It’s too early to tell if movie crowdfunding just got a platinum card membership level or if serious investors now have a new way to potentially reap the rewards of a hit pic but Junction Investments is looking to …
Homeland‘s Sarita Choudhury, Omar Elba, Tracey Fairaway, David Menkin and Tom Skerritt have joined A Hologram For The King, the Tom Tykwer- written and -directed adaptation of the Dave Eggers novel that stars Tom Hanks. This is the comedic drama we broke about in June, when the project surfaced with a splash. Shooting began today in Morocco on the movie, which is a reteam of Tykwer and Hanks who did Cloud Atlas together. Hanks plays a struggling businessman who heads for a rising Saudi Arabian city, far from weary, recession-scarred America, in a last-ditch attempt to stave off foreclosure, pay his daughter’s college tuition, and finally do something great. The book was a finalist for the National Book Award in 2012. The production will also shoot in Germany and the plan is to wrap in June.
“It seems to me the potential benefits of an editor’s early participation [in a project] could be creatively and fiscally significant,” notes Christopher Rouse, who is Oscar-nominated for Best Achievement in Editing for Captain Phillips. Director Paul Greengrass brought his regular collaborator Rouse in six months before the start of production as Billy Ray and he were still working on the script. “Paul believes [as I do] that editing is the natural extension of the writing process, and so it makes sense I would be involved at that point. Coming in early allows me to inhabit Paul’s vision fully, feed ideas into his creative process, and help him pre-empt issues that could arise during production or postproduction.” The result is a Best Picture-nominated film that continuously builds up tension the moment the blips began to appear on the ship’s radar screen indicating they are being tracked to the final gunfire with Somali pirates that frees a traumatized Phillips (Tom Hanks). Rouse brought home an ACE Eddie Award for the film just a couple of weeks ago.
Meg Ryan and Tom Hanks are reuniting. Ryan will make her directorial debut on Ithaca, which will be executive produced by Hanks and his Playtone partner Gary Goetzman. Adapted from William Saroyan’s novel The Human Comedy, the film is set in 1942 in a small town in California’s San Joaquin Valley, where 14-year-old Homer Macauley is determined to be the best and fastest bicycle telegraph messenger anyone has ever seen. His older brother has gone to war, leaving Homer to look after his widowed mother, his older sister and his 4-year-old brother. As spring turns to summer, Homer delivers messages of love, hope, pain and death to the good people of Ithaca. He’ll also struggle with one message that will change him forever. Ryan will act in the film alongside Sam Shepard, Melanie Griffith, and Ryan’s son Jack Quaid. Erik Jendresen (Band Of Brothers) wrote the screenplay. Janet Brenner, Laura Ivey, Ryan and Jendresen are producing. The Exchange is handling worldwide sales and will start shopping the title in Berlin next week. Production is set to begin this summer.
A big part of Hollywood woke up early this morning to Oscar dreams of getting an Academy Awards nomination. Some like 12 Years A Slave for Best Picture, Dallas Buyers Club’s Matthew McConaughey and Gravity‘s Sandra Bullock for Best Actress were a lock. Unfortunately, for some others, they’d barely wiped the sleep out of their eyes before there was nothing to do but go back to bed in disappointment at having not made the cut. Once again, the Academy proved there’s still a wild card factor to who will and won’t get a nomination. Having said that, after all the campaigning, all the encouraging words and all the hopes, even against the odds, it still sucks to be one of those left holding a losing hand. Here’s some of the deserving actors, directors and films who were overlooked in today’s nominations announcement by AMPAS President Cheryl Boone Isaacs and Thor himself Chris Hemsworth:
Oprah Winfrey – The former talk show queen returned to the big screen with Lee Daniels’ The Butler in a stellar performance after a 15-year absence and the Academy negates her? The SAG Awards, the BAFTAs and the Critics Choice Awards all gave Oprah a nomination for her role as boozy Gloria Gaines, the Butler’s wife, but not the Academy? What are they drinking over there?
Inside Llewyn Davis - The folksy Coen brothers’ film didn’t get a lot of love from the Guilds but the Grand Prix winner at last year’s Cannes Film Festival certainly did warrant one of the 10 possible Best Picture spots.
