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‘Fighter’ Scribes Option Upcoming Book On Boston Marathon Bombing

By | Monday July 8, 2013 @ 1:27pm PDT

EXCLUSIVE: Screenwriters Eric Johnson and Paul Tamasy have picked up feature rights to Boston Strong, I’ve learned. The forthcoming book by Casey Sherman and Boston Herald reporter Dave Wedge examines the city’s reaction to the fatal April 15 Patriots’ Day attacks at the Boston Marathon finsh line and the hunt for the siblings suspecting of carrying out the bombings. Surviving brother Dzhokhar Tsarnaev was captured on April 19 after a massive manhunt, much of which played out on TV. The book is being written and is scheduled to be published next year by University Press of New England. Michael Prevett of the Gotham Group, Adam Levine of Verve Talent and John Ivey of Altus Marketing & Management negotiated the Boston Strong deal between the respective writers.

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Mark Wahlberg To Produce A&E Reality Pilot Inspired By The Women From ‘The Fighter’

By | Friday November 16, 2012 @ 7:07am PST
Nellie Andreeva

EXCLUSIVE: Mark Wahlberg‘s Oscar-nominated feature The Fighter is the inspiration for a docu reality series. Wahlberg executive produces the half-hour project, which has received a pilot order from A&E. Inspired by the scene-stealing, big-haired, loud-talking, punch-throwing sisters of Wahlberg’s Micky Ward and Christian Bale’s Dicky Eklund in Fighter, the untitled Mark Wahlberg Boston Women Project showcases the real women of Boston, featuring the day-to-day life of four of these tough, hard-as-nails women who juggle family, work, and relationships all while remaining true to their way of life. Wahlberg is executive producing through his Closest to the Hole Prods, along with frequent collaborator Stephen Levinson of Leverage, Bill Thompson of Bill Thompson Prods Inc and veteran reality producer Stephanie Drachkovitch of 44 Blue Prods. Filming is slated to begin in a few weeks. Read More »

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CAA Signs ‘The Fighter’s Melissa Leo

By | Thursday December 8, 2011 @ 4:54pm PST
Mike Fleming

EXCLUSIVE: CAA has signed Melissa Leo, the reigning Best Supporting Actress winner for The Fighter. Leo had been repped by ICM. Leo was best known for her work on the NBC drama Homicide until she caught feature momentum first with Frozen River, which won her the Best Actress Independent Spirit Award and got her an Oscar nomination, and then with The Fighter, which won her the Golden Globe and then the Oscar after Leo scrapped her way to attention by waging her own awards campaign and delivered the most animated acceptance speech of the evening. Leo most recently starred in the Kevin Smith-directed Red State and the HBO miniseries Mildred Pierce.

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‘The King’s Speech’, ‘Friday Night Lights’ & ‘Modern Family’ Among Humanitas Finalists

Nellie Andreeva

Oscar contenders The King’s Speech, The Fighter and 127 Hours will face off again, this time as finalists in the feature film category for this year’s Humanitas Prizes, which recognize writers whose work “entertain, engage and enrich the viewing public.” The series finale of DirecTV’s Friday Night Lights made the cut in the hourlong TV category alongside Fox’s House, Lifetime’s Drop Dead Diva and HBO’s The Pacific, while ABC’s Emmy-winning Modern Family, which shared the comedy prize in the half-hour category with Showtime’s Nurse Jackie last year, is nominated again, along with Nurse Jackie, CBS’ How I Met Your Mother and Showtime’s The Big C. (The drama prize last year was split between Glee and The Good Wife.) The winners in 6 categories will be announced at the annual ceremony slated to take place Sept. 16 at the Montage Beverly Hills where comedy veteran Gary David Goldberg will receive the Kieser Award “which is given to an individual whose work has helped promote a greater appreciation for each member of the human family.” Here is the official release: Read More »

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Independent Films Captured 7 Major Oscars

So tonight’s Academy Awards scorecard for independent films were 7 major Oscars, including the 19th Best Picture of the past 30 years for non-studio movies. The Independent Film & Television Alliance compiled this list: Best Picture: The King’s Speech (The Weinstein Co);  Best Director: Tom Hooper – The King’s Speech (The Weinstein Co), Best Actor: Colin Firth – The King’s Speech (The Weinstein Co), Best Supporting Actor: Christian Bale – The Fighter (The Weinstein Co distributing internationally), Best Supporting Actress: Melissa Leo – The Fighter (The Weinstein Co), Best Original Screenplay: David Seidler – The King’s Speech (The Weinstein Co), Best Foreign Language Film: In A Better World, Denmark (Nordisk Film).

