The broadcast networks are officially done with their upfront commitments as ABC, which had been holding out in a standoff with ad agencies, has closed the upfront book. The network is not commenting, but sources indicate ABC … Read More »
NBCUniversal took out its entire portfolio as one package to advertisers this year — including broadcast networks NBC and Telemundo; cable networks, including USA and Bravo; digital properties like Fandago and NBC.com; and the Olympics. The company has … Read More »
Fox, which kicked off this year’s upfront dealmaking as it had in the past few years, is essentially done with its upfront ad sales. In a tough marketplace, the network has been able to secure CPM increases … Read More »
TV ad buyers are creatures of habit. Every year, they take the week after the broadcast upfront presentations to mull over the networks’ new offerings and confer with clients, take off for Memorial Day weekend and then start to get … Read More »
After ad buyers at last week’s upfronts, it is international buyers’ turn to get a glimpse of the broadcast networks’ crop of new shows. The annual LA Screenings are wrapping after marathon sessions of the studios … Read More »
First off, congratulations to all writers, producers, actors and agents who landed new series this week. I know it wasn’t easy. Here is Deadline’s annual list of those who excelled at the upfronts. I tried to be inclusive, but if I’ve missed anyone who’s had a banner week, let me know. I’ve also compiled a list of pods and independent producers with multiple broadcast series.
Cougar Town co-creator Bill Lawrence and his Doozer banner had three new series unveiled at the upfronts this week: comedies Undateable on NBC, Surviving Jack on Fox and Ground Floor on TBS. Also, TBS recently renewed Cougar Town for a fifth season.
J.J. Abrams‘ Bad Robot claimed one of the top new drama series last season with NBC’s Revolution and one of the hottest sophomore shows with CBS’ Person Of Interest. The company is keeping the momentum with two new series orders for next season: Almost Human at Fox and Believe at NBC.
Independent producer Aaron Kaplan of Kapital Entertainment received two new series orders from the broadcast networks: Back In The Game at ABC and Friends With Better Lives at CBS. Additionally, his freshman ABC comedy The Neighbors was renewed and his ABC pilot Bad Management is in serious contention for a series pickup. Kaplan also received two cable series orders in the past month, for Chasing Life on ABC Family and Instant Mom on NickMom, and also has comedy series Wendell & Vinnie on Nick at Nite and pilot HR at Lifetime.
Writer-producer Julie Plec also landed two new series this week, both at the CW: She wrote/executive produces the planted Vampire Diaries spinoff The Originals and executive produces The Tomorrow People. Additionally, she executive produces TVD, giving her three series on the air next season. (Fellow Tomorrow People executive producer Greg Berlanti has two, including returning CW hit Arrow.)
Another drama writer-producer, former ER showrunner David Zabel, saw both of his pilots picked up. He is the writer/exec producer on ABC’s Betrayal and co-writer/exec producer on ABC’s Lucky 7. Read More »
This is a — and possibly “the” — key question for Big Media investors coming out of the major broadcast and cable networks’ upfront programming presentations this week. As the sales pitches wore on it became clear that execs plan to spare no expense to recover from a year of dreary ratings. There’ll be 25 new programs on the Big Four networks, up from 18 planned this time last year. What’s more, “all of the broadcast networks are moving toward year-round original schedules, less re-runs [and] more frequent ‘mini-events’,” Bernstein Research’s Todd Juenger says. He adds that networks continue to depend on star power — for example CBS landed Robin Williams for its sitcom The Crazy Ones and Turner enlisted off-camera help from Michael Bay (Transformers), Dick Wolf (Law & Order), Howard Gordon (Homeland), Frank Darabont (The Walking Dead), and Jerry Bruckheimer (CSI). “These guys don’t come cheap, and we presume they must participate significantly in the back-end,” Juenger says. Execs no doubt feel confident that their bets will pay off. For example, hit dramas could play well in international syndication. Mini-series also should appeal to streaming services including Netflix and Amazon where subscribers like to binge view.