Robert Redford – He didn’t say a lot in All Is Lost but as an old man battling the sea and a lot more, the Sundance founder spoke volumes in the J.C. Chandor-helmed pic. He won a Gotham Award, a New York Film Critics Circle Award and got an Independent Spirit nomination in the process. However, 40 years after Redford last was nominated for Best Actor for The Sting, that all obviously fell on deaf ears with Academy members.
Fruitvale Station – Bursting out of last year’s Sundance Film Festival, this remarkable debut by director Ryan Coogler of the last day of Oscar Grant III on January 1, 2009 was picked up by the Weinstein Company and found fans everywhere – including the White House. Yet nothing for Coolger, nothing for star Michael B. Jordan and nothing for the film – that’s just a crime.
Tom Hanks – Maybe there is a limit to how many Oscars one man can have but the actor’s performance in Captain Phillips as the taken hostage merchant mariner was certainly more than sea worthy of a nom today.
Related: OSCARS: Nominations By Picture
Emma Thompson – Not even a spoon full of sugar will help this bitter pill go down. Saving Mr. Banks was Ms. Thompson’s film. Her turn as the difficult, to say the least, Mary Poppins author P.L. Travers should have seen her as one of the ladies getting that nomination today.
August: Osage County - Yes Meryl Streep got her 18th Oscar nomination for her role as the pill popping sharp tongued widow but there was no Best Picture nor Best Adapted Screenplay for August: Osage County. Some people might not like the truth telling, but those oversights are just plain wrong.
Daniel Brühl – The German actor’s performance as Formula 1 ace Niki Lauda in Ron Howard’s Rush picked up Golden Globes, BAFTA and SAG Awards nominations for Best Supporting Actor. Sure he lost out to Jared Leto at Sunday’s GG ceremony but the Academy didn’t even put him on the track today.
Lee Daniels’ The Butler – Coming out in the year of the 50th anniversary of the March on Washington, the hit White House-based Civil Rights drama had a story for our times as well as strong performances from Forrest Whitaker and Oprah Winfrey. Maybe the last film to be produced by Laura Ziskin was too epic, maybe it was too black or maybe the dust-up the Weinstein Company had with Warner Bros and the MPAA over the initial The Butler title rubbed some people the wrong way but the powerful pic deserved better.
LOS ANGELES (Jan. 14, 2014) – Ben Affleck, Sasha Alexander, Don Cheadle, Jennifer Garner, Clark Gregg, Tom Hanks, Jared Leto, Matthew McConaughey, Kevin Spacey, Kerry Washington, Forest Whitaker, and Oprah Winfrey will be presenters at the 20th Annual Screen Actors Guild Awards®, Executive Producer/Director Jeff Margolis and Executive Producer Kathy Connell announced today.
Nominees and celebs hit the 71st Golden Globe Awards, underway now at the Beverly Hilton. Hit the jump for full images from tonight’s fete and refresh for latest:
In this special holiday edition of our Deadline Awards Watch podcast, Awards Columnist Pete Hammond talks with Tom Hanks and Barkhad Abdi about the making of Captain Phillips with director Paul Greengrass. Pete also talks with Taylor Swift, the Grammy-winning singer-songwriter behind “Sweeter Than Fiction,” the theme song of One Chance, about writing for films and her own budding acting career. If you didn’t make the in-theater screenings for these films, hearing Pete’s Q&As is almost like being there — particularly if you’re an awards voter busily working through a big DVD pile of awards contenders this holiday week. Also in this episode, Pete talks with host David Bloom about all the newly debuted films jamming this week’s box office.