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OSCAR: Closest Races Down To The Wire

Pete Hammond

Get those ballots in, stragglers. Forget that many professional pundits and even casual observers of this year’s Oscar race have already called it. (…The King’s Speech wins Best Picture… Best Actor for Colin Firth… Natalie Portman gets Best Actress… The Fighter‘s Christian Bale and Melissa Leo win supporting… The Social Network‘s David Fincher picks up Director… and Aaron Sorkin snags Adapted Screenplay…) But if these are such sure shots, then why are people seemingly  getting so nervous? Ballots are due Tuesday at 5 PM at the offices of PriceWaterhouseCoopers  in downtown Los Angeles. With Monday a postal holiday due to President’s Day, the only way a vote will count now is if it is walked into the accountants before the deadline. Usually a few hundred are. By my informal surveys, a surprising number of  voters waited until the last minute to mail in their ballots. Those who didn’t perhaps thought their vote wouldn’t matter in a race that looks like it’s going to be a King’s ransom. But consultants working with The King’s Speech say they are taking nothing for granted. Which is why director and DGA winner Tom Hooper is across town tonight at the Cinema Audio Society Awards to present a special honor to DGA president Taylor Hackford.

The fact is, based on ever-shifting momentum and my own voter conversations this week, some of those last-minute votes could make a difference in several close races. The campaigns seem to realize this: that’s why the usually slow final days of balloting … Read More »

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OSCAR MOGULS: Ryan Kavanaugh Q&A

The Deadline Team of Nikki Finke, Pete Hammond, and Mike Fleming have spent recent days interviewing the studio moguls to gauge their perspective on this very close Oscar race:

RELATIVITY
7 Nominations: 7 The Fighter

DEADLINE’s Nikki Finke: How did you first get involved with The Fighter?
RYAN KAVANAUGH: Mark Wahlberg brought us the project. It was developed at Paramount by David Hoberman and Todd Lieberman and they put Mark on the project. Everybody knows there were a lot of starts and stops. When Paramount told them, ‘We’re not making the movie,’ Mark called us because we had a prior relationship with him. Effectively, the script that Paramount had developed was very dark. So we said to Mark, ‘Look, it can be a modern-day Rocky. The good news is we love the story. The bad news is we need to pay someone to rewrite it.’ Mark and David O. Russell had worked together on Three Kings and we had actually met with David a few times on other movies. So we brought David in and in a very short period we had a shooting schedule. He was not contractually given any writing credit. It went to Scott Silver. But at the end of the day David was really responsible for 90 percent of the rewrite. The budget was $50 million, and we gave him a budget of $25 million. Then, we shot the movie in 33 days. And here we … Read More »

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OSCAR MOGULS: Brad Grey Q&A

The Deadline Team of Nikki Finke, Pete Hammond, and Mike Fleming have spent recent days interviewing the studio moguls to gauge their perspective on this very close Oscar race:

PARAMOUNT
20 Nominations
: 10 True Grit, 7 The Fighter, 2 How To Train Your Dragon, 1 Iron Man

DEADLINE’s Nikki Finke: You had the most Oscar nominations this year.
BRAD GREY: So every year for the last five years we have been very fortunate in that we have had a Best Picture nominee at Paramount. I certainly didn’t imagine that we would have two this year, and I’m thrilled that we do. But we were certainly hoping that we’d be in the race again. We’ve been supporting these pictures and there’s evidence by the box office that it’s been in a very profound way. I think they are both wildly deserving so it’s really nice that the Academy has recognized them.

DEADLINE: But how do you explain the most nominations of all studios?
GREY: I don’t know how you account for that, other than the fact that we are in business with great artists, great filmmakers, and really try to greenlight pictures that will have great emotion as well as great storytelling and great entertainment value. And what we look to do is to make pictures that will be commercially successful and/or critically successful, and hopefully both. We were fortunate in that the Coens really hit a bullseye with True Grit. They produced and directed a picture that is a family film for Christmas which is going to be their greatest financial success in their careers. And the picture will do over a quarter of a billion dollars around the world, which is a huge number. And critically people have responded, and audiences have responded. So we are thrilled with that and we are supporting them through this Oscar race and campaign. To my mind, we’ve already won. The Fighter is the same situation as far as I’m concerned. It’s a touching beautiful story directed by David O. Russell and I think it’s David’s best work. I love the fact that this will reinvent David and give David a greater opportunity in the future. And it is frankly all a testament to Mark Walberg’s passion because we were working with Mark for years on this project. And at first it was to be Mark and Brad Pitt, and then it was to be Mark and Matt Damon. And poor Mark kept training and retraining as people kept coming in and falling out. And then thankfully Christian Bale came in and did a stunning job with him under David’s direction. And the folks at Relativity stepped up, and our group did an extraordinary job of marketing of what in essence people were calling a boxing movie.