But domestic advertisers still provide lions’ share of revenues for TV shows. And if networks are optimistic about that market, it has as much to do with whether they believe consumers will buy lots of cars as with the merits of what programmers put on the screen. “Auto represents about 13% of annual TV ad spend and is seen as a pivotal player in this year’s upfront,” says Janney Capital Markets’ Tony Wible. That may be good news for the networks: Car companies appear to be headed for a big year as the economy improves and consumers take advantage of today’s low interest rates. As a result, Wible says “the tone of the upfront was more in favor of the sellers than we had anticipated” — leading him to forecast “substantial CPM [unit cost] increases that will offset recent ratings losses.” UBS Investment Research’s John Janedis forecasts that cable CPMs will be up as much as 7% with the major broadcasters “slightly better,” although some advertisers will just shift dollars for late this year from the scatter market to the upfront “which will make the total dollars look a little better.” Read More »
With the broadcast networks done unveiling their schedules, here is the full fall grid (see below) and some intriguing matchups for next season:
Tuesday 8 PM: This is shaping out to be the biggest fall battleground, especially for male viewers. The Agents Of S.H.I.E.L.D. on ABC are going against the agents of NCIS on CBS. Also joining the fray is another younger-skewing new genre drama series, the CW’s Vampire Diaries spinoff The Originals.Fox has new male-centered comedies Dads and Brooklyn Nine-Nine. All these shows (or those who survive) will have to go against the biggest broadcast reality show at the moment, NBC’s The Voice, in midseason. Will anyone blink?
Thursday 9 PM: Robin Williams vs. Sean Hayes. The comedy vets are returning with new series (Williams in CBS’ The Crazy Ones, Hayes in NBC’s Sean Saves The World) and will face off in one of TV’s highest-profile slots. In another male comedy star showdown, Michael J Fox will take on Ashton Kutcher and Jon Cryer at 9:30 PM. Read More »
The 100 — Midseason Drama (clip)
Produced by Bonanza Productions Inc in association with Alloy Entertainment, Warner Bros Television and CBS Television Studios. From executive producers Matthew Miller, Jason Rothenberg, Leslie Morgenstein and Gina Girolamo and director/executive producer Bharat Nalluri:
The Originals — Drama
Produced by Warner Bros Television, CBS Television Studios, Bonanza Productions Inc. in association with My So-Called Company and Alloy Entertainment. From writer/executive producer Julie Plec and executive producers Leslie Morgenstein and Gina Girolamo:
The CW gets points for originality. After three days of marathon presentations, it’s hard to surprise weary upfront goers. But the network found a way to cheer them up when everyone’s attendance bracelets lit up and began to pulsate to the dance music of presentation’s opening act, Swedish DJ duo Icona Pop (and the following music intros).
CW president Mark Pedowitz doubles as a couples counselor today, walking onstage hand in hand with recently broken up Vampire Diaries stars Nina Dobrev and Ian Somerhalder. “Last year, I told you this would be a transformative season at the CW and it has been,” Pedowitz says.
The CW’s new Wednesday lineup of Arrow and newbie The Tomorrow People is showcased as an Amell family affair as the two series star cousins Stephen and Robbie Amell, respectively. The Amells come out to show off their shared good-looks genes and a childhood photo that draws a big “awww” from the audience. Also on hand is the star of new teenage Mary Queen of Scots costume drama Reign, Adelaide Kane, who felt a little awkward walking onstage in full regal attire. The trailer was well received though.
Comedy is expected to take center stage at USA Network‘s upfront presentation this afternoon as the cable network touts to advertisers the fall launch of its big off-network acquisition, Modern Family, and unveils its newly picked up original comedy series Sirens and Playing House. The cable network has been getting extra attention from comedy fans in the past week following ABC’s decision last Friday to cancel cult series Happy Endings. Talks between USA and leading Happy Endings producer Sony TV continue. At this point, I hear a pickup appears unlikely but the network is carefully exploring the opportunity to migrate a show with some success on broadcast TV and a dedicated fan base the way ABC’s Cougar Town moved to TBS.
