The National Academy of Television Arts & Sciences unveiled nominations for the 35th annual News and Documentary Emmy Awards. They will be presentedSeptember 30 during a ceremony at Frederick P. Rose Hall at Lincoln Center. PBS led networks with 43 nominations followed by CBS with 42. The New York Times led newspapers with seven noms. Check out the full list here.
The long-running legal battle between the Hollywood Foreign Press Association and Dick Clark Productions over who controls TV rights to the Golden Globes is over. While seemingly impossible to imagine after all the rancor between the two sides, they have reached a confidential agreement that will see the Guggenheim Partners-owned dcp continuing to produce the annual awards for broadcast on NBC until 2018, sources confirm. This comes four years after the HFPA first filed, and dozens of courts dates, hundreds of filings, an early 2012 trial that saw the HFPA lose its case against dcp, and an appeals hearing last month that still hadn’t issued a ruling. During the legal battle, the HFPA and dcp had a shotgun marriage to keep producing the awards show.
The heart of the HFPA’s contention was that a 1993 extension of its deal with dcp was invalid. The agreement said that the production company, which was sold by then-owners Red Zone in the fall of 2012, had “the exclusive right to produce a live television broadcast for each of the years 1998 through and including 2005, and for any extensions, renewals, substitutions or modifications of the NBC agreement.” Federal judge Judge Howard A. Matz agreed. He also made a point of citing the disorganization among the HFPA leadership over the years. To that end, the two-week non-jury trial saw a series of past and current HFPA presidents and dcp executives take the stand. Dick Clark, now deceased, did not appear, but CBS …
TCA: TV Academy May Look At Primetime Emmy Categories Because Industry Has Evolved, CEO Bruce Rosenblum Says
The TV Academy probably should take another look at the categories for its Primetime Emmy Awards, academy chairman/CEO Bruce Rosenblum told TV critics this morning at the TCAs summer press tour after TV critics began to flog him and the academy for not doing a better job “policing” which categories series and actors are competing.
TV critics nicked him for a number of this year’s nominees — one TV critic, for instance, noted, “it’s nice Treme got nominated, but it’s in the miniseries category and it’s been on the air about five years.” Another expressed disbelief the academy would let Shameless submit itself for consideration as a comedy series for a season that included a storyline “in which a baby overdoses on cocaine.” And harsh words were said about “certain” actors who’d submitted themselves as guest stars “even though they have regular series contracts.” Plenty more where that came from.
Jodie Foster is carving out a nice, new career as a TV director. Though she hit a bump with her last feature directorial, the Mel Gibson drama, The Beaver ($971K), she rebounded today with an Emmy nomination for her comedy series helming work on the third episode of Jenji Kohan’s Orange Is the New Black entitled “Lesbian Request Denied”. It’s actually Foster’s second Emmy nod overall, her first being for the Showtime 1999 movie she executive produced, The Baby Dance, starring Stockard Channing and Laura Dern. It would be an understatement to say that the word ‘bold’ is always associated with Foster’s oeuvre, whether it’s playing a child prostitute in Martin Scorsese’s 1976 iconic Taxi Driver to producing and acting in the 2007 femme vigilante film The Brave One. Orange Is the New Black is arguably the first time that Foster as a director has dealt with the subject of lesbianism on screen. She also returned to direct the second season premiere of Orange Is The New Black with the episode “Thirsty Bird” and also went behind the camera for Netflix‘s House of Cards episode ”Chapter 22″. Frequently, feature directors are finding creative redemption in TV, read Doomsday British helmer Neil Marshall who was behind two Games of Thrones episodes, this season’s being “The Watchers on the Wall”.
EMMYS: Producer Don Mischer’s Show Nightmare – And Why The Golden Globes Can Thank ‘SNL’ For Its Emmy Love
After this morning’s announcement of the Emmy nominations, Don Mischer, the veteran (and much awarded himself) executive producer of this year’s 66th annual Emmy Awards jokingly suggested to me that maybe there should be an awards show that only honors other award shows! God help us. We almost have that now. At the Emmys, the only awards show not eligible to win one of the golden winged statuettes is Emmy herself.
