CBS has announced the finale dates for its current series. The Good Wife will keep the tradition of bowing out early, closing its second season April 28. Veteran Criminal Minds will pull down the curtain for the network on the final day of the season, May 22. Here is the full list:
EXCLUSIVE: Good news for The Good Wife fans, bad news for the Florricks. Go On star Matthew Perry will reprise his guest role on the praised CBS legal drama in an episode to air in early 2013. Perry will return as Mike Kresteva, a slick Chicago attorney who clashed with Alicia Florrick (Julianna Margulies) during a blue-ribbon panel investigation into a police shooting. Kresteva later announced that he would run against Alicia’s husband, Peter (Chris Noth), for the governorship and has taken out a series of attack ads against him.
Julianna Margulies’ former management company sued The Good Wife actress today over fees it says she owes in commissions. D/F Management claims Margulies owes them $420,000. As outlined in the complaint (read it here) filed today in LA Superior Court, the money comes from fees D/F say are owed from her Emmy-winning gig on the CBS show as well as a spokesperson contract with L’Oreal. The management company, who based its sum on a 10% commission fee, also wants the court to ensure that Margulies continues to pay them from all fees and contingent compensation from the show and the cosmetics contract in the future.
D/F signed the former ER star in February 2009. The Good Wife, in which Margulies plays lead character Alicia Florrick, debuted September 22, 2009. Margulies ended her relationship with D/F Management in late April 2011. In the filing, D/F, which was founded by Margulies’ former ICM agent Steve Dontanville and talent manager Frank Frattaroli, provide edited emails about how pleased the actress says she was with the way they handled her career. The suit also contains quotes from Margulies about wanting to cut costs.
The Good Wife has added Nathan Lane in a recurring role for the CBS drama’s upcoming fourth …
Maura Tierney is reuniting with fellow ER alumna Julianna Margulies, joining the cast of Margulies’ praised CBS drama The Good Wife in a recurring role. On the legal drama set in the Windy City, Tierney will …
Michael Ausiello is editor in chief of TVLine.
It would be tough for Josh Charles to top last year — when he earned the first Emmy nomination of his career for his work as Will Gardner on CBS’ The Good Wife. However, given the weight of his Season 3 story arc — not only did his attorney character enter into (and almost as quickly exit) a romantic relationship with Julianna Margulies‘ Alicia, but he was suspended from practicing law and was forced to revisit his past as a gambling addict — the Sports Night alum looks poised to do just that. This time, however, he’s not just likely to get a supporting actor nomination, he could very well walk home with the prize.
AWARDSLINE: Was there any aspect of your storyline that you found particularly satisfying to play?
JOSH CHARLES: It was really fascinating to see [Will] have to face the consequences, professionally and personally, for the actions that he’s taken or not taken in his life. At the core, this guy’s a gambler — literally and figuratively. He has an addictive personality, and that backstory felt very authentic to what we’ve seen already from Will. He likes to take risks, loves to live on the edge, and loves to cut corners — morally and unethically. He consistently walks a tightrope, and is happy to do so, because he likes the adrenaline of that.
Robert King, co-creator of CBS’ The Good Wife with wife Michelle King, called star Julianna Margulies’ 2011 Emmy win for best actress in a drama series the highlight of their year. When you lose the Emmy competition, Robert jokes, “you dismiss the awards and say those don’t matter anyway. And then when you win, it’s ‘damn right – everything’s right with the universe.’ Everybody understands art.”
The series is already lobbying hard for another Emmy win in 2012. This year, TV Academy voters are receiving seven Good Wife episodes in their mailers, rather than the average 2-4 episodes sent by most network shows. “It’s a nice problem to have, when you have so many good episodes,” says CBS TV Studios president David Stapf. “And with the ability to send out more now, why not?”
The show’s third season has brought good and not-so-good things to The Good Wife. On the good side: the Emmy for Margulies (co-star Archie Punjabi won in the supporting actress category in 2010) and the recent announcement that the show has been picked up for a fourth season by CBS.
Once again this year CBS’ The Good Wife is the only real broadcast contender for a best drama series Emmy nomination. It was the only broadcast series in the category last year and the only best drama series nominee producing 22 episodes a season in both of its years of eligibility to date, 2010 and 2011. (There was only one other broadcast drama, ABC’s Lost, which landed a nom in 2010 for its 16-episode final season. The final season of DirecTV’s Friday Night Lights, which earned a nom last year, consisted of 13 episodes despite the show’s broadcast origins as an NBC series.) Facing cable competitors who make 10-13 episodes a year, The Good Wife is taking a page from the cable playbook in its Emmy campaign this year, trying to put as many episodes in the hands of voters as possible. The legal drama’s Emmy mailer contains seven episodes, far more than the average 2-4 episodes sent by most shows. A cable series, Showtime’s Huff, was the first to send out an entire season of episodes to TV Academy members in 2005. The strategy has been subsequently adopted by other cable shows but broadcast drama and comedy series have largely stuck to the decade-old tradition of only making a handful of episodes available to voters.
When CBS chief Les Moonves appears at an investor event like this week’s UBS Annual Global Media and Communications Conference, they should just get him an orchestra and a spotlight so he can sing “Everything’s Coming Up Roses.” “Everybody calls me a cheerleader but network television’s doing better than it’s done in many years,” he told analysts today. He says that CBS’ prices for ads in the scatter market are up “in the mid-teens” over the upfront, although “our competitors are doing not as well.” Heading into the holiday season ”demand is picking up again” and few are cancelling upfront orders for early 2012. “When you look at where our ratings are, you don’t want to cancel a CBS show because (later on) you’ll pay more.” To underscore his confidence in CBS’ finances, he threw some red meat to investors: ”Could we raise the dividend (next year)? That’s a possibility.”
He’s encouraged by the additional dollars flowing to the network from retransmission consent deals with pay TV distributors, and reverse compensation payments to CBS from its affiliates. If a local station balked at shelling out cash to CBS — which used to pay stations to carry its shows — then Moonves would consider yanking the affiliation agreement. But he says that’s unlikely because CBS’ strong primetime line up ”is making them a lot of money” by delivering large audiences to local newscasts. Meanwhile, he’d like the FCC not to require that network programming remain on pay TV when distributors balk at retransmission consent payments. ”This is America. We’ll make a deal with these guys or won’t make a deal.”