Based on Philip K. Dick’s Hugo Award-winning novel, The Man In the High Castle hails from The X-Files alum Frank Spotnitz and Scott Free. Written by Spotnitz and to be directed by David Semel (Legends), the project set in 1962 explores an alternative reality in which Nazi Germany and Japan won World War II and occupy the United States, with the East Coast controlled by the Nazis and the West Coast owned by Japan, and a chunk of the Midwest still up for grabs. Fascism rules and the few surviving Jews hide under assumed names. But an aging Hitler has one foot in the grave, and the Japanese are preparing for an imminent Nazi stab in the back. The U.S. Resistance is scattered, scared, or crushed. The project originally was set up as a four-hour miniseries at Syfy last year. “The Man In High Castle is one of Dick’s most imaginative and captivating works and certainly one of my favorites,” Scott Free’s Ridley Scott said at the time. Scott, of course, directed the 1982 Blade Runner, one of several feature adaptations of Dick’s books, along with two versions of Total Recall (1990 and 2012), …
The miniseries adaptation of The Man In The High Castle was originally announced as a project back in 2010. At the time, the four-parter based on Philip K Dick‘s novel, was to be a Headline Pictures/Electric Shepherd/Scott Free production for the BBC, scripted by British playwright Howard Brenton and sold internationally by FremantleMedia. Some of the puzzle pieces have since shifted. Syfy said today it has sealed a deal to adapt the Hugo Award-winning tome with Frank Spotnitz (The X-Files, Hunted) attached to write and exec produce. Ridley Scott’s Scott Free will produce with Headline, Electric Shepherd Productions (the production arm of Dick’s estate) and FremantleMedia International. Producers are Ridley Scott and Stewart Mackinnon. Spotnitz will write the first two hours and supervise the writing of the second two hours, Syfy said today.
Dick’s novel is an alternate history story set in a world in which Nazi Germany and Japan were victorious in the second World War. The year is 1962 and the Axis Powers occupy the U.S., where fascism rules and the few surviving Jews hide under assumed names. Scott’s 1982 sci-fi classic Blade Runner was adapted from Dick’s Do Androids Dream Of Electric Sheep?
EXCLUSIVE: Ridley Scott and Tony Scott’s production company has optioned Pigeon English, a debut novel by Brit writer Stephen Kelman that Bloomsbury is due to publish on March 23rd. The BBC has commissioned the script of this television movie, one of the first to be developed by Scott Free’s UK TV arm. Jack Thorne, one of the busiest young writers in the UK today (Scouting Book for Boys), is adapting the book. Pigeon English follows Harri, a 12-year-old Ghanaian boy, newly arrived in London who lives in a housing project with his mother and sister. When Harri and his friend Dean see police tape around a boy murdered on the estate, Harri decides to start a murder investigation of his own – putting his family into danger.
Adam Smith, whose credits include Skins and the BBC’s Little Dorrit, is attached to direct. The producer is Liza Marshall of Scott Free UK. The adaptation has been commissioned by Piers Wenger, executive producer of Doctor Who. Marshall said: “Pigeon English is an original, funny, warm and incredibly moving coming of age story. The moment I read it, I fell in love with it and we’re very excited to be bringing this wonderful book to the screen.”
Scott Free US is developing two more TV projects. The U.S. arm is producing Philip K. Dick’s novel The Man in the High Castle as a four-part miniseries also for the BBC written by Howard Brenton (Spooks/MI-5), and The …
He’s producing a new 4-hour miniseries based on Dick’s The Man In The High Castle for the BBC. Howard Brenton, the British playwright who’s also written for Spooks/MI-5, is adapting the Hugo Award-winning novel. Headline Pictures is also producing with Electric Shepherd Productions, the production arm of Philip K Dick’s estate, and Scott’s production company Scott Free. Fremantle Media, which handles The X Factor, will sell the 4 hour-long episodes overseas. Dick’s novel is a science fiction alternate history, depicting a world in which the Axis powers — Imperial Japan and Nazi Germany — triumphed over the Allies in the Second World War. Fremantle is developing the TV miniseries for BBC1.