And what’s significant awards-show wise in this year’s lineup is how far the Golden Globes, of all shows, have come into industry respectability. Not only did it grab an Outstanding Special Class Program nomination against the Tonys and the Oscars this morning, but it also landed a nod for Outstanding Writing For A Variety Special. It will compete there again with the Tonys there but – OUCH – not perennial writing nominee Academy Awards; Ellen DeGeneres and her crew of writers who so memorably sent out for pizza and took selfies this year were snubbed this time out.
Of course the Globes have really smartened up in the writing department in the past couple of years with strong SNL influence and participation from hosts Tina Fey and Amy Poehler as well as Seth Meyers among other members of the Lorne Michaels wolf pack. Meyers may not have been nominated for his own new NBC late-night talk show, but this year’s Emmy host has a chance to win one for his Globes writing gig, and that category WILL be presented this year on the primetime broadcast. Still in sheer numbers of nominations today, The Oscars lead the Tonys 8-7, with the Globes grabbing the aforementioned two. Impressively, Oscar show producers Craig Zadan and Neil Meron, who will be returning for a third consecutive stint on next year’s show, are competing directly against themselves in the Special Class category with their NBC musical special The Sound Of Music Live! And they also nabbed a nomination for their Lifetime miniseries, Bonnie And Clyde. Big day for that busy pair, who got Emmy love for all of their TV projects last season, even if critical reaction was mixed. Who’s laughing now?
Last year Kerry Washington and Don Cheadle made Emmy history as two African American actors breaking through the lead acting categories at the same time with nominations. Not only did they both earn nominations again this year, but a total of 11 Black actors and actresses were nominated across all acting categories — the most since 1977 when Roots racked up nine nominations for its castmembers according to TV Academy stats (Roots wound up winning trophies for Olivia Cole and Louis Gossett Jr). Last year Washington’s nom for Scandal repped the first in nearly two decades for a black actress, the last being Cicely Tyson in 1995′s Sweet Justice. This year, Washington will be running into Tyson on the red carpet as she’s also up for an nomination in the lead movie/miniseries actress category for The Trip to Bountiful. Another big year for Black thesps was 1986, when The Cosby Show earned eight acting nominations and a guest comedy actor win for Roscoe Lee Browne. Typically the Emmys, similar to the Oscars, has been criticized for a lack of diversity in the past.
“It’s a testament to the storytelling that is going on out there,” Andre Braugher, who plays Captain Ray Holt on Brooklyn Nine-Nine, said this morning about the record. “If you look at what Fox is doing with diverse comedies, there’s The Mindy Project and our show. There’s a new dimension of half-hour comedies that don’t depend on stereotypes or the boxes we put people in. I play a …
EMMY Noms Analysis: ‘True Detective’, ‘Orange’ & ‘Shameless’ Fare Well Amid Category Brouhaha As Free-TV Slips To New Low
In the months leading to this year’s Primetime Emmy nominations, a lot of attention was focused on HBO’s decision to enter the eight-episode True Detective as a drama series, Showtime switching Shameless from drama to comedy series after three seasons, and Netflix entering Orange Is the New Black as a comedy after calling it a drama for the Golden Globes.
The moves worked fine for all three. True Detective and Orange Is The New Black each netted 12 noms – a very strong showing for freshman series — to tie veteran Downton Abbey and Seth MacFarlane’s documentary Cosmos as the fourth-most-nominated primetime series. Both landed noms in all major categories they were eligible for, including best drama (True Detective) and comedy series (Orange), best lead actor/actress, best writing, directing and casting.
Meanwhile, after a single Emmy nom for each of its first three seasons competing as a drama series — all for recurring guest actress Joan Cusack — Shameless more than doubled its Emmy tally with three noms this year. That includes a break into the lead actor category for star William H. Macy, joined by Cusack, nominated for a fourth consecutive time, and a mention for stunt coordination.
Cor blimey, the British aren’t coming — they’re here to stay. Including Ricky Gervais’ surprise Emmy nomination as Lead Actor in a Comedy series for Derek this morning, there are 15 nods for Brits in the acting races this year. If we add voice-overs, Jeremy Irons and Daniel Craig would make it 17 performance nods. Last year, there were 14 total.