Of its three comedy pilot/presentations it had in consideration, USA picked up two, Sirens and Playing House. The third, Paging Dr. Freed, which was the first one ordered almost two years ago, is still in contention. I hear USA brass liked the pilot for the family medical comedy but thought it felt more like a season finale and didn’t properly introduce the characters. I hear the network approached Paging Dr. Freed creator Michael Feldman and studio Fox 21 about redeveloping the project and writing a new pilot script. If USA likes the new script, I hear it is intent on picking up the project straight to series. The options on the Paging Dr. Freed producers have been extended while those on the cast have lapsed. I hear USA is keen on bringing Annie Potts back if she is available. (Her ABC pilot Murder In Manhattan did not get picked up but is being considered by cable networks.) Read More »
The CW schedule features far more sweeping changes than any network this year. Like last fall, the CW is introducing three new series this fall — The Vampire Diaries spinoff The Originals, costume drama Reign and sci-fi drama The Tomorrow People — with three more series — dramas The 100; Star-Crossed; and reality show Famous In 12, from the TMZ team — on tap for midseason. For a second year in a row, the CW will hold its fall launches until October to avoid the blitz of new shows and allow for more uninterrupted originals. Here is the schedule, followed by analysis and descriptions of the CW’s new series:
8-9 PM – The Carrie Diaries (NN)
9-10 PM – America’s Next Top Model
The CW is shaking up its schedule big time, with changes on every night. In all, only the network’s two top series, The Vampire Diaries and Arrow, are staying put. They are being used to launch two of the CW’s highest-profile new series, the Mary, Queen of Scots drama Reign and the Greg Berlanti-Julie Plec produced futuristic The Tomorrow People. CW brass has high hopes for female-centered reign, so it opted to launch the series behind the network’s series with the highest concentration of female viewers, Vampire Diaries.
Three years after USA Network signaled a move into half-hour comedy with the off-network acquisition of Modern Family and three months before the ABC comedy is to launch on the cable network, USA has greenlighted its first original half-hour comedies in some 15 years: the single-camera Sirens from Denis Leary and Bob Fisher and Playing House, from Jessica St. Clair and Lennon Parham. Additionally, USA, which is holding its upfront today, has picked up single-camera half-hour comedy pilot Love Is Dead, from writer Zev Borow. USA’s other half-hour pilot, Paging Dr. Freed, is still alive. And USA is in conversations about picking up ABC comedy series Happy Endings.
Sirens and Playing House will premiere in the first quarter of 2014 as companions to Modern Family, which is set to bow on USA on September 24. “With Modern Family joining our lineup in the fall, we can leverage television’s most popular comedy to serve as a powerful launch pad for new originals in this genre,” said USA’s co-president Chris McCumber. Added co-president Jeff Wachtel, “Our new series come from some of the best comedic talent in the business, and reflect USA’s style — with great characters, strong execution and compelling storytelling.” USA ran several half-hourcomedies under the network’s old regime in the 1990s, including Weird Science, USA High and Campus Cops, before USA rebuilt its brand as a home of light, character-driven hourlong series over the past decade. Read More »
The Millers – Comedy
Produced by CBS TV Studios. From executive producer Greg Garcia:
The Crazy Ones — Comedy
Produced by 20th Century Fox Television. From executive producers David E. Kelley, Bill D’Elia, Dean Lorey, John Montgomery and Mark Teitelbaum and director/executive producer Jason Winer:
CBS Entertainment President Nina Tassler introduced him as “the biggest get of the season, actually many seasons” and “one of the defining comedy voices of our time”. Then Robin Williams semi-shocked advertisers with topics not usually … Read More »
Here’s something that surprised and impressed me in the wash of predictable upfront week announcements: National CineMedia‘s sales arm showed advertisers how a single pre-movie commercial can present different video images to different viewers. … Read More »
The CBS chief and his colleagues introduced their upfront sales pitches to advertisers today by taking a victory lap — a contrast to other networks’ efforts this week to promote their digital initiatives. … Read More »