The likes of Colin Firth, Nicole Kidman, Tilda Swinton, Nicolas Cage, Kristen Wiig, Guy Pearce and more have films joining the Specialties in theaters this weekend in what could possibly be a big draw at the box …
Specialty B.O. Preview: ‘The Railway Man’, ‘Only Lovers Left Alive’, ‘Joe’, ‘Hateship Loveship,’ ‘Cuban Fury’, ‘Dancing In Jaffa’, ‘A Fragile Trust’
UPDATE, 2:40 PM: The Weinstein Company just made this deal official (see the release below the original break).
PREVIOUS BREAKING, 10:37 AM: Harvey Weinstein has done it again. The Weinstein Company is acquiring U.S. distribution rights for around $2 million to The Railway Man, director Jonathan Teplitzky’s drama that stars Colin Firth and Nicole Kidman. It’s the true story about a British Army officer who is tormented at a Japanese POW camp. Decades later, he discovers the Japanese interpreter responsible for the brutality is alive. He sets out to confront him and his haunting past. The deal for the film, which premiered Friday at Roy Thompson Hall, was brokered by CAA. Andy Paterson and Chris Brown produced. It’s the third buy for TWC after the John Carney-directed Can A Song Save Your Life? and The Disappearance Of Eleanor Rigby: His/Hers. All of them will be released in 2014.
After receiving mixed critical response in its Venice world premiere, the Kennedy assassination docudrama Parkland took on the Toronto International Film Festival and received a good response for a movie that looks at the events of that fateful day 50 years ago from several different perspectives. Those include a young surgeon operating on the fallen President in the emergency room, Lee Harvey Oswald’s brother and mother, the FBI, Abraham Zapruder and others. Nicely directed by first-timer Peter Landesman, a former New York Times reporter, the film has the sensibility of a journalist and stays close to the known facts while still illuminating. At the premiere’s afterparty at Soho House he told me, “I wanted to create a visual language in the beginning that would allow the audience to feel like what they were seeing was happening and real… I did want to take the audience by hand and bring them into an idea that what they are watching happening is actually unfolding in front of them,” said the veteran who’s covered many international wars. He dismissed potential complaints that the filmmaker might be exploiting the Kennedy tragedy, particularly on the cusp on the 50th anniversary, by explaining that the emergency room scenes were carefully thought out:”I feel like we cut a very dignified movie. To not have any sense of the violence would be to betray what the movie is about. I actually feel that the cut’s dignified. We actually had cuts in the movie that were a lot bloodier. At the end of the day we didn’t want to alienate our audience.”
Landesman said it came about when he originally wrote a screenplay about Watergate for producer Tom Hanks (who produced this film with Playtone partner Gary Goetzman and actor Bill Paxton). That script has yet to be produced. But it led to Hanks handing Landesman a Vincent Bugliosi book written about those four days in November 1963. So he worked on it and researched it for nearly five years and decided there was a movie there that nobody had ever seen. Although Hanks was busy acting on Broadway, he was very involved. “Gary was there for every frame. And Tom was intimately involved with the development of the screenplay and the casting. You know Tom. His integrity is so important, not only as a brand and a producer but Tom’s sensibilities and instincts are so important,” Landesman said.