DEADLINE: Let’s talk about True Grit first. There already was a classic movie and John Wayne won an Oscar for it from a 42-year-old novel.  How do you say yes to a remake of that? And to a western?
GREY: Well, it’s my responsibility to decide what gets greenlit at our company. And for me it’s a very easy call when the economics are right to back Joel and Ethan in anything. There is very little that Joel and Ethan could come to me with that I wouldn’t support at the right price point because I am a huge admirer of theirs. And having grown up in the business representing talent and nurturing talent and surrounding myself with the best in talent, I consider them among that group. And so I just think we are fortunate to be in business with them. So now you get to True Grit, and they had a take on how to make the book something special and to really take those characters and turn it into what would be the most commercial work that they have done because it didn’t lend itself to great violence.

DEADLINE: And that kid, Hailee Steinfeld…
GREY: She’s amazing. And they found her after looking at so many different actresses. And Jeff Bridges was extraordinary as Rooster Cogburn. So you take these two characters and you surround them with Matt Damon, Josh Brolin and everybody else, and I would bet on the Coen brothers every day. So that’s the show part. The business part was they made the picture at a very reasonable price.

DEADLINE: The budget was under $40 million, really?
GREY: Yes, we’re going to do very well, and they deserve it, and they will do very well. And we made a deal with them, as we have with so many others, where we kind of recalibrated how we make these talent deals so that once we recoup our money, everybody gets to share and everybody deserves to share. So the Coens will have the biggest payday of their career, but they have truly earned it. So that’s how you make True Grit: you bet on Joel and Ethan. And then you add to that the fact that Scott Rudin is, to my mind, one of the great producers that the industry has. So that’s a hell of a combination.

DEADLINE: Were you worried that Rudin would have divided loyalties because he also had The Social Network in the hunt for Oscars?
GREY: I just don’t think you can think that way. In the words of my dear friend and my hero Ron Meyer, he once told me when he was an agent that he had a conflict of interest the day he signed his second client. Scott is a producer who is prolific and making pictures at the same time at other studios and Scott happens to have an embarrassment of riches this year and so we share that.

DEADLINE: Many people were surprised True Grit became a Christmas family film.
GREY: I went to New York to sit with Joel and Ethan in October, and they were just cutting and very very nervous. And we had a Christmas date to hit because we saw it as a big family movie. And obviously that’s a different mindset than they are used to. Joel was saying, ‘Well, I know we can get this done, I know we can get this done’, and Ethan was saying, ‘Brad, please don’t make us make this date, please don’t make us make this date.’ And then I said to both of them: ‘Look, guys, if you can make the date, it will be well worth your while because the audiences will respond over Christmas. If you can’t, we will do our best to market and distribute this after Christmas, but you will regret it. So do your best.’ And they called me a week later and said, ‘We’re going to make the date’, and they did.

DEADLINE: Now on The Fighter, Paramount was developing it and then pulled out. Relativity comes in and cuts the budget by half. Why didn’t Paramount just cut the budget?
GREY: I think that is somewhat inaccurate. We supported Mark Wahlberg and tried to develop it for years with him. But it wasn’t coming together, and certainly wasn’t coming together at the price point that it was finally made at. And so we talked to Mark specifically about lowering the budget. But for any number of reasons, and I certainly can’t even tell you at this point why, it just never got there. But we didn’t want to derail Mark’s passion project, so we said ‘Try to figure this out.’ Relativity then stepped up at the price point that they were comfortable with. Read More »

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OSCAR: Hammond Polls Academy Voters