Fresh off Golden Globe and SAG nominations for his lead turn in Paul Greengrass’ Captain Phillips, Tom Hanks can add the Palm Springs International Film Festival’s Chairman’s Award to his cache of kudos this year. Hanks is receiving the honor in recognition of both Captain Phillips and Saving Mr Banks, his other awards season contender in which he plays Walt Disney opposite Emma Thompson. Here’s the release from the festival:
Palm Springs, CA (December 16, 2013) – The 25th annual Palm Springs International Film Festival (PSIFF) will present Academy Award® winning actor Tom Hanks with the Chairman’s Award for Captain Phillips and Saving Mr. Banks at its annual Awards Gala. The Gala will also present awards to previously announced honorees Sandra Bullock, Bruce Dern, Matthew McConaughey, Steve McQueen, Thomas Newman, Lupita Nyong’o, Julia Roberts and the cast of American Hustle. Presented by Cartier and hosted by Mary Hart, the Awards Gala will be held Saturday, January 4 at the Palm Springs Convention Center. The Festival runs January 3-13, 2014.
Fleming Q&As Paul Greengrass On Oscar Contender ‘Captain Phillips’, MLK, And Why He’ll Never Make Another Bourne Film
EXCLUSIVE: Conveying the kinetic energy of real-life events has become a signature for Paul Greengrass. He grew up making documentaries, and then television dramas like the IRA car bombing saga Omagh, which he produced and co-wrote. He turned that urgent cinematic style to features including 2002′s Bloody Sunday, the Oscar-nominated 2006 drama United 93, and fictional dramas including Green Zone, and the last two Bourne installments The Bourne Supremacy and The Bourne Ultimatum. Here, he’s in the Oscar hunt again with Captain Phillips, and so are his dueling captains played by Tom Hanks and newcomer Barkhad Abdi.
DEADLINE: We all watched the Somali pirate hijacking play out in real time not long ago. What did you see under the surface here that made this feature-worthy?
GREENGRASS: There’s got to be something about the story that’s both accurately clear and dramatic, but also layered and complex. That was the case here and on United 93. What was clear about both: these were siege/hostage crises that turned into tense, dramatic events with clear, compelling characters. But there was a broader more complex landscape. Why do young men become pirates, these vagabonds with AK-47s who are prepared to defy the might of the U.S. Navy? It was enough to ask, what does this event mean? It’s layered and complex and it goes to where we are today. I felt that way about United 93 and Bloody Sunday. You make the film as authentically as you know how, and if you make judgments with a spirit of open-mindedness, complexities emerge. These traumatic series of events seem to speak to the way we are.
DEADLINE: It sounds like you can be surprised during the journey, when things reveal themselves even when you have a strong script as your blueprint. What emerged that surprised you most?
GREENGRASS: I remember Tom and I having a long, rolling conversation early on, asking, what is this really about? What’s the question we’re trying to answer here? We ended up literally writing it on a piece of paper. Is it going to be OK? It seems banal, but it captured the state of mind of a regular guy in the Merchant Marines who goes off to sea. My father was in the Merchant Marines. All of us feel the economic pressure that causes us to work harder. Then this terrible thing happens and it becomes a question of, it’s going to be alright, isn’t it? There is a feeling of underlying unease, a general sense that the world wheels are turning fast.
DEADLINE: Your Somali pirates were played by first-time actors. Why did you keep them away from Tom Hanks until the siege occurred?
GREENGRASS: From day one, they were saying, when can we meet Tom Hanks? I said, not until you go through that door and take that ship. They were disappointed, but my great anxiety was this: the movie is a study of two captains, two very contrasting figures. One is captain of a large container ship from our world, the other a lawless vagabond from another world. I didn’t want Barkhad to be thinking, that’s Tom Hanks. Or even worse, that’s my friend Tom Hanks. I wanted him to have one thought only. When you go through that door, you have to scare, terrorize and seize control of that bridge. Barkhad came up with that brilliant line, ‘I’m the captain now,’ and it came from that challenge that he had to take charge. I tried to prepare him psychologically. Acting is many things, and one is an exercise of will. In any given scene, you’re trying to find where the drama and conflict is, and then deploy the actors to play at that point of conflict with precision, control, and complete will. It’s no good in a scene to have one actor lie down because the scene says it’s the other actor’s moment. Each actor has to believe that with extra will, the outcome of a scene can be different. An actor can win the scene if he exerts the most powerful will in that moment. That’s what happened. Look back at those performances by Tom and Barkhad; they really build from the moment Barkhad seizes control. For Tom, that’s the moment that he must come back from. The look on his face, a magnificent moment, where he knows his ship is going to be taken. You feel in his face the existential shock of a captain losing his ship. The psychological collapse would be immense. Tom’s performance is really about rebuilding himself from a position of hopelessness, to the end where he goes on that journey in the lifeboat that becomes more emotional and deeper. The film is their trial of strength, their test of wills and it all grew from that first moment.
