The old Toronto vs Telluride rivalry has reared its ugly head again after Indiewire’s Anne Thompson wrote yesterday (and others followed) that Festival Director Cameron Bailey told her last Fall that they would enforce an ironclad rule that any films playing the Toronto International Film Festival’s first four days would have to be World or North American premieres. And that means “premiere” in the purest sense of the word. The World Premieres must be the first time the films are seen publicly anywhere and North American means U.S., Canada and Mexico. Any others would not get slots until the first Monday (traditionally when the heat starts progressively diminishing). This is what TIFF is telling studios and distributors. It is clearly saber rattling towards Telluride which most recently debuted films like 12 Years A Slave, Gravity and Prisoners before Toronto’s “official” World and North American Premieres.
Telluride, unlike Toronto, doesn’t reveal its schedule until the start of the Labor Day weekend fest and does not label any of its films as “premieres”. Sometimes, as in the case of 12 Years and Prisoners they don’t even include them then, and try to serve them up as unannounced sneak previews during the course of the weekend. Gravity was coming from the Venice Film Festival opening night so that was not kept as a secret. Other Telluride pictures, first seen at the Cannes Film Festival in May, were Inside Llewyn Davis, Nebraska and All Is Lost. They all skipped Toronto entirely after Telluride and headed to the New York Film Festival later in the month.