Brian Brooks is a Deadline contributor.
Following last week’s hefty rollout of new Specialty films, the coming weekend is also awash in a large number of diverse titles that will hit the limited release slate, including titles with stars, soon-to-be stars and big screen novices. Xan Cassavetes will open her drama/thriller Kiss Of The Damned via Magnolia this weekend with a cadre of French vampires. Julianne Moore, Steve Coogan and Alexander Skarsgard star in Millennium Entertainment’s What Maisie Knew. The distributor is doubling up this weekend, also bowing The Iceman with Michael Shannon, Winona Ryder, Chris Evans, Ray Liotta and David Schwimmer, while Keanu Reeves stars in Phase 4′s Generation Um… Cinedigm will open indie Western Dead Man’s Burden from newcomer Jared Moshé, starring Barlow Jacobs, Clare Bowen and David Call, while First Run Features’ The Happy House will also be looking for its niche among the weekend’s new titles. IFC Films will bow veteran French filmmaker Olivier Assayas’ latest, Something In The Air, while doc Scatter My Ashes At Bergdorf’s joins the weekend’s packed lineup.
Kiss Of The Damned
Director-writer: Xan Cassavetes
Cast: Joséphine de La Baume, Milo Ventimiglia, Roxane Mesquida, Anna Mouglalis, Michael Rapaport
Distributor: Magnolia Pictures/Magnet Releasing
Xan Cassavetes initially had the idea for Kiss Of The Damned after touring a house some years ago. The home eventually became the venue for the thriller/drama which revolves around a vampire, Djuna, who resists the advances of Paolo, but soon gives into their passion. “I went through the house and the nature of its setting felt so transitory — it’s a weekend house and it’s the setting for a transitory vampire,” said Cassavetes. “I looked at the house a year and a half before writing the screenplay.” After working on other projects, Cassavetes recalled the house and wrote the screenplay for Kiss Of The Damned in only three weeks. She and her team were able to put together the financing elements from previous films. “I wanted French actors because the movie has the flavor of a beautiful European flavor,” said Cassavetes. “I also wanted relatively unknown actors because I thought it was more powerful to buy into that.” Read More »