Nominees and celebs hit the 71st Golden Globe Awards, underway now at the Beverly Hilton. Hit the jump for full images from tonight’s fete and refresh for latest:
Deadline’s Awards Columnist Pete Hammond contributed commentary for this article.
Despite Warner Bros’ pricey campaign to put the final Harry Potter in the mix for Best Picture, its efforts only resulted in the same old technical noms the series usually gets (Visual Effects, Art Direction, Makeup). Universal also did a sizeable campaign to get its raunchy summer comedy Bridesmaids into the Best Picture conversation, but conventional wisdom that the Academy frowns on broad comedies in the category proved true again, relegating the hit movie to screenplay and Supporting Actress Melissa McCarthy — exactly the two categories the film was always thought to have its best chance.
David Fincher, The Girl With The Dragon Tattoo
Steven Spielberg, War Horse
Stephen Daldry, Extremely Loud & Incredibly Close
Tate Taylor, The Help
Bennett Miller, Moneyball
George Clooney, The Ides Of March
DGA nominee Fincher was the one anomaly between the usually reliable DGA list and the Oscar nominees in this category. Terrence Malick grabbed that spot, while Spielberg not only was snubbed here but in animated feature too for The Adventures Of Tintin. At least he has a Best Picture nom for War Horse to comfort him. Daldry, Taylor and Miller join him in the Snubbed Club even though their films were deemed Best Picture-worthy.
Actor In A Leading Role
Leonardo DiCaprio, J Edgar
Michael Fassbender, Shame
Ryan Gosling, The Ides Of March or Drive
Perhaps it was a sign when the Makeup branch failed to list DiCaprio’s Hoover makeup in their original seven finalists. The Academy thoroughly rejected Clint Eastwood’s movie, and DiCaprio went down with the ship too.
Motion Capture just isn’t a favorite with actors so that doomed Serkis from the start. Brooks missed SAG too, so that should have been a sign. Perhaps the film was just too violent for some? (Brooks had the best anti-reaction quotes of the day on his Twitter feed, posting “And to the Academy: You don’t like me. You really don’t like me” and “Looking forward to the State of the Union tonight. Hope the new Axis of Evil includes Hollywood.”)
Both of the above were more talked-about for noms than Rooney Mara, but in the end the newcomer triumphed over some Oscar-winning vets.
Actress In A Supporting Role
Shailene Woodley, The Descendants
Youth was not served in a tough category.
The Tree Of Life took honors for best picture and best director Terrence Malick when the San Franscisco Film Critics Circle announced their awards for 2011 on Sunday. Two actors who’ve generated a lot of buzz but have been largely overlooked, Gary Oldman and Tilda Swinton, were honored for best …
Based on the mixed bag out of the New York Film Critics, National Board of Review and Gotham Awards winners along with the announced nominees for Independent Spirit Awards, this year is completely, completely wide open. But then you knew that already.
The New York Critics so wanted to be first and “influence” the Oscars that they advanced their voting date up two weeks and prematurely presented a list of winners Tuesday that seemed downright conservative and very “Academy friendly.” After honoring harder edged films in the past, they went for a delightful black and white silent film as their Best Picture (The Artist) and Director (Michel Hazanavicius) plus big stars Meryl Streep (in another biopic — as Margaret Thatcher this time) and Brad Pitt (Moneyball) both playing real-life characters, something Academy voters have tended to favor in many of their recent acting winners. It was Streep’s fifth acting honor from the NYFCC. The group moved their voting up in order to beat everyone else, particularly the National Board of Review which is normally first, and in effect forced Sony to show them David Fincher’s The Girl With The Dragon Tattoo by agreeing to move their voting date back a day (and then ignored the film). They also miscalculated Warner Bros’ willingness to show Stephen Daldry’s Extremely Loud and Incredibly Close before it was completely finished and ready to be seen by some of the nation’s most “important” (at least in their own minds) critics. So that one wasn’t part of their deliberations. The Broadcast Film Critics Association (I am a member) and the Los Angeles Film Critics among others will be able to see Dragon Tattoo starting Friday. Neither has changed its voting schedules (about 10 days out) in order to jump the gun and will be able to see everything before weighing in on the year’s best. That seems like the right course for critics groups instead of trying to force the hands of filmmakers in order to pursue their own delusional quixotic quest for influence.
