UPDATE, 11:35 AM: The social network company wasn’t making a judgment about Kirk Cameron‘s upcoming religious movie Unstoppable last week when it blocked links to the promo site. “To protect the hundreds of millions of people who connect and share on Facebook every day, we have automated systems that work in the background to maintain a trusted environment and protect our users from bad actors who often use links to spread spam and malware,” Facebook says today. But “in rare instances they make mistakes.” And this was one of them: The link “was blocked for a very short period of time after being misidentified as a potential spam or malware site. We learn from rare cases such as these to make our systems even better.”
PREVIOUS, SUNDAY AM: Former Growing Pains star Kirk Cameron‘s upcoming movie Unstoppable vows to answer the question “Where is God in the midst of tragedy and suffering?” But considering that theaters
Must-watch political drama unfolded Tuesday night in Texas as more than 182K viewers simultaneously tuned in to follow Sen. Wendy Davis (D-Fort Worth) attempt a 13-hour anti-abortion filibuster on the floor of the Texas Senate. Unfortunately for TV networks, those viewers were all live-streaming it on YouTube via …
Listen to (and share) episode 34 of our audio podcast Deadline Big Media With David Lieberman as Deadline’s Executive Editor David Lieberman and host David Bloom look at out-of-whack CEO pay; a Washington threat to the Pay TV oligopoly; YouTube goes subscription with 30 new channels; and why Time-Warner’s Jeff Bewkes thinks blockbusters make sense financially.
Among the more interesting new paid YouTube channels of the 30 unveiled today are the ones belonging to indie film distributors leading the charge into untested digital and outside-the-box models. Cinedigm relaunched their Docurama brand in April with a library of 1,250 documentary features, also plotting a streaming app for launch this spring which would make more than 150 Docurama titles available for free on multiple devices. Their new curated Docurama YouTube channel could similarly boost digital niche moviewatching and carve a path for other distributors and filmmakers exploring alternative distribution online. For $2.99 a month, users will get access to Docurama’s playlist of docu features and bonus materials refreshed each week, with 25% of those feature offerings being new or recent releases. (All of YouTube’s new premium channels will first launch with a 14-day free trial.) The ambitious growth plan set in motion last year under Cinedigm CEO Chris McGurk so far has also included a plan to help outfit drive-in theaters with digital projectors and last month’s Arthur Newman BitTorrent experiment.
UPDATE: After besting Viacom for the second time in three years in the multi-million copyright infringement suit the media giant brought against them, Google released this statement today:
The court correctly rejected Viacom’s lawsuit against YouTube, reaffirming that Congress got it right when it comes to copyright on the Internet. This is a win not just for YouTube, but for people everywhere who depend on the Internet to exchange ideas and information. – Kent Walker, Senior Vice President & General Counsel, Google
PREVIOUSLY, 2:53 PM: Even though it suffered the second loss in three years on the same multimillion-dollar copyright suit against YouTube, Viacom today said it plans to appeal the latest ruling against it. “This ruling ignores the opinions of the higher courts and completely disregards the rights of creative artists. We continue to believe that a jury should weigh the facts of this case and the overwhelming evidence that YouTube willfully infringed on our rights, and we intend to appeal the decision,” said the company in a statement after a U.S. District court judge in New York granted YouTube yet another favorable summary judgment today. “The Clerk shall enter judgment that defendants are protected by the safe-harbor provisions of the Digital Millennium Copyright Act from all of plaintiffs’ copyright infringement claims and accordingly dismissing the complaint, the costs and disbursements to defendants according to law,” Judge Louise Stanton wrote Thursday (read it here).
Even with plans to appeal, this second verse sounds a lot like the first. Viacom lost a previous summary judgment in the case back in July 2010 on the suit, which it instigated in 2007. Among its many provisions, the Digital Millennium Copyright Act offers legal protection from liability to an unwitting website from infringement that its users may perform. Almost two years later, the plaintiffs then got a second swing at the video-sharing website thanks to the Appeals Court in April of last year ruling that YouTube hadn’t adequately proven it was actually entitled to the protection of the DMCA. The Appeals Court also noted it believed that in fact YouTube did know its users were putting up Viacom-owned material on the site. Unfortunately for Viacom, the judge, who delivered a similar ruling back in 2010, thought the system worked just fine and that YouTube had done all it needs to do in this case.