British actors have been plying their trade in U.S. series for ages, but this crop boasts a lot of British-based (or instigated) productions and co-productions rather than U.S. shows à la Homeland. The UK TV tax credit has encouraged British broadcasters to strive for increasingly ambitious productions.
Along with Gervais, whose Derek was originally commissioned for Channel 4 before being picked up by Netflix, there’s a big group from perennial Downton Abbey, a co-pro of Carnival Films and Masterpiece; a first Emmy nod for Golden Globe nominee Chiwetel Ejiofor in BBC miniseries Dancing On The Edge, which Starz airs Stateside; Idris Elba in Luther, another BBC show that goes out on BBC America; and Helena Bonham Carter playing the British-American Elizabeth Taylor in BBC and BBC America co-pro Burton & Taylor. And, of course, Sherlock is back this year. Benedict Cumberbatch scored a Lead Actor in a Miniseries or Movie spot …
The Derek star may have almost had waterworks but he was far from the only one getting emotional online after the TV Academy announced the list of nominees announced for this year’s Emmy Awards. Check out some of the best tweets we saw this morning. Do you have any more good ones we can add in?
— Ricky Gervais (@rickygervais) July 10, 2014
EMMYS: Online Voting Raises Turnout, Possibly Altering Race – And What Do Matthew McConaughey And George C. Scott Have In Common?
History has a chance to repeat itself at the Emmy Awards on August 25th if Matthew McConaughey wins Outstanding Lead Actor in a Drama Series. He would become the first – and only other male — to pull off an Oscar win and Emmy win in the same year since George C. Scott did it 43 years ago in 1971. Scott, who famously didn’t attend either ceremony, won the Best Actor Oscar for Patton on April 15th of that year and then less than a month later on May 9th pulled off the Emmy for Single Performance by an Actor in a Leading Role for the “The Price” episode of ITV Saturday Night Theatre. Of course, McConaughey won the Oscar in March for Best Actor in Dallas Buyers Club. Both also won Golden Globes in their respective years too.
As everyone knows, Scott actually refused the Oscar and called the ceremony a “meat parade.” Goldie Hawn announced him as the winner by saying “Oh my God, it’s George C. Scott!” As I recall, when presenter Suzanne Pleshette opened the Emmy envelope that year she parodied that moment by saying, “Oh my God, it’s George C. Scott!” It should be noted that, unlike his unwanted Academy Award, Scott never turned down the Emmy. He just didn’t show up for it and it was accepted instead on his behalf by Jack Cassidy.
This promises to be one of the most exciting categories at the Emmys this year, with the list of nominees announced this morning not producing a ton of surprises but offering a rich group of nominees featuring the TRIED (Downton Abbey, Mad Men, etc), the TRUE (Detective) along with the NEW (Orange Is The New Black, Silicon Valley, etc). The most astounding thing to me was to see Netflix really break through big-time with 31 nominations and within shouting distance of the traditional three networks (ABC, NBC, CBS) and ahead of Fox.
UPDATED Emmy Snubs: ‘The Blacklist,’ ‘Brooklyn Nine-Nine,’ James Spader, Andy Samberg Join ‘The Walking Dead,’ Tatiana Maslany And Jay Leno On The Dissed List
Every year on this day we pay tribute to those who made The Dissed List, giving you a place to foam over:
The Good Wife. Neither the violent bumping off of Will Gardner (Josh Charles) in one of the TV season’s most buzzed about developments, nor the extremely aggressive For Your Consideration ad campaign, in which the show pointed out how easy is life for its competition with their 7-episode (Mad Men), 8-episode (Breaking Bad), and 12-13 episode (Homeland, House of Cards) seasons, compared to the grueling challenges of a CBS drama, appears not to have impressed the Academy in the best-drama category (though Charles and star Julianna Margulies are nommed).
The Walking Dead. Despite high hopes among its fan base that this would be the year AMC’s Dead broke out of the makeup and special effects nomination categories, the show instead will have to stagger along with its astounding demo ratings success — including a take-down of NFL football – but no Best Drama Emmy prestige.
