Because of the discrepancy between the broadcast TV season (September-May) and the eligibility period for the SAG Awards (calendar year), broadcast series get an extra shot at SAG Awards for the January-May portion of their final seasons. NBC’s 30 Rock did one better today, landing three SAG nominations despite airing only five episodes during the 2013 calendar year — the series’ final five installments.
Related: Edie Falco & Alec Baldwin Set SAG Awards Nomination Record
According to the SAG Awards rule book, eligible on the comedy side are “30 minute comedy series (with a minimum 21-23 minutes of actual programming content) with an ongoing theme and storyline in a minimum of six continuous episodes (reducible to a storyline of four continuous episodes in the cases in which the series is subject to a “short order.”) 30 Rock was not a subject of a short order; its final season included 13 episodes. But it qualified as SAG Awards’ eligibility rules are different for final seasons, said SAG Awards executive producer Kathy Connell. “In a final season, we allow a show to wrap as long it is in the calendar year,” and the six-episode minimum does not apply, she said. READ MORE »
Shawn Levy‘s ensemble dramedy about a dysfunctional family reluctantly brought together for the funeral of its patriarch will hit theaters September 12, Warners said tonight. This Is Where I Leave You stars Jason Bateman, … Read More »
Rep. Nancy Pelosi (D-CA), Democratic leader of the House of Representatives, will present the Top Ten List on the Late Show With David Letterman on Election Day, Tuesday, November 5, CBS announced this morning. This will … Read More »
30 Rock executive producers/showrunners Tina Fey and Robert Carlock will be back on NBC next fall with a new New York-based single-camera series starring another familiar NBC face, The Office alumna Ellie Kemper. The network has given a straight-to-series 13-episode order to the untitled project, written by Fey and Carlock. It will center on a woman (Kemper) who escapes from a doomsday cult and starts life over in New York City. Universal TV and Fey’s studio-based Little Stranger are producing, with Fey, Carlock and 3 Arts’ David Miner executive producing.
“Tina and Robert, who cemented their partnership on 30 Rock, have created a new signature comedy for us that is audacious, emotional, and clever,” said NBC Entertainment chairman Robert Greenblatt. Added Entertainment President Jennifer Salke, “Original voices like Tina and Robert don’t come along very often, and we wanted them back on the air as soon as possible. And to have them working with Ellie Kemper — who we watched grow up on The Office from supporting player to leading actress — puts the whole package together.”
Related: How ’30 Rock’ Changed The Game For Female Comedy Creators
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Catch up on the best of this week’s Deadline TV coverage:
Tina Fey & Amy Poehler To Return As Golden Globes Hosts In 2014 And 2015
By Nellie Andreeva – Tina Fey and Amy Poehler have closed deals to host the next two Golden Globe Awards, starting with the January 12, 2014 ceremony.
Zooey Deschanel Producing Comedy Projects For Fox And NBC
By Nellie Andreeva – New Girl star Zooey Deschanel and her producing partner, Rivka Sophia Rossi, have sold two projects under their first-look deal with 20th Century Fox TV.
Alex Kurtzman & Roberto Orci Team With Nick Santora & Justin Lin For CBS Put Pilot, Sell CW Terrorist Drama
By Nellie Andreeva – Three years after the end of Numbers, CBS is high on another drama procedural with a genius at the center.
‘SNL’ Camp’s Latest Theory On New Cast: Black Comediennes Aren’t “Ready”
By Lisa De Moraes – Saturday Night Live has spent a considerable amount of energy lately explaining away its lack of cast diversity, since announcing the latest crop of white performers to be added to the show. Read More »
Tina Fey and Amy Poehler have closed deals to host the next two Golden Globe Awards, starting with the January 12, 2014 ceremony. Fey and Poehler were approached about coming back over the summer, following the duo’s very successful first Golden Globes turn this year, which drew warm critical reception and big ratings. Fey and Poehler solidified their status as TV’s hottest comedy act last month with their scene-stealing bit at the Primetime Emmys, which became the highlight of the show’s opening. Unlike Ricky Gervais’ original Golden Globes hosting deal, which had an option for a second year, Fey and Poehler had agreed to host the 2013 ceremony as a one-time thing with no obligation to come back. But given their success, it was no surprise that NBC, Golden Globes producer Dick Clark Prods and the Hollywood Foreign Press Association wanted to get them back. The Fey/Poehler-hosted January ceremony drew 19.7 million viewers, up 17% from last year and one of the most watched Globes ever. In the key adults 18-49 demo, the show posted a 6.4 rating, up 28% from 2012. “Tina and Amy are two of the most talented comedic writer/performers in our business and they were a major reason the Golden Globes was the most entertaining awards show of last season,” said NBC’s alternative programming president Paul Telegdy. “We’re elated they wanted to host together again and that they committed for the next two years.” Read More »
Last night’s 39th season premiere of Saturday Night Live with host Tina Fey and musical guest Arcade Fire drew a 4.7/12 in metered-market households and 2.7/13 in adults 18-49 in the Local People Meters. … Read More »
In last night’s season opener of Saturday Night Live, the running joke was that we will all have to suffer through a rebuilding year after the exit of stalwart cast members. Host Tina Fey said as … Read More »
Host Tina Fey intros Saturday Night Live‘s 6 new cast members before she gives Cecily Strong advice about taking over Weekend Update:
It was comedy ladies’ night at the Primetime Emmys as women swept both the comedy writing and directing categories for the first time in history. 30 Rock creator/executive producer Tina Fey … Read More »
Monica Corcoran Harel is a Deadline contributor
Sure, you see some big-screen leading ladies every year at the Emmys — especially now that TV is more de rigueur than romantic comedies. But even the sight of radiant Claire Danes, or Nicole Kidman at last year’s show, doesn’t draw the European fashion houses like ants to a picnic. The bottom line is this: Movie stars are global personalities; TV actresses get mobbed Stateside. When it comes to award shows, the Emmys provide a chance for American designers who don’t go by one name to shine.