Along with an emphasis on cross-border series, among the takeaways from this week’s Mip-TV market was the increased merging of technology and content. Of the 4,000 acquisition execs in town, 800 were VOD and digital buyers – a 30% jump on last year. Cinedigm did a digital/VOD deal for more than 1,000 episodes of TV shows from Australia’s ABC which CEO Chris McGurk said reflected the “ever-growing importance of efficient, cost-effective delivery of digital content worldwide.”
YouTube was part of the discussion. Tim Hincks, president of Dutch giant Endemol, which has over 100 YouTube channels, said the company will soon launch a new Fear Factor channel, effectively reviving the brand in the U.S. But he stressed that “It’s not how much you’ve got, it’s what you do with them. It’s tying them together and marketing to the consumers and YouTubers on the different channels.”
But BSkyB managing director of content, Sophie Turner Lang, urged attendees to “Talk about the shows, not the pipes.” It’s storytelling that engages audiences, she said, noting that creative meetings have reversed from mostly being about story and talent to being about “protection and digital delivery.”
The video-sharing website announced the milestone today, eight years after YouTube was founded as a tech startup. By 2006 YouTube was notching 100 million video views per day. Google bought it for …
EXCLUSIVE: Ricky Gervais, scourge of the Golden Globes and creator of The Office, Extras and most recently Derek, has made a deal through Derek Productions to provide exclusive original content to the Ricky Gervais YouTube channel. That channel is part of the web hub’s original channels initiative in the UK.
Said Gervais: “Any artist will tell you that they want as many people to see their work with as little interference to that work as possible. To create, get final edit, and be the broadcaster is the ultimate artistic experience. This is why I have partnered with YouTube for original programming. And because of all that money they gave me too, obviously.”
Gervais’s first contribution will be to bring back David Brent. That character had a cameo appearance in an episode of The Office: An American Workplace in 2011, and this will be the first fully authored performance of Brent since 2003. The channel will air all new original content from Gervais, including sketches, filmed podcasts & behind the scenes antics and interviews from the forthcoming The Muppets… Again. The web channel is accessible on youtube.com/rickygervais.
Simon Cowell is adding another stream to his talent scouting business. Cowell and Sony Music Entertainment’s joint venture, Syco, is hooking up with YouTube to launch global online talent contest, The You Generation. The contest opens to the public March 20 and will run for one year in an experiment aimed at discovering new talent. Entries are solicited from people with “unconventional and original talents” including musicians, photographers, makeup artists, magicians and chefs, Syco said. Wannabes will upload their videos to the You Generation YouTube channel in a different category every two weeks. They’ll then be judged by “professionals associated with Syco.” Prizes will be awarded every two weeks – though it’s not clear yet what the prizes will be – and there will be a grand prize at the end. The contest is available in 15 languages and 26 countries. Cowell’s already juggling the X Factor and Got Talent shows in the U.S. and the UK where he’s returning to judge Britain’s Got Talent‘s seventh season that kicks off in the spring. Click over for The You Generation promo in which Cowell freaks the hell out of some early contestants:
Fox is restructuring its current department to include event series and digital programming. Part of that digital programming will be projects introduced under a multi-year pact Fox has signed with YouTube original drama channel WIGS. Fox’s VP Current Programming James Oh has been upped to SVP and will oversee all of Fox’s existing scripted series and manage Fox’s current programming team. He succeeds in the role of Fox’s head of current Marcy Ross who is departing the network. SVP Current Programming Shana C. Waterman will assume the title of SVP, Event Series & Multi-Platform Programming, a newly-created department set out to manage the network’s limited-run and digital programming initiatives. She will commission and develop long-form event series for Fox under the network’s joint initiative with FX, will oversee the network’s multi-platform programming, including Animation Domination High-Def (ADHD), The Short-Com Comedy Hour (working title), WIGS and other digital-to-broadcast efforts. Oh reports to Fox COO Joe Earley, Waterman to chairman Kevin Reilly. In addition, Fox has hired Kiliaen Van Rensselaer, previously SVP, Digital Media at News Corp, as SVP, Multi-Platform Programming. He will serve as the senior operational executive for Fox’s multi-platform programming.