Pete Hammond

With ballots out and not due back until 5 PM on February 22nd, I decided to talk to a sampling of Academy Of Motion Picture Arts & Sciences voters directly to see how they’re picking their winners. By doing this very unscientific survey in the past, I could gauge if an upset was coming. For instance, in 1992, I found that voters I spoke with were almost unanimously choosing long shot Marisa Tomei. Bingo. I won the Oscar pool with that prediction. In 2005, I found an overwhelming surge for Crash among all but one voter I canvassed. Similarly, just days before the 2007 Oscars, I found a groundswell of support for Marion Cotillard. For this Oscar year, I conducted my informal poll by phone or in person. So here are my findings to date: I am picking up some interesting trends. Not just the expected strong support for The King’s Speech (it’s real), but also a surprising amount of backing for The Fighter. It has been the most mentioned movie after The Social Network and could figure significantly by drawing mostly first- and second-place votes. The Social Network also drew many mentions. Although some of the people I spoke with have already cast their ballots, most have not (at least when I talked to them). Members are supposed to be discreet about revealing their voting, but many were generous in sharing their thought process at this point as long as they remain anonymous.

Here are some snapshots from the conversations:

Golden Globe-winning producer/director/actor: “I am … Read More »

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OSCAR: Melissa Leo Goes Rogue With Her Own Personal Campaign Ads

Pete Hammond

Apparently she wasn’t content to let the Paramount and Relativity marketing machine do all the campaign work. So Best Supporting Actress frontrunner Melissa Leo personally paid for Hollywood trade ads (including on Deadline.com) Thursday showing  her super glammed-up wearing “Faux (not real) Fur” and a glittery evening gown. The text simply said “Consider”  and then below that, “Melissa Leo”, and in very tiny fine print off to the side the web address www.melissaleo.com, a photo credit, and a faux fur credit. There is no reference to her movie, The Fighter, or her critically acclaimed and  gritty real-life character, Alice Ward. Perhaps the point was to show a completely different side of the actress from the blue collar mother and fight manager she portrays in the film, a Supporting Actress role that has already won her the Critics Choice award, a Golden Globe, and a SAG award. It’s a trophy haul that has put her in lead position to take the Oscar.

So why go rogue now? I spoke to Leo today moments after she arrived in New Orleans to resume her role in HBO’s Treme. She explained the ads followed months of her frustration at not being able to land magazine covers, even with all the awards and attention for The Fighter. Leo is 50 years old and she attributes the media’s lack of interest to ageism and because of that and other factors she’s not considered “box office”.   “I took … Read More »

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OSCAR: Now Every Campaign Enters Crucial Final Stretch

Pete Hammond

The Oscar ballots went into the mail today and should be in every one of the 5,755 voting members’ hands by tomorrow, or at least by the weekend depending on how long it takes some of them to travel to snowbound or far-flung places. The Academy Of Motion Picture Arts & Sciences has set a due date of February 22nd, which could be a lifetime considering the ever-changing twists and turns of this surprising awards season. That’s why no major Academy Awards campaign seems willing to give up the hunt for gold quite yet.

For this second phase of Oscar campaigning, studios have tweaked, or in some cases completely retooled, their advertising to incorporate catch phrases and/or images they hope the Academy will notice. Warner Bros has noticeably increased its Inception buys on TV and in print and online. With its 10 nominations, True Grit is now suddenly “the most honored American movie of the year” (a not-so-subtle dig at the very British King’s Speech). While Paramount’s other contender, The Fighter, has new fighting words saying that “Nothing can stop an underdog whose time has come”.  Disney wants voters to know “the most successful animated film in history” (Toy Story 3 in case you live in a cave) is now nominated for Best Picture. While  Fox Searchlight has changed up their Black Swan poster with a highly dramatic … Read More »

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Cable Ratings: SAG Awards, ‘Shameless’ Up

By | Tuesday February 1, 2011 @ 11:29am PST
Nellie Andreeva

Sunday SAG Awards may have been predictable and even a tad boring with no upset wins but they scored solid ratings for TNT and TBS. The simulcast of the 17th Annual SAG Awards, highlighted by the surprise appearance of Dicky Eklund alongside winner Christian Bale, who portrays him in The Fighter, and a little-known Boardwalk Empire actress hijacking the show’s best ensemble acceptance speech, was watched by a little over 5 million viewers combined on TNT and TBS, up 6% from last year. (TNT’s viewership averaged 2.8 million, up 6%, TBS’ 2.2 million, also up 6%). The gains were larger in the young demos. The combines TNT/TBS delivery in adults 18-49 was 2.2 million, up 13% from last year and 1.2 million, up 30%.

Airing against the SAG Awards was the fourth episode of Showtime’s new drama Shameless, which averaged 1.5 million viewers at 10 PM, 1.1 million of them in the 18-49 demographic. that is a new high for the series, which has been building steadily since its impressive premiere, which drew 982,000 viewers.

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OSCAR: Hammond Analyzes Nominations: Where Does The Race Head Now?

Pete Hammond

Has The King’s Speech, fresh off that Producers Guild win and now leading with 12 Oscar nominations, just gone to the front of the class? My guess is this one could be a squeaker. Presumed Academy Awards co-frontrunner and critics favorite The Social Network trailed with only 8 nominations but they were the right ones: an Academy Of Motion Picture Arts & Sciences’ Best Picture winner might expect to have Cinematography and Editing and Sound Mixing and Music plus acting, writing, and directing. And The Fighter also is still in there strongly in key categories (7 noms overall) as well as film editing, an important one since as all pundits know it’s difficult to win Best Picture without at least also gaining an editing nod. The last movie to do that was Ordinary People some 30 years ago. That’s bad news for Best Pic nominees True Grit, which other than its editing snub did spectacularly well with 10 nominations, and most surprisingly Inception which, despite 8 other nominations, also sported an even bigger snub in addition to no editing honor with director Christopher Nolan again being passed over on the Directors honor roll.

It’s déjà vu for Chris who was nominated for a DGA award for The Dark Knight two years ago but found himself left out in the cold by Oscar not only for Director but also Screenplay and Picture. At least Nolan received the latter two nominations today. But with the popularity and critical acclaim he received for Inception, Read More »

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OSCAR: Category Nominations Per Picture

83rd Annual Academy Award Nominations

NOMINATIONS BY PICTURE
(In alphabetical order; does not include Short Films or Documentary Short Subjects)

Alice in Wonderland, A Walt Disney Pictures Production (Walt Disney) – 3 nominations
Art direction
Costume design
Visual effects

Animal Kingdom, A Porchlight Films Production (Sony Pictures Classics) – 1 nomination
Jacki Weaver – Performance by an actress in a supporting role

Another Year, a Thin Man Films Production (Sony Pictures Classics) – 1 nomination
Original screenplay

Barney’s Version, a Serendipity Point Films Production (Sony Pictures Classics) – 1 nomination
Makeup

Biutiful, a Menage Atroz, Mod Producciones and Ikiru Films Production (Roadside Attractions) – 2 nominations
Javier Bardem – Performance by an actor in a leading role
Best foreign language film (Mexico)

Black Swan, a Protozoa and Phoenix Pictures Production (Fox Searchlight) – 5 nominations
Natalie Portman – Performance by an actress in a leading role
Cinematography
Directing
Film editing
Best picture

Blue Valentine, a Silverwood Films and Hunting Lane Films Production (The Weinstein Company) – 1 nomination
Michelle Williams – Performance by an actress in a leading role

Country Strong, a Material Pictures Production (Sony Pictures Releasing/Screen Gems) – 1 nomination
Original song – Coming Home

Dogtooth, a Boo Production (Kino International) – 1 nomination
Best foreign language film (Greece)

Exit through the Gift Shop, a Paranoid Pictures Production (Producers Distribution Agency) – 1 nomination
Documentary feature

The Fighter, a Relativity Media Production (Paramount) – 7 nominations
Christian Bale – Performance by an actor in a supporting role
Amy

Read More »

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OSCAR: Today’s Nominations By Picture

83RD AWARDS
Feature Films With 2 Or More Nominations
(No Short Films or Documentary Short Subjects.)

The King’s Speech – The Weinstein Company 12
True Grit – Paramount 10
Inception - Warner Bros 8
The Social Network - Sony Pictures Releasing 8
The Fighter – Paramount 7
127 Hours - Fox Searchlight 6
Black Swan – Fox Searchlight 5
Toy Story 3 – Walt Disney 5
The Kids Are All Right – Focus Features 4
Winter’s Bone – Roadside Attractions 4
Alice in Wonderland – Walt Disney 3
Biutiful – Roadside Attractions 2
Harry Potter and the Deathly Hallows Part 1 – Warner Bros 2
How to Train Your Dragon – Paramount 2

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83rd Annual Academy Award Nominations: ‘King’s Speech’ Leads With 12; ‘True Grit’ 10, ‘Social Network’ And ‘Inception’ 8 (But Nolan Blanked Again For Best Director)

BEVERLY HILLS: Beverly Hills, CA (January 25, 2011) – Nominations for the 83rd Academy Awards were announced today (Tuesday, January 25) by Academy of Motion Picture Arts and Sciences President Tom Sherak and 2009 Oscar® winner Mo’Nique. Sherak and Mo’Nique, who won an Academy Award® for her supporting performance in “Precious: Based on the Novel ‘Push’ by Sapphire,” announced the nominees in 10 of the 24 Award categories at a 5:38 a.m. PT live news conference attended by more than 400 international media representatives.

