Nothing says Disney like crossover and that’s what the Season 4 finale of Shark Tank (1.9/7) saw last night on the last Friday of the 2012-2013 TV season. Dr. Heinz Doofenshmitz of Disney Channel’s Phineas and Ferb showed up to give the Sharks a pitch last night on the Disney-owned ABC, though they weren’t really biting. With an online dating service looking for some investment plus a grilled cheese franchise in the making too, Friday also saw the entrepreneurial reality series rise. Shark Tank was up 6% from last week’s show and up 19% from its Season 3 finale on May 18, 2012. The 9 PM Shark Tank finale was both the highest rated show of the night and the most watched with 6.57 million tuning in. Preceded by a special Shark Tank (1.2/5) in the 8 PM slot where Happy Endings sat this season, the finale of the unscripted series was followed at 10 PM by 20/20 (1.5/5) The ABC newsmagazine show was down 12% from its May 10 show among Adults 18-49 but up 25% the final Friday of last season. ABC won the night among adults 18-49 and, with 5.720 million watching, total viewers.
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Global Showbiz Briefs: Shine Int’l Makes CEO Permanent; New Download/Streaming Service Headed For UK
Shine International Takes Interim Tag Off Nohr
More than eight months after Nadine Nohr stepped in as interim CEO at Shine International, the company has made her gig permanent. Two years ago, the exec supervised the unit’s revamp and relocation. She began as a consultant to Shine International, the sales and distribution arm of the Shine Group, in 2011. Her resume includes a dozen years at Granada International.
First off, congratulations to all writers, producers, actors and agents who landed new series this week. I know it wasn’t easy. Here is Deadline’s annual list of those who excelled at the upfronts. I tried to be inclusive, but if I’ve missed anyone who’s had a banner week, let me know. I’ve also compiled a list of pods and independent producers with multiple broadcast series.
Cougar Town co-creator Bill Lawrence and his Doozer banner had three new series unveiled at the upfronts this week: comedies Undateable on NBC, Surviving Jack on Fox and Ground Floor on TBS. Also, TBS recently renewed Cougar Town for a fifth season.
J.J. Abrams‘ Bad Robot claimed one of the top new drama series last season with NBC’s Revolution and one of the hottest sophomore shows with CBS’ Person Of Interest. The company is keeping the momentum with two new series orders for next season: Almost Human at Fox and Believe at NBC.
Independent producer Aaron Kaplan of Kapital Entertainment received two new series orders from the broadcast networks: Back In The Game at ABC and Friends With Better Lives at CBS. Additionally, his freshman ABC comedy The Neighbors was renewed and his ABC pilot Bad Management is in serious contention for a series pickup. Kaplan also received two cable series orders in the past month, for Chasing Life on ABC Family and Instant Mom on NickMom, and also has comedy series Wendell & Vinnie on Nick at Nite and pilot HR at Lifetime.
Writer-producer Julie Plec also landed two new series this week, both at the CW: She wrote/executive produces the planted Vampire Diaries spinoff The Originals and executive produces The Tomorrow People. Additionally, she executive produces TVD, giving her three series on the air next season. (Fellow Tomorrow People executive producer Greg Berlanti has two, including returning CW hit Arrow.)
Listen to (and share) episode 35 of our audio podcast Deadline Big Media With David Lieberman. Deadline’s executive editor joins host David Bloom to discuss the advertising upfronts this week, including the CBS victory lap and whether an auto ad spending blitz will finance this year’s pricey programming; Daniel Loeb’s (and possibly Les Moonves’) plans for Sony; and National CineMedia’s whiz-bang new technologies to give exhibitors and studios more bang for their in-theater ad bucks.
