UK press over here are gushing that The King’s Speech quadruple Oscar major wins – Best Film, Best Director, Best Actor and Best Original Screenplay – will be a boost for the British film industry. But I would say it’s all downhill from here. Consider the evidence. Beginning next April, there will be no UK Film Council coordinating British Film plc. Tanya Seghatchian, head of the UK Film Council film fund — which invested just over £1 million in The King’s Speech — says the pic’s success is a “magnificent final chapter for the UK Film Council”. Of course, Seghatchian and her team will move across to new film body the British Film Institute, but people I’ve spoken to are afraid there will be no encouragement to invest in commercial British films such as The King’s Speech or Streetdance 3D. Instead, the impetus will be in to back arthouse movies, which is what the BFI has always done going back to the 1950s. Even speaking to reporters backstage at the Kodak Theatre in Los Angeles, Firth called the decision to scrap the UKFC “short-sighted”. His sentiments were echoed by his producer Iain Canning, who said “it wouldn’t have been made without the UK Film Council”. The UKFC’s equity slug meant “they occupied a place within the finance plan that nobody wanted to inhabit,” he said.
Interestingly, the UK government’s culture department has … Read More »
Ever since the British Academy of Film and Television Arts several years ago moved their honors ceremony to coincide with Hollywood’s awards season, it’s been hit and miss as a predictor of the Oscars. Even though there is probably a crossover of about 600 members in both organizations. This year’s results giving a near-sweep, but very significantly not complete sweep, to hometown favorite The King’s Speech did little to change the status of that film’s Oscar chances in certain key categories. It already is the frontrunner for Best Picture, and for Colin Firth as Best Actor, and for David Seidler’s Best Original Screenplay. So tonight’s BAFTA wins just add to the pile of its big Hollywood Guild wins here.
In the Supporting categories winner, Helena Bonham Carter did not have to contend with Oscar frontrunners Melissa Leo and Hailee Steinfeld who weren’t nominated by BAFTA. (Steinfeld was competing in lead while Leo was snubbed.) And the absent Geoffrey Rush’s triumph over Oscar frontrunner Christian Bale also was not surprising since The Fighter found little support in overall BAFTA nominations.
But DGA winner Tom Hooper’s loss here to The Social Network’s David Fincher is intriguing. It could mean voters may be thinking about a split ballot. The facebook origins film also won Adapted Screenplay for Aaron Sorkin as well as defeated The King’s Speech in the ever-significant Film Editing category, too. That means both films collected exactly half of their BAFTA nomination total with TKS garnering 7 out … Read More »