Academy members from each of the branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominations are selected by vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Nominations ballots were mailed to the 5,755 voting members in late December and were returned directly to PricewaterhouseCoopers (PwC), the international accounting firm, for tabulation. Official screenings of all motion pictures with one or more nominations will begin for members this weekend at the Academy’s Samuel Goldwyn Theater. Screenings also will be held at the Academy’s Linwood Dunn Theater in Hollywood and in London, New York and the San Francisco Bay Area. All active and life members of the Academy are eligible to select the winners in all categories, although in five of them – Animated Short Film, Live Action Short Film, Documentary Feature, Documentary Short Subject and Foreign Language Film – members can vote only if they have seen all of the nominated films in those categories.

Academy Awards for outstanding film achievements of 2010 will be presented on Sunday, February 27, 2011, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network beginning at 5 p.m. PT/8 p.m. ET. The Oscar presentation also will be televised live in more than 200 countries worldwide.

Here are today’s nominations:

BEST PICTURE
127 HOURS (Fox Searchlight)
An Hours Production Christian Colson, Danny Boyle and John Smithson, Producers
BLACK SWAN (Fox Searchlight)
A Protozoa and Phoenix Pictures Production Mike Medavoy, Brian Oliver and Scott Franklin, Producers
INCEPTION (Warner Bros)
A Warner Bros. UK Services Production Emma Thomas and Christopher Nolan, Producers
THE FIGHTER (Paramount)
A Relativity Media Production David Hoberman, Todd Lieberman and Mark Wahlberg, Producers
THE KIDS ARE ALL RIGHT (Focus Features)
An Antidote Films, Mandalay Vision and Gilbert Films Production Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers
THE KING’S SPEECH (The Weinstein Co)
A See-Saw Films and Bedlam Production Iain Canning, Emile Sherman and Gareth Unwin, Producers
THE SOCIAL NETWORK (Sony Pictures)
A Columbia Pictures Production Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers
TOY STORY 3 (Walt Disney)
A Pixar Production Darla K. Anderson, Producer
TRUE GRIT (Paramount)
A Paramount Pictures Production Scott Rudin, Ethan Coen and Joel Coen, Producers
WINTER’S BONE (Roadside Attractions)
A Winter’s Bone Production Anne Rosellini and Alix Madigan-Yorkin, Producers

BEST ACTOR
JEFF BRIDGES – TRUE GRIT (Paramount)
JAVIER BARDEM – BIUTIFUL (Roadside Attractions)
JESSE EISENBERG – THE SOCIAL NETWORK (Sony Pictures)
COLIN FIRTH – THE KING’S SPEECH (The Weinstein Company)
JAMES FRANCO – 127 HOURS (Fox Searchlight)

BEST ACTRESS
ANNETTE BENING – THE KIDS ARE ALL RIGHT (Focus Features)
NICOLE KIDMAN – RABBIT HOLE (Lionsgate)
JENNIFER LAWRENCE – WINTER’S BONE (Roadside Attractions)
NATALIE PORTMAN – BLACK SWAN (Fox Searchlight)
MICHELLE WILLIAMS – BLUE VALENTINE (The Weinstein Co)

BEST ACTOR IN A SUPPORTING ROLE
CHRISTIAN BALE – THE FIGHTER (Paramount)
JOHN HAWKES – WINTER’S BONE (Roadside Attractions)
JEREMY RENNER – THE TOWN (Warner Bros)
MARK RUFFALO – THE KIDS ARE ALL RIGHT (Focus Features)
GEOFFREY RUSH – THE KING’S SPEECH (The Weinstein Company)

BEST ACTRESS IN A SUPPORTING ROLE
AMY ADAMS – THE FIGHTER (Paramount)
HELENA BONHAM CARTER – THE KING’S SPEECH (The Weinstein Company)
MELISSA LEO – THE FIGHTER (Paramount)
HAILEE STEINFELD – TRUE GRIT (Paramount)
JACKI WEAVER – ANIMAL KINGDOM (Sony Pictures Classics)

BEST ANIMATED PICTURE
HOW TO TRAIN YOUR DRAGON (DreamWorks Animation)
TOY STORY 3 (Walt Disney)
THE ILLUSIONIST (Sony Pictures Classics)