Julie Andrews And Dick Van Dyke Light Up ‘Saving Mr. Banks’ Premiere As Disney Goes All Interactive With ‘Mary Poppins’ (Exclusive)
After earlier premieres at the London Film Festival in October and the AFI Film Fest at the Chinese Theatre in November where the original Mary Poppins premiered in 1964, Saving Mr. Banks, Walt Disney Studio’s big awards contender, finally had its official Los Angeles premiere on a cool December Monday night. It took place on the very Disney studio lot where much of the movie about the making of the 1964 classic was filmed (as well as Poppins itself). And just to add a touch of nostalgia and class itself the stars of Mary Poppins Julie Andrews and Dick Van Dyke joined the cast of Banks including Tom Hanks who plays Walt Disney and Emma Thompson who plays the cantankerous author of Poppins P.L. Travers. At a photo opp before the film the Banks cast members along with Andrews and Van Dyke and studio execs Bob Iger and Alan Horn all joined in a spontaneous rendition of the catchy tune from Poppins, “Let’s Go Fly A Kite” (watch here). Those singing along included the indefatiguable two-time Oscar winning co-writer of that song and the entire score, Richard M. Sherman.
At the post party in a completely made-over studio commissary Horn told me how pleased they were that Saving Mr. Banks had made the AFI Top Ten Movies Of The Year list released earlier Monday. When I asked how he felt about singing with all those iconic stars he said he can’t sing and in fact was banned from trying to carry a tune in church and everywhere else. Iger also marveled at the idea he was actually singing along with everyone and modestly just said ” let’s not count the eggs before they are hatched” when I suggested that the movie was a cinch to become the Disney studio’s first home grown live action Best Picture nominee since the original Mary Poppins 49 years ago, the one and only other time the studio had such a distinction.
The 85-year-old Sherman, who has been on cloud nine since this whole ride began, said it was completely “surreal” to be back on the Disney lot with Andrews and Van Dyke celebrating this whole experience. Only in Hollywood. There’s something about the movie that really has created a team spirit. At a Saturday night cast Q&A with Hanks, Thompson, Colin Farrell, Jason Schwartzman and Bradley Whitford I moderated after a SAG screening of the film, Hanks also led everyone in a rendition of “Let’s Go Fly A Kite”. Guess it is just a movie that makes people want to sing. Hanks and Thompson had also been doing Q&As earlier that day at BAFTA and for the Academy where I am told 700 members showed up for a 3 PM Saturday matinee. Certainly Disney, which has been having a great holiday season already with Thor and Frozen, is hoping they will be singing about Banks which opens nationwide on December 20th. I am told it is tracking well. Banks opens Friday with a special engagement at the Walt Disney Studio Theatre that includes a special studio tour of spots of where the films were made.
Power Rangers billionaire and staunch Israel supporter Haim Saban tonight offered strong support to President Obama for his efforts to wind down the wars in Iraq and Afghanistan and his recent initiative in negotiations with Iran. “We’re out of Iraq, we’re out of Afghanistan and the military and intelligence cooperation with Israel — our staunchest ally in the Middle East, arguably in the world, has never been deeper and the president’s commitment to Israel’s security has never been stronger,” Saban said in his introduction to Obama’s remarks tonight at his Beverly Hills home, according to White House pool reports. “And “If Iran is at the negotiating table today, make no mistake about it, it is only because of President Obama’s resolve in striking them with the most crippling sanctions ever.” The event was the second fundraiser of the night for Obama and the first Saban has hosted for the President directly. (He’d hosted a fundraiser for Hillary Clinton last month.) About 120 people attended tonight’s dinner — including Tom Hanks & Rita Wilson, Warner Bros’ Barry Meyer and wife Wendy, and Netflix’s Ted Sarandos — with tickets going for $16,200 each. (Read an edited and condensed version of the White House Pool report and official WH Press Office remarks from both of tonight’s fundraisers below.)