Tatiana Maslany. After being snubbed by the TV Academy but showered with love by TV critics for her groundbreaking performance as not one, not two, but eight clones and counting, on BBC America’s Orphan Black, many industry navel lint gazers thought this would be the year the TV Academy finally got it right. They were wrong.
Once again, HBO led all networks in Emmy nominations this year, and it wasn’t even close. Here’s a look at HBO’s noms haul in the past decade, followed by a breakdown in who got what this year.
NOMINATIONS BY NETWORK
HBO – 99
CBS – 47
NBC – 46
FX Networks – 45
ABC – 37
PBS – 34
Netflix – 31
AMC – 26
Showtime – 24
Comedy Central – 21
Lifetime – 17
National Geographic Channel – 15
Starz – 11
Discovery Channel – 10
Game of Thrones led the Emmy nominations race, but not by much, ahead of Fargo, American Horror Story‘s latest, Breaking Bad and The Normal Heart. Below we have charts with all the shows, organized by most nominations and by name. We also have a show-by-show index of what each show was nominated for.
The 66th annual Primetime Emmy Awards nominations were announced this morning at the TV Academy in North Hollywood. Netflix fared well with Best Series nominations in both comedy and drama categories, with Orange Is The New Black in the former and House Of Cards in the latter. HBO fared well with noms for rookie Silicon Valley and Veep on the comedy side and Game Of Thrones and True Detective on the drama side. Both of that series’ stars, Matthew McConaughey and Woody Harrleson, received nods in the actor category, as did Mad Men‘s Jon Hamm. The AMC show is back in the drama race with Breaking Bad and Downton Abbey rounding out the category. On the comedy side, the top category includes reigning champ Modern Family, CBS’ The Big Bang Theory and FX’s Louie.
Here’s the full list of noms:
Outstanding Comedy Series
The Big Bang Theory
CBS • Chuck Lorre Productions, Inc. in association with Warner Bros. Television
FX Networks • Pig Newton, Inc. and FX Productions
ABC • Picador Productions and Steven Levitan Productions in association with 20th Century Fox Television
Orange Is The New Black
Netflix • Lionsgate Television for Netflix
HBO • HBO Entertainment in association with Judgemental Films, Alec Berg, Altschuler Krinsky works, and 3 Arts Entertainment
HBO • HBO Entertainment in association with Dundee Productions
Outstanding Drama Series
AMC • Sony Pictures Television
PBS • A Carnival Films/Masterpiece Co-Production in association with NBC Universal
Game Of Thrones
HBO • HBO Entertainment in association with Bighead, Littlehead; Television 360; Startling Television and Generator Productions
House Of Cards
Netflix • Donen/Fincher/Roth and Trigger Street Productions, Inc. in association with Media Rights Capital for Netflix
AMC • Lionsgate Television
HBO • HBO Entertainment in association with Neon Black, Anonymous Content, Parliament of Owls and Passenger
The 66th annual Primetime Emmy Awards nominations are being announced this morning at the TV Academy in North Hollywood. Carson Daly and Mindy Kaling will unveil the lists beginning at 5:40 AM PT following Academy president Bruce Rosenblum’s opening remarks welcoming sleepy-eyed journalists to the Leonard H. Goldenson Theatre. Check out the live-stream, followed by the full list of noms and Deadline’s complete coverage throughout the day:
The Motion Picture Academy‘s new, and wide-ranging, weekly series of short videos talks about filmmaking of many kinds. Already, shorts posted on the two-month-old YouTube channel feature notables such as Mike White, Seth Rogen and Dustin Lance Black, as well as a behind-the-scenes look at the making of Jurassic Park and a video portrait of inner-city filmmakers.
“It’s an opportunity to really further inspire people about filmmaking and viewing film,” said Josh Spector, the Academy’s Managing Director of Digital Media and Marketing. “We really look at movies from a broad spectrum. We’re not locked in, we’re not sponsored, there are no ads. That frees you from conventional wisdom about what videos can be. People refer to them more as short films or mini-docs.”