Paramount’s Martin Scorsese film Hugo received a major shot in the arm for its Oscar hopes when the National Board of Review named it the 2011 Best Film of The Year and tapped Scorsese as Best Director. Today’s vote comes two days after the New York critics voted the Weinstein Co’s black-and-white silent pic The Artist as its top film and shut out Hugo altogether. “Hugo is such a personal film by Martin Scorsese,” said National Board president Annie Schulhof in a release announcing the winners. “It is a tribute to the early years of cinema that uses today’s cutting-edge technology to bring the audience into a completely unique and magical world. It is visually stunning and emotionally engaging.” The National Board also went with George Clooney (The Descendants) as Best Actor and Tilda Swinton (We Need To Talk About Kevin) as Best Actress, also different from the NYFCC, which went with Brad Pitt and Meryl Streep. Here’s the National Board’s full list:
Best Director: Martin Scorsese, Hugo
Best Actor: George Clooney, The Descendants
Best Actress: Tilda Swinton, We Need to Talk About Kevin
Best Supporting Actor: Christopher Plummer, Beginners
Best Supporting Actress: Shailene Woodley, The Descendants
Best Original Screenplay: Will Reiser, 50/50
Best Adapted Screenplay: Alexander Payne and Nat Faxon & Jim Rash, The Descendants
Best Animated Feature: Rango
Breakthrough Performance: Felicity Jones, Like Crazy
Breakthrough Performance: Rooney Mara, The Girl with the Dragon Tattoo
Debut Director: J.C. Chandor, Margin Call
Best Ensemble: The Help
Spotlight Award: Michael Fassbender (A Dangerous Method, Jane Eyre, Shame, X-Men: First Class)
NBR Freedom of Expression: Crime After Crime
NBR Freedom of Expression: Pariah
Best Foreign Language Film: A Separation
Best Documentary: Paradise Lost 3: Purgatory
Special Achievement in Filmmaking: The Harry Potter Franchise – A Distinguished Translation from Book to Film
Director Lynne Ramsay’s We Need To Talk About Kevin explores the relationship between a mother (Tilda Swinton) haunted by the murderous rampage of her psychopathic son (Ezra Miller). John C. Reilly plays the father. With cinematography by Seamus McGarvey, the movie based on a novel by Lionel Shriver screened in …
We Need to Talk About Kevin won best picture at the BFI London Film Festival on Wednesday, Reuters reported. Scottish director Lynne Ramsay’s movie starring Tilda Swinton as the mother of a troubled boy who went on …
You can always count on it. It seems there is always some talent agency honcho who revives the decades-old quest to gain Oscar voting rights for agents. The subject always comes up, but the answer, whatever the merits of the idea, will always be the same. It will NEVER happen. I’ve heard the effort is gearing up once more and agency movers and shakers in the movement for equal Academy voting rights are trying to find sympathetic ears in the media to further the cause and make some noise again. Of course, the Academy has traditionally held a different opinion. Agents are allowed in only as associate members. The number of agents with that status in the Academy is well under 100 and has included major names like Jeff Berg, Kevin Huvane, Patrick Whitesell and many others like WME’s Brian Swardstrom, who actually has his own Oscar but not a vote (keep reading for more on that). Being an associate means they get invites to attend Academy events and maybe access to freebie movies at local theaters during Oscar time, but they don’t have their own branch or any reps on the Board of Governors and no voting rights whatsoever, kind of like illegal aliens.
The 38th annual Telluride Film Festival unveiled its main program today with 25 films that include such awards-season hopefuls as The Weinstein Co’s The Artist, the Glenn Close-starrer Albert Nobbs, Alexander Payne’s The Descendants and Lynne Ramsey’s We Need to Talk About Kevin. The latter two films are notable since the festival is bestowing its Silver Medallion Awards, given to recognize an artist’s contribution to the world of cinema, to Descendants star George Clooney and Kevin star Tilda Swinton, who both are getting Oscar buzz for their roles. French actor-filmmaker Pierre Etaix also is a medallion recipient this year. Additional sneak preview screenings will be announced throughout the four-day festival that begins Friday and includes films shown in sidebar programs, classics and restorations, shorts, student films, seminars and Q&As. Here’s the main lineup just announced: