A Day Late And A Dollar Short is a Lifetime original movie based on the novel by Waiting To Exhale and How Stella Got Her Groove Back writer Terry McMillan. Whoopi Goldberg has signed on to executive produce and star as an irascible matriarch who learns that her next asthma attack is likely to kill her, and she sets out to fix her fractured family before she dies. Production begins this summer for a 2014 premiere. Goldberg co-starred opposite Angela Bassett in the 1998 movie adaptation of How Stella Got Her Groove Back, and also exec produced the Lifetime drama series Strong Medicine and the 2001 original movie What Makes a Family. Stephen Tolkin will direct Dollar from a script by Shernold Edwards, and Tolkin exec produces with Goldberg, Tom Leonardis, Jeffrey Hayes and Bill Haber.
Whoopi Goldberg is joining Fox dramedy Glee for a multi-episode arc, while tabloid fixture and occasional actress Lindsay Lohan will appear in one episode. According to our sister site TVLine, which has the news, Goldberg will play Carmen Tibideaux, a …
Among his many accomplishments, Gil Cates obviously will be known as the person who produced more Oscar shows than any one in the history of the Academy. Talk to any producer who has done it just once or twice and you will get this astonished look when you tell them Gil Cates did it 14 times in the last two decades. And with his always calm and cool manner, he made it look so easy. Perhaps that is why every producer doing the show in Gil’s off years always sought out his advice — and he always happily gave it as he told me when I interviewed him exactly one year ago about his memories on being the man behind so many Oscarcasts. “I’ve had lunch with each producer and producing team going back to my off years,” he told me. “The one thing I’ve told everybody is the Oscars is such a big show that no matter what you do there are gonna be people who like it and people who don’t. The most important thing is to do a show you like. There’s no way to get out totally alive. Do a show they find unique and fun and special. That’s a victory.”
Gil Cates had a lot of victories in his long career. As a former president of the DGA, its current secretary/treasurer and its chief negotiator for the last four contracts; as founder of the UCLA School of Theatre, Film and Television; founder and artistic director of the Geffen Playhouse; as director and producer of such multiple-Oscar-nominated films as Summer Wishes, Winter Dreams and I Never Sang For My Father; as well as so many TV films that made a lasting mark on the medium. There’s so much more, but my own personal connection (aside from attending the great theater he oversaw at the Geffen) has always been with the Oscars, and on those occasions when I got to talk to him or interview him I was like a kid in a candy store listening to his stories (sorry, some I just can’t print — off the record). His last show aired in 2008, the year No Country For Old Men won Best Picture. But this was also the year of the writers strike that KO’d the Golden Globes and put a dark cloud over the Oscars until just 12 days before the show was to air, when it was settled. But Cates, with his usual calm of a master negotiator and problem solver, had a Plan A (with all the stars in a strike-free show) and a Plan B (with no stars but a heavy emphasis on history and clips) ready to go, essentially prepping two different shows simultaneously, depending on events out of his control. It’s a good thing he was in charge because a lesser or more inexperienced producer might have cracked under the pressure. Not Gil. In the end, he produced a classy, star-studded show as usual but was ready to deliver whatever cards were dealt.
The Casting Society of America unveiled nominations for its 27th annual Artois Awards, recognizing the best in casting. The honors will be bestowed Sept. 26 in simultaneous ceremonies at the Beverly Hilton in L.A. and at District 36 in New York. The CSA also is giving lifetime achievement awards to Whoopi Goldberg (the New York Apple Award), Dick Wolf (the Career Achievement Award) and Meg Liberman (the Hoyt Bowers Award). Here’s the full list of nominees:
Six weeks ago, Bill O’Reilly’s visit to The View while promoting his new book led to co-hosts Whoopi Goldberg and Joy Behar walking off stage. Tonight, Goldberg visits O’Reilly on his Fox News talk show to promote her new book. And of course, they talk about the incident. Here …
Funny man Stephen Colbert channeled his idol Bill “Papa Bear” O’Reilly in his faceoff with The View co-hosts today in a segment capped by a “Whoopi Goldberg/Joy Behar” moment, in which Colbert briefly walked off the stage.
A lot calmer View co-hosts spent 4 minutes today reminiscing about Joy Behar and Whoopi Goldberg’s infamous walk-off during the interview with Bill O’Reilly on Thursday. “On this show, we all talk about standing up to bigotry, so I stood out,” was Behar’s comment. “I hit my saturation point… I …
Both Joy Behar and Bill O’Reilly have primetime talk shows and used them last night to comment on the heated exchange during O’Reilly’s visit to The View yesterday that resulted in co-hosts Behar and Whoopi Goldberg walking off the stage. Behar stayed on a war path, saying that O’Reilly “had a real pinhead moment” and attacking his position on the Ground Zero mosque in an interview with Jesse Ventura on her eponymous HLN show. Meanwhile, O’Reilly was surprisingly subdued on Fox News’ O’Reilly Factor, playing a long clip from The View followed by a short statement that ended with “I loved that exposition today. Didn’t you?” There will be more dissection of the incident on Monday’s edition of The View, ABC just announced. Why, this couldn’t be a ratings ploy, could it? (Today’s edition of the chat show was pre-taped):
What happens if you put Bill O’Reilly on a couch with five outspoken women and throw in a hot-button issue like the Ground Zero mosque? Guaranteed mayhem. And that’s exactly what happened today on ABC’s The View.