Park City, UT — Sundance Institute announced today 19 members of five juries awarding prizes at the 2013 Sundance Film Festival, January 17-27 in Park City, Salt Lake City, Ogden and Sundance, Utah. Short Film Awards will be announced at a ceremony on January 22 at Park City’s Jupiter Bowl, with feature film awards announced at a separate ceremony on January 26. Members of the Alfred P. Sloan Jury will be announced in January.
U.S. DOCUMENTARY JURY
Liz Garbus is a prolific documentary filmmaker. She co-founded Moxie Firecracker, Inc, an independent documentary production company and most recently directed Love, Marilyn, which opened as a Gala Premiere at the 2012 Toronto International Film Festival. Other directing credits include the Academy Award®nominated The Farm: Angola, USA, which won the 1998 Sundance Film Festival Grand Jury Prize, Academy Award®nominated Street Fight; Xiiara’s Song and the Emmy® Award winning Ghosts of Abu Ghraib.
Davis Guggenheim is a critically acclaimed, Academy Award®winning director and producer whose work includes Waiting for “Superman”, It Might Get Loud,the 2009 documentary featuring Jimmy Page, The Edge and Jack White, and An Inconvenient Truth, featuring former Vice President Al Gore, which won the Oscar for Best Documentary in 2007. In 2008, Davis produced and directed President Barack Obama’s biographical film A Mother’s Promise, and most recently, The Road We’ve Travelled, a short film for Obama’s 2012 campaign. Davis has also directed many television series including Deadwood, NYPD Blue and 24.
Gary Hustwit is an independent filmmaker based in New York and London. He worked with punk label SST Records in the late-1980s, ran the independent book publishing house Incommunicado Press during the 1990s, and was Vice President of the media website Salon.com in 2000. Hustwit has produced nine documentaries, beginning with I Am Trying To Break Your Heart, the 2002 film about the band Wilco. In 2007 he made his directorial debut with Helvetica, a documentary about graphic design and typography. The film marked the start of a design film trilogy, with Objectified, about product design, following in 2009. Urbanized, about the design of cities, premiered at the 2011 Toronto International Film Festival. Hustwit is a longtime advocate of self-distribution, direct audience engagement, and truly independent filmmaking.
Brett Morgen is a director and writer. His credits include Crossfire Hurricane (2012), 30 for 30: June 17, 1994 (2010), Chicago 10 (2007), Nimrod Nation (2007), The Kid Stays in the Picture (2002), and On the Ropes (1999). He is the recipient of several awards and honors including an Academy Award®nomination, the DGA Award for Outstanding Directorial Achievement in Documentary, the IDA Award for Best Feature, and two Peabody® Awards. He is currently working on the first authorized documentary about Kurt Cobain and in pre-production on When the Street Lights Go On, which will mark his feature dramatic debut.
Diane Weyermann is Participant Media’s Executive Vice President, Documentary Films, where she oversees such current projects as A Place At the Table and State 194, and earlier releases such as An Inconvenient Truth, Food, Inc., and Waiting for “Superman”. In 1996, she launched the Soros Documentary Fund, which later became the Sundance Institute Documentary Film Program and Fund. Prior to working at Participant Media, Diane was the Director of the Sundance Institute’s Documentary Film Program and Fund, where she was responsible for the Fund, two annual documentary film labs and worked closely with the Sundance Film Festival programming team on world documentaries.
U.S. DRAMATIC JURY
Ed Burns is an award-winning writer, director and actor. His debut film, The Brothers McMullen, premiered at the 1995 Sundance Film Festival, where it won the Grand Jury prize. The film, made on a budget of $25,000, went on to win “Best First Feature” at the 1996 Independent Spirit Awards. Since then he has helped to expand upon the new model of digital distribution by making his film Purple Violet the first feature to premiere exclusively on iTunes and successfully releasing his subsequent films, Nice Guy Johnny and Newlyweds,via Video on Demand. He recently premiered his 11th feature film as a writer, director and star, The Fitzgerald Family Christmas, at the 2012 Toronto International Film Festival. In addition to his work as a director, Burns as starred in such films as Saving Private Ryan and 27 Dresses. He was born in Woodside, Queens, and currently lives in New York City with his wife and two children.
Wesley Morris writes about movies, culture, and style in sports for Grantland. He won the 2012 Pulitzer Prize for criticism for his film and culture writing for the Boston Globe.
Rodrigo Prieto is a cinematographer who was born in Mexico City. His feature work includes Sobrenatural, which garnered him Mexico’s Ariel Award in 1996 (Mexico’s Academy Award), and Un Embrujo (Under A Spell) which took the Concha de Plata for best cinematography at the San Sebastian Film Festival, in addition to another Ariel Award. Amores perros brought him to the attention of the world film community. His subsequent films as cinematographer have included Frida, for which he was an ASC Award nominee, 8 Mile, 25th Hour; and the award-winning 21 Grams. For his work on Brokeback Mountain, Rodrigo was nominated for an Academy Award®, a BAFTA Award, and an American Society of Cinematographers (ASC) Award. He also worked on Babel, which earned him his second consecutive BAFTA Award nomination, and Biutiful. After this, he travelled to Hong Kong and Shanghai with Ang Lee to shoot Lust, Caution, which earned a Golden Osella award for Best Cinematography at the Venice Film Festival. This film was also nominated for an Independent Spirit Award in 2008. His most recent works include working with director Francis Lawrence on Water for Elephants, Cameron Crowe on We Bought a Zoo, and Ben Affleck on Argo. He is currently working with Martin Scorsese on Wolf of Wall Street.
Tom is one of the most experienced executives in the modern media business. He recently departed as Chairman of Fox Filmed Entertainment after eighteen years, second in tenure only to Darryl Zanuck in Fox’s history. Previously, he worked at the Goldwyn Company, Columbia, and as a lawyer and independent producer. In his era, Fox Films earned over $30 billion in box office, more than 150 Oscar nominations, three Best Picture Awards, and include the two highest grossing films ever. He founded Fox Searchlight and has overseen the company throughout its existence. A pioneer in Independent Film, in 1986 he co-produced Jim Jarmusch’s Down by Law and Robert Frank’s Candy Mountain. He is an emeritus director of Sundance Institute and was present at its very first film festival.
Clare Stewart is Head of Exhibition at the BFI (British Film Institute) where she commenced in October 2011. She is responsible for the cultural and commercial performance of BFI Southbank and BFI Festivals including the BFI London Film Festival of which she is Festival Director. Previously, Clare’s 17-year programming career has encompassed leadership roles as Festival Director, Sydney Film Festival (2006-2011) and the inaugural Head of Film Programs at the Australian Centre for the Moving Image in Melbourne (2002-2006) as well as various roles at the Australian Film Institute (1996-2001), including Exhibition Manager, and programmer and Committee Member of the Melbourne Cinémathèque (1995-2002).