Related: Nikki Finke Live-Snarks 65th Emmys
This year, we saw a strong showing from LA native Monique Lhuillier — on Anna Farris in a canary yellow chiffon dress that clashed a bit with her complexion and Julia Louis-Dreyfus’ rose gold strapless column dress. Tina Fey looked electric in a body-con cobalt blue halter gown that Narcisco Rodriguez made specifically for her. In fact, a few lucky ladies got A-list treatment with custom-made gowns. Newcomer Taylor Schilling (Orange Is The New Black) wore a dress designed for her by Thakoon — no small feat for a great actress who wouldn’t get recognized in Orange County. It was wicked fun to see January Jones act all nonchalant about her one-off dusty rose Givenchy confection: “They made it for me,” she said without an ounce of glee when Ryan Seacrest asked her why she chose that particular dress. The color didn’t wow on the red carpet.
Some of the actresses who didn’t get handmade frocks plundered the Resort 2014 collections, which showed in June in New York. Mad Men’s Kiernan Shipka wore a colorful though slightly distracting Delpozo dress while Zosia Mamet of Girls selected a mixed-media organza gown by Honor. The black leather bustier felt more like an “edgy girl” accessory than an organic piece of the dress, but it definitely strayed miles from the wardrobe of her less-than-alternative character. Elisabeth Moss gleaned her black-and-white strapless Andrew Gn gown from his resort line too. Read More »
Immediately after Tina Fey returns to Saturday Night Live to host the season debut on September 28, featuring Arcade Fire as the music act, NBC will air a half hour Arcade Fire concert special, which will help to promote the band’s fourth studio album — due out next … Read More »
Tina Fey‘s schedule is a bit more free on the TV side these days after her long-running 30 Rock wrapped its run in the spring. She will return to NBC‘s airwaves September 28 to host the season premiere … Read More »
Kerry Washington and Diahann Carroll, Tina Fey and Amy Poehler, Zooey Deschanel and Emily Deschanel, and Allison Janney and Anna Faris are pairing up as presenters for the 65th Primetime Emmy Awards. The telecast will air live … Read More »
Disney‘s follow-up to their 2011 box office hit The Muppets takes Kermit the Frog & Co. on a globe-trotting caper with celebrity pals like Tina Fey, Ricky Gervais, Ty Burrell, and loads of cameos. Here’s the first teaser trailer for … Read More »
EXCLUSIVE: The Warner Bros comedy Mail Order Groom has been pushed to next year. The film, which will re-team Date Night stars Tina Fey and Steve Carell, has been postponed because of scheduling conflicts with other … Read More »
The debate rages on about this year’s Oscars. Not about the movies that won or lost, but the host. Poor Seth MacFarlane just can’t seem to catch a break. If you believe what you read he is either a misogynist, a gay basher, an anti-Semite hiding behind a stuffed teddy bear, or someone who is just downright disrespectful to Abraham Lincoln. And you thought hosting the Oscars was going to be all fun and glamour?
Somewhere along the way we seem to be losing our sense of humor. It’s just an awards show, folks. Even if you don’t think he was funny — and apparently many don’t — it’s no reason to completely eviscerate the guy. For fronting a show that was alternately class (Shirley Bassey, Barbra Streisand, musical numbers) and crass, he has been getting bashed from the right and the left for his Oscar-night performance where his routines, among many other charges, have been blasted as sexist (particularly for the musical number, “We Saw Your Boobs” which was meant to be a tasteless parody of a bad Oscar song number). For MacFarlane, who is known for edgy humor, this was relatively mild material. Yet critics like Amy Davidson in the New Yorker called it his “ugly, sexist, racist Oscars” and his performance, “a series of crudely sexist antics led by a scrubby, self-satisfied Seth MacFarlane”. Ouch. The Anti-Defamation League joined the chorus earlier this week protesting the appearance of MacFarlane’s Ted and what they said was anti-Semitic humor. Yesterday a couple of California female legislators even filed a formal protest with the Academy over what they saw as offensive treatment of women.
It’s ironic that several women are now coming to MacFarlane’s defense, including Victoria A. Brownworth today at the Advocate.com, who said his humor was pointing out Hollywood hypocrisy against women and in fact gave his performance a ringing endorsement. The Academy itself got pro-active in sending press members positive statements about MacFarlane’s Oscar gig, offering a strong defense. All of this brings up the point that perhaps a “double standard” was at work here when compared to the media’s effusive praise for Tina Fey and Amy Poehler, the two female hosts of this year’s rival show the Golden Globes — even though some of their comedy bits dealt with some of the same subject matter as MacFarlane’s including women’s difficulties with issues of weight. So is there a real double standard at work? Fey and Poehler gets raves, MacFarlane gets vilified. Read More »