conscientious. We’ve got the New York Department of Labor in the building for every show still, but we’ve taken safety to heart.”
Since the show’s operating costs are in the range of $1.2 million per week, Spider-Man will need a loooong run for its investors to be made whole. That effort to recoup will be helped by broadening beyond Broadway, something McKinley said he’ll help facilitate when the time is right. While Spider-Man hardly drew raves when it opened after umpteenth delays — including a three-week shutdown McKinley needed to implement changes — the director feels that the musical that was driven as much by visual effects as music by U2′s Bono and The Edge has turned a corner from being a cautionary tale about the limits of live theater to a model for what is possible. The Bible will push that envelope further, even though it’s too large to fit in a Broadway venue. Read More »
EXCLUSIVE: Spider-Man: Turn Off The Dark star Reeve Carney has signed on to play Jeff Buckley in the untitled film about the late musician that Welcome to the Rileys helmer Jake Scott is putting together for a November shoot. Carney, who performed the Bono/The Edge-penned Spider-Man single Rise Above 1 at the American Idol finale, will do all the singing to bring to life the music of Buckley, who was just getting started as a solo artist when he drowned at age 30.
Considering that Buckley had only released a single album when he died in 1997 after getting caught in the wake of a passing boat in Tennessee’s Wolf River, it seems amazing that there are not one but three feature films about him. The first one to start production will be Greetings From Tim Buckley, the Dan Algrant-directed indie film that starts a four-week shoot Monday in Brooklyn. Conventional wisdom that the first film out of the gate wins doesn’t necessarily apply here; these two projects tell very different stories about Buckley. Scott is making a biopic, while Greetings From Tim Buckley stars Gossip Girl’s Penn Badgley as a pre-fame Jeff Buckley who reconnects with his estranged father Tim by singing at a tribute concert for his folk-singer dad. In Algrant’s film, that short adventure forged Jeff Buckley’s own solo aspirations. The other Buckley film is called A Pure Drop and it is being mounted by Mad Bastards director Brendan Fletcher. The title comes from the book A Pure Drop: The Life of Jeff Buckley. Read More »
Spider-Man: Turn Off the Dark finally opened on Broadway on Tuesday night. There was a star-studded crowd that included Bill Clinton, a 10-minute standing ovation, and even deposed director Julie Taymor got up to take a bow. And, thank goodness, no actors fell from the rafters. A press release from the show’s reps reports that “critics and audiences cheer[ed] the opening,” and offered a few effusive blurbs from USA Today, MTV and NY1 News. Well, first of all, they weren’t reading the reviews I saw. In The New York Times (generally the review that helps a show fly or die), Ben Brantley compared its earlier incarnation to now as an “ascent from jaw-dropping badness to mere mediocrity,” but that isn’t a rave since he likened that earlier version to “watching the Hindenburg crash and burn.” The Wall Street Journal called the book “flabby and witless” and, as for the plot, “everything that happens is utterly familiar and utterly predictable.” To sum up, the WSJ offers that “$70 million and nearly nine years of effort, all squandered on a damp squib. … Never in the history of Broadway has so much been spent to so little effect.” The other Gotham papers basically said it was better than it was when Taymor was calling the shots, but essentially that its edge (not to be confused with U2′s The Edge) had been varnished away, leaving blandness and U2 songs that aren’t the catchiest that Bono and The Edge ever came up with. Read More »
Samuel Goldwyn Films acquired U.S. distribution rights to The Edge, Russia’s Academy Award entry that is nominated for Best Foreign Language Film in Sunday’s Golden Globes. The Alexey Uchitel-directed film has been set for a spring, 2011 release.
Despite all the skepticism it would ever get to Broadway because of its prohibitive running costs, Spider-Man Turn Off The Dark has been set to begin preview performances on November 14, with opening night set for December 21. Julie Taymor … Read More »