BEST DIRECTOR
DARREN ARONOFSKY – BLACK SWAN (Fox Searchlight)
DAVID FINCHER – THE SOCIAL NETWORK (Sony Pictures)
TOM HOOPER – THE KING’S SPEECH (The Weinstein Co.)
JOEL AND ETHAN COEN – TRUE GRIT (Paramount)
DAVID O. RUSSELL – THE FIGHTER (Paramount)

BEST ORIGINAL SCREENPLAY
ANOTHER YEAR, Mike Leigh (Sony Pictures Classics)
THE FIGHTER, Scott Silver and Paul Tamasy & Eric Johnson, Story by Keith Dorrington & Paul Tamasy & Eric Johnson (Paramount)
INCEPTION, Christopher Nolan (Warner Bros)
THE KIDS ARE ALL RIGHT, Lisa Cholodenko & Stuart Blumberg (Focus Features)
THE KING’S SPEECH, David Seidler (The Weinstein Co)

BEST ADAPTED SCREENPLAY
127 HOURS, Danny Boyle & Simon Beaufoy (Fox Searchlight)
TOY STORY 3, Michael Arndt, Story by John Lasseter, Andrew Stanton, and Lee Unkrich (Walt Disney)
THE SOCIAL NETWORK, Aaron Sorkin (Sony Pictures)
WINTER’S BONE, Debra Granik & Anne Rosellini (Roadside Attractions)
TRUE GRIT, Joel Coen & Ethan Coen (Paramount)

BEST FOREIGN LANGUAGE FILM
Algeria, Hors la Loi (Outside the Law) (Cohen Media Group) – A Tassili Films Production
Canada, Incendies (Sony Pictures Classics) – A Micro-Scope Production
Denmark, In a Better World (Sony Pictures Classics) – A Zentropa Production
Greece, Dogtooth (Kino International) – A Boo Production
Mexico, Biutiful (Roadside Attractions) - A Menage Atroz, Mod Producciones and Ikiru Films Production

BEST ACHIEVEMENT IN CINEMATOGRAPHY
Black Swan (Fox Searchlight) – Matthew Libatique
Inception (Warner Bros.) – Wally Pfister
The King’s Speech (The Weinstein Company) – Danny Cohen
The Social Network (Sony Pictures Releasing) – Jeff Cronenweth
True Grit (Paramount) – Roger Deakins

BEST DOCUMENTARY FEATURE
Exit Through The Gift Shop (Producers Distribution Agency) A Paranoid Pictures Production Banksy and Jaimie D’Cruz
Gasland – A Gasland Production Josh Fox and Trish Adlesic
Inside Job (Sony Pictures Classics) – A Representational Pictures Production Charles Ferguson and Audrey Marrs
Restrepo (National Geographic Entertainment) – An Outpost Films Production Tim Hetherington and Sebastian Junger
Waste Land (Arthouse Films) – An Almega Projects Production Lucy Walker and Angus Aynsley

Read More »

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‘No Strings Attached’ Reverses Recent Row Of Rom-Com Flop Openers: Possible $20.3M

SATURDAY PM/SUNDAY AM: Rentrak is having system issues so box office will be a bit late today. But Paramount was so worried about its No Strings Attached being a stinker that the studio didn’t even bother to give me a pre-release briefing. I don’t necessarily blame them: any movie starring Ashton Kutcher is probably a bomb since his last one — PG-13 Killers with Katherine Heigl — opened to only $15.8M for Lionsgate. And rom-coms, especially sexy R-rated ones (Ed Zwick’s Love And Other Drugs which opened to only $9.7M for Fox with Anne Hathaway and Jake Gyllenhaal) have been stillborn at the North American box office with this caliber of star. But No Strings Attached surprised at the box office, not only coming in No. 1 but with a decent $20.3M. Exit polls showed 70% of the audience was female, meaning it should be the least affected by football on Sunday. As for CinemaScore,  40% of those aged under 25 gave the film an “A-” while 60% over 25 scored it a “B”. 

This $25 million-cost movie started out as a Black List script titled Fuckbuddies and written by Elizabeth Merriwether. Natalie Portman came on board as a producer and star for Ivan Reitman and Tom Pollock’s The Montecito Picture Company, which co-financed in partnership with Coldspring and Paramount’s usual partner Spyglass Entertainment.