Earlier in the evening, Obama was the headliner at a fundraiser at Magic Johnson’s Beverly Hills house. About 160 people including Samuel L. Jackson and Diane Keaton paid $2,500-$15,000 a ticket hear the commander-in-chief speak at the reception. Tomorrow morning the president will be attending a $32,400-per-guest breakfast event at the home of Friends co-creator Marta Kauffman (take a look at the original invite here). After that, he will visit and give a speech on the economy and the entertainment industry at big donor Jeffrey Katzenberg‘s DreamWorks Animation HQ, as well as meeting with studio bosses. Obama’s Southland visit, his first since August, is partially a makeup for a planned swing in September that was scrapped because of the Syria crisis.
Here are the pool reports:
The 2013 AFI Fest opening night at Hollywood’s famed, newly IMAX’d Chinese Theatre was as AFI president and CEO Bob Gazzale said “practically perfect in every way” — thanks in no small part to nabbing the North American premiere of Disney’s surefire Oscar contender Saving Mr. Banks. It was a no-brainer on AFI and Disney’s part to launch this holiday release (it opens domestically December 13) which chronicles the turbulent relationship of Walt Disney and Mary Poppins creator P.L. Travers during the the making of that 1964 musical classic which had its premiere at the very same theatre a half century ago. Director John Lee Hancock noted that in his opening remarks: “My life just keeps folding around. Just like in Mary Poppins it seems what happened has happened before. Fifty years ago there was a premiere here for Mary Poppins. About a year ago we were here filming the re-creation of that premiere, and now here we are again so it all just feels right,” he said. By the way, Poppins itself returns to the Chinese when AFI Fest hosts a red-carpet screening Saturday with stars Dick Van Dyke, Karen Dotrice and Oscar-winning composer Richard Sherman attending.
Disney chair Alan Horn was taking congrats for the film he actually inherited when he came to the studio, and production president Sean Bailey was also singled out for praise in making this happen. Of course stars Tom Hanks and Emma Thompson were there, but both skipped the Hollywood Roosevelt after-party where Sherman was the main attraction. I told Horn this is a word-of-mouth movie if ever there was one and should be a big hit for the studio. How it fares in the Oscar race will be interesting considering the last three Best Picture winners — Argo, The Artist and The King’s Speech — all seem to be films that make audiences feel good about themselves with the former two having a special Hollywood connection just like this one. Banks seems to fit the same bill that Oscar voters have been responding to recently, effortlessly blending laughs, tears, comedy, drama and emotion. This was my second viewing in three weeks (I saw it at a small screening shortly before it had its world premiere at the London Film Festival) and it holds up. Hanks and Thompson are slam-dunk nominees here and the film has many possibilities — but it is facing weightier fare in frontrunners 12 Years A Slave, Gravity and Captain Phillips (another film with Hanks, which could make him a double nominee this year).
The Contenders 2013: First-Time Actor Barkhad Abdi On ‘Captain Phillips’ Co-Star Tom Hanks: “He’s Really Good At It”
Barkhad Abdi had never acted before being plucked out of obscurity in Minneapolis (by way of his native Somalia and Yemen) to audition for director Paul Greengrass as the key Somali Pirate who takes over the cargo …
Contenders 2013: ‘Captain Phillips,’ ‘American Hustle,’ ‘Tim’s Vermeer,’ ‘Before Midnight,’ ‘Saving Mr. Banks,’ ‘Lone Survivor,’ ‘Despicable Me 2’ & ‘The Croods’ Bid For Oscar
Anna Lisa Raya is a Deadline contributor.
The second half of Deadline’s 3rd annual Contenders event at the Wallis Annenberg Center for the Performing Arts in Beverly Hills got off to an energized start after lunch on the outdoor terrace. Deadline Awards columnist Pete Hammond returned with Captain Phillips star Barkhad Abdi, who had one of the bigger moments of the day when he revealed he ad-libbed his momentous “I am the captain now” line in the Sony film, essentially stealing the scene from Tom Hanks. The film’s producers, Michael De Luca and Dana Brunetti, were spotted in the audience joining in the roaring applause.
