EXCLUSIVE: Jesse Zwick is making his directorial debut with ensemble drama About Alex, with Oscar-winning father Ed Zwick and Marshall Herskovitz exec producing for their Bedford Falls Company shingle. The Footprint Features co-production …
The Australian Academy of Cinema and Television, which previously honored Aussie productions, has launched five new award categories that will recognize international product in Best Film, Best Direction, Best Screenplay, Best Actor and Best Actress. In other words, the Aussies are going Hollywood. The nominees were announced tonight by Jacki Weaver, the Aussie actress who was Oscar nominated for Animal Kingdom. I am not sure how these will factor into the Oscar conversation, but here are the nominees:
INAUGURAL AACTA INTERNATIONAL AWARDS NOMINEES
The Artist – Thomas Langmann (The Weinstein Company)
The Descendants - Jim Burke, Alexander Payne, Jim Taylor (Fox Searchlight Pictures)
Hugo – Graham King, Tim Headington, Martin Scorsese, Johnny Depp (Paramount Pictures)
The Ides of March – George Clooney, Grant Heslov, Brian Oliver (Columbia Pictures)
Margin Call - Robert Ogden Barnum, Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto (Roadside Attractions)
Melancholia – Meta Louise Foldager, Louise Vesth (Magnolia Pictures)
Midnight In Paris – Letty Aronson, Stephen Tenenbaum, Jaume Roures (Sony Pictures Classics)
Moneyball - Michael De Luca, Rachael Horovitz, Brad Pitt (Columbia Pictures)
The Tree of Life – Bill Pohlad, Dede Gardner, Sarah Green (Fox Searchlight Pictures)
We Need to Talk About Kevin – Jennifer Fox, Luc Roeg, Bob Salerno (Oscilloscope Pictures)
Director Lynne Ramsay’s We Need To Talk About Kevin explores the relationship between a mother (Tilda Swinton) haunted by the murderous rampage of her psychopathic son (Ezra Miller). John C. Reilly plays the father. With cinematography by Seamus McGarvey, the movie based on a novel by Lionel Shriver screened in …
The three UK movies have received seven nods apiece for this year’s Moët British Independent Film Awards, due to take place in London on December 4. Each of them is battling for Best British Film Award, Best Director, Best Actor and Best Supporting Actor/Actress. The nominations were announced in London this morning. We Need To Talk About Kevin and Kill List each received six nominations, with Submarine following closely with five. Rebecca Hall (The Awakening), Mia Wasikowska (Jane Eyre), MyAnna Buring (Kill List), Olivia Colman (Tyrannosaur) and Tilda Swinton (We Need To Talk About Kevin) are vying for Best Actress. Leading men competing for Best Actor include Gary Oldman (Tinker, Tailor), Michael Fassbender (Shame) and Brendan Gleeson (The Guard).
We Need to Talk About Kevin won best picture at the BFI London Film Festival on Wednesday, Reuters reported. Scottish director Lynne Ramsay’s movie starring Tilda Swinton as the mother of a troubled boy who went on …
After a fun opening night living vicariously through Woody Allen’s Paris, the Cannes official competition and sales market really got down to business Thursday. And how’s this for a good time? The fest started the competitive entries with a double bill of downer flicks directed by two very smart women. Unfortunately, only one of them worked.
First up was the dreadful Sleeping Beauty, an Australian drama revolving around a girl, played by Emily Browning, who subjects herself to such degrading inhuman sexual acts we can’t even go into it here. As she is induced into a coma-like state a number of eighty-something men have their way with her. Fun, huh? The really stunning thing is that rare Palme D’Or winning woman, Jane Campion (The Piano), is lending her name to this dreary exercise from first-timer Julia Leigh.
It could only go up from there and it did — waaaaay up — at the 8:30 AM Thursday morning press screening for Lynne Ramsey’s extraordinary We Need To Talk About Kevin, starring the ever-remarkable Tilda Swinton and John C. Reilly as parents dealing with tragic circumstances caused by their out-of-control son. It is a most impressive acting and directorial feat that gives the festival its first genuine awards contender, and if it can secure domestic distribution (may distribs such as Sony Pictures Classics and Lionsgate were seen entering the early AM screening), the Oscar-winning Swinton could once again find herself in the Academy race next year and definitely for a prize here on May 22.