The channel’s called AwesomenessX and it will offer “original sports, gaming, comedy, pranks and lifestyle content” for males in their teens and 20s, says the company that’s owned by DreamWorks Animation. As the Web destination grows it can …
“Look out Facebook!” the News Corp CEO wrote today in a tweet. “Hours spent participating per member dropping seriously. First really bad sign as seen by crappy MySpace years ago.” Easy to see why he’s still smarting over the “crappy” asset that he bought in 2005 for $508M and sold two years ago for $35M. But his warning also reflects the passion Facebook inspires among supporters and critics alike on the anniversary of its ill-fated initial public offering at $38 a share. The stock closed today at $26.25 — down 31.3% — and has been pretty much flat for more than five months. Bears say that Facebook can’t sustain its torrid growth as it faces potent competitors — including Google, Twitter and Tumblr — and a shift among users from personal computers to advertising unfriendly small screened mobile phones and tablets. “Facebook is now scrambling to boost revenues through bigger ads that take over the entire screen,” BTIG’s Rich Greenfield notes today. He contrasts that to Google+, a social network that “is not out to harm the user experience through disruptive, annoying, spammy ads, they simply want the data to improve search and other products.”
UNIVERSAL CITY, Calif. — May 17, 2013 — Illustrating the continuity between its original and current coaches lineup, “The Voice” will bring back Christina Aguilera, CeeLo Green, Adam Levine and Blake Shelton for its fifth cycle in fall and will pair Levine and Shelton with Shakira and Usher for the sixth cycle in midseason.
2ND UPDATE, 11:45 AM: I hear Alpha House has gotten an official pickup, joining Betas. Alpha House follows four senators (John Goodman, Clark Johnson, Matt Malloy, Mark Consuelos) who live together in a rented house in Washington, DC. Zombieland and Browsers did not make the cut.
Related: Full Amazon Pilot Listings
UPDATE, 9 AM: Zombieland writer-producer Rhett Reese took to Twitter to blame the series’ pickup fail on Zombieland fans themselves: “I’ll never understand the vehement hate the pilot received from die-hard Zombieland fans. You guys successfully hated it out of existence.”
UPDATE, THURSDAY PM: There will be no Zombieland TV series, at least not on Amazon. The streaming service has passed on the pilot, as well as Browsers, as it continues to narrow down the field.
This was sent to Warner Bros Television Group employees today:
It is with a heavy heart that I write to let you know that, following several months of uncertainty, my 26-year run at Warner Bros. has come to an end.
I have had the pleasure of working alongside the most talented, creative and innovative people in our business … from our executives and staff to the amazing group of creative talent both in front of and behind the cameras. Each of your contributions helped Warner Bros. set the standard for excellence in the television industry. The magnitude of what you have accomplished has been and continues to be a truly meaningful contribution to Warner Bros.’ overall success and a matter of great pride to myself.
This is a — and possibly “the” — key question for Big Media investors coming out of the major broadcast and cable networks’ upfront programming presentations this week. As the sales pitches wore on it became clear that execs plan to spare no expense to recover from a year of dreary ratings. There’ll be 25 new programs on the Big Four networks, up from 18 planned this time last year. What’s more, “all of the broadcast networks are moving toward year-round original schedules, less re-runs [and] more frequent ‘mini-events’,” Bernstein Research’s Todd Juenger says. He adds that networks continue to depend on star power — for example CBS landed Robin Williams for its sitcom The Crazy Ones and Turner enlisted off-camera help from Michael Bay (Transformers), Dick Wolf (Law & Order), Howard Gordon (Homeland), Frank Darabont (The Walking Dead), and Jerry Bruckheimer (CSI). “These guys don’t come cheap, and we presume they must participate significantly in the back-end,” Juenger says. Execs no doubt feel confident that their bets will pay off. For example, hit dramas could play well in international syndication. Mini-series also should appeal to streaming services including Netflix and Amazon where subscribers like to binge view.
But domestic advertisers still provide lions’ share of revenues for TV shows. And if networks are optimistic about that market, it has as much to do with whether they believe consumers will buy lots of cars as with the merits of what programmers put on the screen. “Auto represents about 13% of annual TV ad spend and is seen as a pivotal player in this year’s upfront,” says Janney Capital Markets’ Tony Wible. That may be good news for the networks: Car companies appear to be headed for a big year as the economy improves and consumers take advantage of today’s low interest rates. As a result, Wible says “the tone of the upfront was more in favor of the sellers than we had anticipated” — leading him to forecast “substantial CPM [unit cost] increases that will offset recent ratings losses.” UBS Investment Research’s John Janedis forecasts that cable CPMs will be up as much as 7% with the major broadcasters “slightly better,” although some advertisers will just shift dollars for late this year from the scatter market to the upfront “which will make the total dollars look a little better.”