Anyone who’s been waiting for David O. Russell’s follow-up to last year’s Oscar-nominated Silver Linings Playbook, American Hustle (also for for Sony), will be happy to know the film was locked down today. This is per one of the film’s producers, Richard Suckle, who was on hand to discuss the genesis of the film which is loosely based on the ABSCAM scandals of the 1970s. One of his funnier reveals was that star Bradley Cooper — not wanting to perm his hair for the film — spent hours in hair and makeup every day getting it curled. Co-star Christian Bale, on the other hand, gained 40 lbs. for his role and shaved the crown of his head to perfect his character’s outlandish comb over.
Julie Delpy, co-writer and star of Sony Pictures Classics’ Before Midnight, had a lot to say about the intense writing and preparation that went into making the film appear as improvised and natural as it does. Acting the role was “extremely stressful,” she told Hammond. “There’s no plot. There’s nothing to hold onto but character and emotional arc.” Also for SPC is Tim’s Vermeer — a documentary about one man’s attempt to recreate a Johannes Vermeer painting — which was uncharacteristically directed by Teller (better known as the other half of Penn & Teller). He was thankful for his editor, Patrick Sheffield, who made sense of the over 2,400 hours of footage. Writer Kelly Marcel was on-hand to discuss Disney’s Saving Mr. Banks, the only film ever allowed to feature Walt Disney as a character. She called the studio “unbelievably brave” in how hands-off they were with her and director John Lee Hancock.
Related: PHOTOS: Contenders 2013 Gallery
Catch up with the top film stories you missed this week:
OSCARS: Why Michael Fassbender’s Refusal To Campaign Likely Won’t Matter
By Pete Hammond - Campaign or no campaign, in Fassbender’s case it may not matter. He’s very likely going to get nominated — and could win — for Best Supporting Actor and I think that’s a scenario whether he lifts a finger or not in doing the usual rounds.
Tom Hanks Retraces A Life In Pictures, Talks Pitfalls Of Comedy & Freedom From Self-Consciousness At BAFTA Event
By Nancy Tartaglione - Tom Hanks was in London on Saturday to spend an evening with BAFTA. The British Academy’s Life In Pictures series is a walk through an actor or director’s career – Hanks’ this evening lasted two hours, which, considering his resumé, wasn’t nearly enough time to touch on every film.
Oren Aviv Exited As Chief Movie Marketing Officer At 20th Century Fox
By Nikki Finke - EXCLUSIVE: There’s yet another shake-up inside a major Hollywood studio. I’ve learned that Thursday will be the last day for 20th Century Fox Chief Marketing Officer Oren Aviv at Twentieth Century Fox even though his contract had another 18 months to go.
Tony Sella Not Out Yet At Fox Film – But Decision Day Is Monday
By Mike Fleming Jr. - Might 20th Century Fox Film chief creative officer Tony Sella be soon following marketing chief Oren Aviv out the door?
London Film Festival: Disney’s ‘Saving Mr. Banks’ World Premieres – Can It Be Heading For Oscar Night?
Could Disney finally be on track for a Best Picture Oscar winner of its own making? Who knows, but judging from the very enthusiastic reaction to the world premiere tonight of Saving Mr. Banks at London’s Odeon Leicester Square theatre on the closing night of BFI London Film Festival, it’s off to a good start. Deadline’s International Editor Nancy Tartaglione reports there was about four minutes of sustained applause as the end credits began and word at the Old Billingsgate after-party was unanimously upbeat with premiere-goers loving it. Initial reviews also seem to be strong. Before the film rolled an organist onstage warmed up the first-nighters with the score for Mary Poppins, the film that serves as the inspiration for this tale of how Walt Disney led a two-decades-long quest to bring notoriously reticent P.L. Travers’ classic book to the screen. Director John Lee Hancock, producers Alison Owen and Ian Collie and stars Colin Farrell, Tom Hanks, Ruth Wilson and Emma Thompson were then introduced to the crowd. Thompson remarked, “it’s very moving to have the film premiere in London… so let’s watch the damn thing”. There’s even a reference to the Leicester Square theatre in the movie.