Tony Shalhoub is set to co-star opposite Chris Smith and Kal Penn in Rob Greenberg’s single-camera comedy pilot for CBS. The project, from CBS TV Studios and the Tannenbaum Co., centers on a young guy (Smith) who finds camaraderie living among the more experienced guys he meets in a short-term rental complex, including Gil (Penn) and Frank (Shalhoub). According to TVLine, Frank is a four-time divorcé who still fancies himself a ladies man and dwells in the complex’s bachelor pad. Emmy-winning former Monk star Shalhoub did Greg Daniels’ comedy pilot Friday Night Dinner this past season.
UPDATED: ICM has signed actor clients including Emmy-winner Tony Shalhoub (Monk for 8 seasons) from CAA, Melissa George (In Treatment) from Paradigm, and Kieran Culkin (Scott Pilgrim vs the World) from WME. In addition, the agency signed away from UTA new motion picture lit clients Steven Rogers (Enchanted Inc, P.S. I Love …
Ray Richmond is contributing to Deadline’s 2010 Emmy coverage.
Jim Parsons is kinda sitting on top of the world these days after having just landed his 2nd consecutive Emmy nomination for his role as the brilliant nerdball physicist Sheldon Cooper on the CBS hit The Big Bang Theory. But it’s also a time of real anxiety for him as well. For one, he’s nervous about both winning and losing an Emmy category where he’s considered a frontrunner. And when his competition includes 3-time winner Tony Shalhoub (Monk) and 2-time victor Alec Baldwin (30 Rock) along with perennial nominees Steve Carell (The Office) and Larry David (Curb Your Enthusiasm) plus newcomer Matthew Morrison (Glee). Parsons is also a bit on edge because of the tense salary renegotiation going on right now between Warner Bros TV and the three Big Bang leads (Parsons and co-stars Johnny Galecki and Kaley Cuoco). Parsons, 37, spoke with Ray Richmond for Deadline Hollywood about the Emmys, his finances, and the best thing about being a rich and famous TV star.
Deadline Hollywood: So, is this Emmy thing in the bag or what?
Jim Parsons: What? No! Of course not.
DH: It’s what those in the know are saying.
JP: Well, that’s great. But the way I see it, you can look at the Emmys two ways in you’re nominated. It’s either win-win or lose-lose. If things go very well and I win, you still have to get up in front of a group of people and risk having God knows what come out of your mouth. If you won’t win, you have to breathe deeply and smile and clap with a camera in your face. Last year, just before they announced my award, I was weak in the knees and had sweaty palms. It wasn’t because I was nervous about winning or losing. It was having to accept the trophy if I did win.
DH: And then you lost.
JP: Yes! So it all worked out. But I still don’t see the odds being with me winning. It’s…what is it? One in six. But you know, my competition is awfully good. My stomach is already in knots. The problem is that I don’t drink, so I can’t calm myself that way. I wish I could be better at pretending I don’t care.