Natalie is hot after her Oscar-worthy transformative performance in Black Swan and now finds herself with 2 movies in this weekend’s Top 6. And perhaps risking overexposure because of her new pics opening in January, February, April, and May. Anyway, the pic took advantage of being the only wide opening this weekend and may hang on for $20M. (Remember, it took Ron Howard’s Dilemma starring Vince Vaughn and Kevin James 4 days to even make that over the MLK long holiday.) The film had been tracking strong with 20-year-old females whom Paramount pursued aggresively not with traditional newspaper ads but instead with a big Facebook push of a sexy Red Band trailer. Meanwhile, Sony’s The Green Hornet 3D and Universal’s aforementioned Dilemma look to drop more than -35% each this weekend. Here’s the Top 10:

1. No Strings Attached (Paramount) NEW [3,018 Theaters]
Friday $7.3M, Saturday $8.2M, Weekend $20.3M

2. The Green Hornet 3D (Sony) Week 2 [3,584 Theaters]
Friday $5.1M, Saturday $8.7M, Weekend $18.1M (-31%), Cume $63.4M

3. The Dilemma (Universal) Week 2 [2,943 Theaters]
Friday $3M, Saturday $4.5M, Weekend $9.9M (-33%), Cume $33.5M

4. The King’s Speech (Weinstein Co) Week 9 [1,680 Theaters]
Friday $2.1M, Saturday $3.9M, Weekend $9.1M, Cume $58.6M
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Golden Globes Winners List: ‘The Social Network,’ Colin Firth, Natalie Portman, Annette Bening, David Fincher…

Ricky Gervais Assesses His Golden Globes Performance
Check out Nikki’s live-snarking from the event…
And here are the night’s big winners:

BEST PICTURE, DRAMA
The Social Network

BEST PICTURE, COMEDY OR MUSICAL
The Kids Are All Right

ACTOR, DRAMA
Colin Firth – The King’s Speech

ACTRESS, DRAMA
Natalie Portman – The Black Swan

ACTRESS, COMEDY OR MUSICAL
Annette Bening – The Kids Are All Right

ACTOR, COMEDY OR MUSICAL
Paul Giamatti – Barney’s Version

BEST ANIMATED FEATURE
Toy Story 3

FOREIGN LANGUAGE FILM
In A Better World (Denmark)

BEST SUPPORTING ACTRESS, MOTION PICTURE
Melissa Leo – The Fighter

BEST SUPPORTING ACTOR, MOTION PICTURE
Christian Bale – The Fighter

BEST DIRECTOR, MOTION PICTURE
David Fincher – The Social Network

BEST SCREENPLAY, MOTION PICTURE
Aaron Sorkin – The Social Network

BEST ORIGINAL SCORE, MOTION PICTURE
Trent Reznor, Atticus Ross – The Social Network

BEST ORIGINAL SONG, MOTION PICTURE
“You Haven’t Seen The Last Of Me” – Burlesque

TELEVISION

DRAMA
Boardwalk Empire

COMEDY OR MUSICAL
Glee

ACTRESS, DRAMA
Katey Sagal – Sons Of Anarchy

ACTOR, DRAMA
Steve Buscemi – Boardwalk Empire 

ACTRESS, COMEDY OR MUSICAL
Laura Linney – The Big C

ACTOR, COMEDY OR MUSICAL
Jim Parsons – The Big Bang Theory

BEST MINISERIES OR MOTION PICTURE
Carlos

ACTRESS IN A MINI-SERIES OR MOTION PICTURE
Claire Danes – Temple Grandin

ACTOR IN A MINI-SERIES OR MOTION PICTURE
Al Pacino – You Don’t Know Jack

SUPPORTING ACTRESS IN A SERIES, MINI-SERIES OR MOTION PICTURE
Jane Lynch – Glee

SUPPORTING ACTOR IN A SERIES, MINI-SERIES OR MOTION PICTURE
Chris Colfer – Glee

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AMPAS Narrows Makeup Contenders

Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences today announced that seven films remain in competition in the Makeup category for the 83rd Academy Awards.

The films are listed below in alphabetical order:
“Alice in Wonderland”
“Barney’s Version”
“The Fighter”
“Jonah Hex”
“True Grit”
“The Way Back”
“The Wolfman”

On Saturday, January 22, all members of the Academy’s Makeup Branch will be invited to view 10-minute excerpts from each of the seven shortlisted films. Following the screenings, members will vote to nominate three films for final Oscar consideration.

The 83rd Academy Awards nominations will be announced live on Tuesday, January 25, 2011, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2010 will be presented on Sunday, February 27, 2011, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

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