UPDATE: 7:20 AM: “CeeLo Green has been an instrumental part of the success of The Voice and we deeply appreciate all his contributions,” NBC reality TV chief Paul Telegdy said in a statement about Green’s announcement today that he’s leaving the network’s hit singing competition series. “We’re looking forward to working with him on other upcoming projects that will tap into both his musical and entertainment expertise.”
Green also issued a statement: “I’m officially announcing today that I won’t be returning as a coach on The Voice cycle 7 in the Fall. There are numerous reasons that led to this decision, which has been amicably reached with NBC, but I’m excited to be developing several other ideas with the network and my association with NBC remains strong. The Voice has been an immensely enjoyable experience for me and I can only hope I have enriched the lives of our viewers, the contestants, and the many friends I made there. I will always be there in spirit.
“Meanwhile, NBC and I plan to continue our relationship with several new co-ventures including a new music show, while we also explore our ideas for me to create and host a new show of my own. I will not go quietly into the night… expect more great music and entertainment done in my own unique unmistakable and undeniable way. And The Voice has given me all the altitude and incentive to do just that. Thanks for the memories and make way for many more!” Read More »
Shakira and Usher will reprise their roles as Season 4 judge/mentors, reuniting with show regulars Adam Levine and Blake Shelton for the NBC singing competition’s sixth season. They pair returns in a special two-night premiere: 8-10 PM Monday, February 24, and 8-9 PM Tuesday, February 25.
Related: TV Ratings: ‘The Voice’ Hits Performance Finale Low
The Voice has averaged a 4.9 rating in the demo and 14.7 million viewers overall with its Monday edition, and a 4.5 and 14 viewers overall on Tuesdays, making it the No. 1-rated Monday and Tuesday series on the broadcast networks so far this season in the demo. Last spring, Shakira and Usher were cast to fill in for Christina Aguilera and Cee Lo Green, respectively, on The Voice — the latter two original judge/mentors returning for the fall season. It’s an arrangement the show’s producers appear to have institutionalized. And in so doing, The Voice has become a bastion of judge stability while Fox’s The X Factor is on its third judging panel in three seasons, and we’ve lost count of the various iterations and regroupings on Fox’s American Idol, which in January will feature the return of JLo and Keith Urban and the addition of Harry Connick Jr.
Related: Simon Cowell: “The X Factor’ Will Be Back Next Season”
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The Mindy Project showrunner appears to be fed up with notes from the Fox Decency Police, and has tweeted one such memo — presumably to embarrass the division. In its pre-shoot memo about one of the comedy’s episodes, The Fox Decency Police made these requests:
Page 13: Please substitute for Peter’s “balls” reference.
Page 28 Please substitute for Mindy’s “penis” reference.
Please substitute for Mindy’s “69″ reference.
Decency Police and their “We’ll trade you one penis for two vaginas” memos are always good for a laugh on a slow day, which may explain why today The Reporters Who Cover Television glommed on to showrunner Matt Warburton‘s tweet of several days ago (you know how it is: TV critic re-tweets it, Defamer posts it, more media pick it up). In the Twitter post, he took a photo of the memo and added, “The Mindy Project is a classy show for grown ups”, like he meant it to sting. And yet, ask someone attached to the show’s production or broadcast why it’s still on the air with the numbers it’s getting these days and you probably ARE going to get an earful of “Mindy is a very upscale show, with a 142 index in the demo in $100K+ homes, ranking No. 9 among major broadcast network shows in this category, and the highest indexing of any Fox entertainment series.”
Still, you can’t help but feel for Warburton. His series is getting clobbered by NBC’s The Voice in its time slot (last season NBC had little-watched comedies Go On and The New Normal in the second hour of primetime on the night). Read More »
ABC’s gloppiest-named new series, Marvel’s Agents of S.H.I.E.L.D. may be the hottest launch of the three-day-old broadcast TV season, but The Big Story so far in Premiere Week ?
NBC is up with every single one of its series on Monday, Tuesday, and Wednesday nights compared to Premiere Week 2012. The network has won seven of nine hours in the demo among broadcasters. In total viewers, it’s won six of the week’s first nine primetime hours and has moved from third place to first — making those Comcast guys look pretty clever for having re-upped NBC programming chief Bob Greenblatt’s contract without waiting for Premiere Week numbers.
The One Thing Each Network Must Pull Off To Claim Success
2013-14 Broadcast Season Preview: Challenges The Networks Face
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